Persuasive Essay On The Walking Dead Fandom

Cold blood, cold facts, hot topic. The banning of the book In Cold Blood from many school's curriculum has been widely based on the violence, sexual content, and profanity contained in Truman Capote's novel. However, based on a true story, this novel helps showcase the indisputable issues in society. Although In Cold Blood includes savage violence that can be damaging to students in younger grade levels, the novel should be included only in upper level advanced placement curriculums because it fosters safe and open discussions about violence, profanity, and sexual content in literature.

“Hey guys! This is the last communication you shall receive from me. I now walk out to live amongst the wild. Take care, it was great knowing you” (Qtd. In Krakauer 69). After graduating from Emory University, Christopher McCandless abandoned everything, gave his entire savings account to charity, and then hitchhiked to Alaska to live in the wild. In the novel, Into the Wild, Was McCandless justified in shunning society? McCandless was justified in shunning society because he simply wanted to find himself and be independent without any distractions from his friends or family.

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

The horror genre has been captivating and enthralling the masses for centuries, but more recently in the twentieth century these morbid tales have moved from the old media of oral stories and literature to the new medium of horror pictures. Horror pictures still are not the end of the evolution of the horror genre, as this medium itself has experienced evolutions to satisfy an increasingly desensitized audience. To exemplify this evolution of horror pictures we will be taking a look at an occult classic from 1968 Night of the living dead and a new thriller The Walking Dead. Both horror pictures portray a zombie apocalypse and there are similarities and differences in the main characters, the zombies, and the worlds of the two pictures.

Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.

Death is calling to him. The prisoner is anxiously waiting to be strapped to a table. He wonders what could be on the other side of the living. Is it God waiting for his soul to be judged? Or is it plain darkness? The guards finally escorted him to the chamber where his fate lies within. A very fine needle is inserted deep into his vein and what the vile tubes contain are sodium thiopental and pancuronium bromide. Once injected, these chemicals will shut down the body completely. After a steady rhythm of the heart monitor declined, there was a long flat beep sound. A doctor examines the body and the prisoner is pronounced dead.The U.S currently have 2.3 million people locked up in a prison or jail (Mass Incarceration) . Majority of the States have the death penalty for criminals with violent offences. However, There’s a lot of controversy surrounding capital punishment. Both sides of the argument are consistently trying to persuade the population whether it’s right or wrong. The movie, Dead Man Walking, is based on a true story that centers around a death row inmate Matthew Poncelet. Sister Helen, a nun, is called to help him for an appeal to escape the death penalty. The film illustrates both factions of the argument by demonstrating the usage of the persuasive techniques like pathos, ethos, and logos.

In the essay “Humankind’s Ouroboros”, J. Reagan Tankersley discusses about zombies in the horror genre and how over time they have evolved with society’s fears through evidence from big name zombie films of the time. The original publication of this essay was in a college classroom, though the audience was directed towards someone that understood or had basic knowledge of the zombie films Tankersley chose to use as evidence. So, if someone that picked up his work and had no knowledge of these films, they would already become lost. That is what makes this essay great. Instead of using the space he had to explain every little detail, he pulls towards an advanced audience; that would mean he would only have to slightly touch on the subject and

AHHHHhhhhhh........! Imagine being awakened by a soft, distance scream. Wide awake, the world returns to being silent except for a racing heartbeat. Suddenly, a soft resonating moan starts to fill the empty air of the bedroom. Looking out the window, the world is an eerie grey with nothing moving but the occasional garbage blowing in the wind. Suddenly the horizon begins to change as a crowd of people begin to emerge. Watching nervously, the figures get closer and turn into something much more menacing. They are all disease-invested, flesh-rotted, brain-hungry zombies! Where did these undead monsters come from? How do they survive? What

The Walking Dead is a televised American drama series about a group of people trying to survive a zombie apocalypse developed by Frank Darabont. The series stars Andrew Lincoln as sheriff's deputy Rick Grimes, who awakens from a coma after the world yields to a zombie plague (Griffiths, 2011). Dazed and confused from months in the hospital he wanders out to figure out why he cannot find anyone alive. He makes his way home only to find his wife and son missing. He sets out to locate his family and finds many other survivors on his journey (Tucker, 2010). The Walking Dead coordinates with many social themes such as

In this paper, the author, Olivia Miller, examines how zombie media texts affect presidential rhetoric through analyzing two of Obama’s foreign policy apologia speeches, one at the National Defense University and one at the Justice Department. She mentioned that the zombie narratives such as the Walking Dead and I Zombie have proliferated across media text and this popularity of Zombie text has caused the past decade’s cultural zeitgeist, “a fascination with the zombies that has been acknowledged by scholars as a response to the theorist attacks of 9/11 and a reflection to public uncertainty” (Olivia, 2016). She found a connection between the post-zombie apocalypse narrative, a differently structured narrative with more potential as a metaphor for the current political landscape and new terrorist threats, and Obama’s political efforts. That is, the post-zombie apocalypse narrative couches on surviving rebuilding society, reinstitution morality, and learning to live withe the threat of zombies while striving to regain normalcy. Obama’s speeches convey the similar thoughts that even

Survival and disaster preparation are relevant in the stories in the novel. Several interviews, especially those from the United States, focus on policy changes designed to train the surviving Americans to fight the zombies and rebuild the country. For example, when cities were made to be as efficient as possible in order to fight the zombies, the art of using real places and locations to describe these disasters, or when the ultra-rich hide in their homes, which had been turned into fortified compounds, they were overwhelmed by others trying to get in, leading to mass slaughter. Throughout the novel, characters demonstrate the physical and mental requirements needed to survive a disaster. There were so many disasters that can be related to the outrageous earthquakes, tsunamis, and volcano eruptions, etc. Zombie apocalypse can most likely be a reality through the spread a deadly virus. Brooks described the large amount of research needed to find optimal methods for fighting a worldwide zombie outbreak.

Breaking Bad and The Walking Dead are without a doubt two of the most popular shows on Netflix. From cooking Methamphetamine to killing off zombies, both shows provide viewers with amazing stories, and action packed episodes that will have you leaning off the edge of your seat. While many fans simply see two different worlds filled with zombies and drug dealers, there are actually small similarities that make people question if the two shows actually coexist within the same fictional world. Many of these similarities are hidden messages or items within the series that the writers have incorporated for the enjoyment of the fans. Once brought to the viewer’s attention, they will find themselves pondering over these similarities, struggling

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.

Syme wrote approximately two paragraphs on quotes from the main actors in High Maintenance. Quoting a Web series was not a beneficial decision for Syme, because those who do not watch Web series or High Maintenance would tend to lose interest or be confused by her digression. She could have used a more suitable example, like The Walking Dead Webisodes, which is a Web series that correlates with, “the most popular series on television among adults 18-49” (Kissell), The Walking Dead. This would have been a better example because, as one of the most watched TV series, Syme would have gained the attention of a larger audience. Many people can relate to The Walking Dead because of its popularity. Syme could have used more significant examples to strengthen her argument, and could have written more about her argument in

The popularity and appeal of the undead has greatly increased in the past few years with the rise of the popular television show, The Walking Dead. The show began in October 2010, and is still on the air today. Before the show was created, there were The Walking Dead comic books that were first published in 2003, and continue to be published today with over 148 issues. The fascination did not begin with The Walking Dead, though. Many movies were produced, and many books published before The Walking Dead was even thought of. An extremely influential individual to note is George Romero. Romero is an American-Canadian screenwriter, film producer, film director, and editor. He is best known for his series of apocalyptic films, beginning with Night of the Living Dead in 1968. Romero has been nicknamed the “Godfather of the Undead.” Some other works of fiction and film to note include 28 Days Later, I am Legend, Pride and Prejudice Zombies and The Zombie Survival Guide, also by Max Brooks. Our cultural fascination with “the return of the dead” can be traced back to the events and the general morale leading up to World War Two, and the atomic bombings of Hiroshima and Nagasaki in 1945.