Petrarch Father Of Originality

Francesco Petrarch (1304-1374) was an Italian scholar, poet, and early humanist during the reformation of the Renaissance period. He was one of the greatest poets of the 14th-16th century, and is regarded as the father of the humanist movement. Petrarch was a prolific writer. Not only was he known for poetry in Italian and Latin, but also hundreds of letters, essays and histories. Like Dante, a generation before Petrarch wrote in a vernacular style to bring Italian a literary language.

As Mannes stated, the process of association is essential in determining the quality of art, by comparing it to the other art we have seen. I am able to judge the multitexts I have read in class by using the process of association to compare them to each other. For example, we are able to judge the quality of the pieces by comparing and contrasting them to each other. All three of our multitexts used certain writing models such as analogy poems and dialogue. Cusion’s piece “Blame”, is an analogy poem that he used to build on his multitext, implicitly telling readers

A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.

The Familiar Letters:Passion for Work written by Petrarch, and an autobiography written by Leon Battista Alberti. Petrarch was the son of a Florentine notary and studied law at University of Montpellier and Bologna. After his father passed away Petrarch abandoned law and fully committed to his love of literature and poetry. He is best known for his poetry, which gained him the crown of poet laureate in Rome; however, he did also publish volumes of letters and personal philosophy Petrarch is often considered to be the founder of humanism through his rediscovery of Roman and Greek writings and philosophy. Leon Battista Alberti was born in Genoa, Italy to a wealthy merchant-banker family. Alberti, like Petrarch, studied law at the University of Bologna, however, Alberti would take a literary position for the Papal Chancery in Rome. Alberti was really an accomplished man, he wrote novels and poetry, designed buildings, practiced science, and painted. Leon Battista Alberti was truly a complete capture and prototype of what it means to be a “Renaissance

Philosophers, intelligent, tend to only preach their ideas to the few who would befit those most, because many people did not have the time or luxury to learn and ponder the world’s questions, unlike the upper class. It was not until the Renaissance, when the revival of Greek philosophy through Neoplatonism and neoclassicism became popular with the help of the printing press, “Renaissance thinkers found in the life of the ancient

This text was written in Italy where the author came from. it was written when he was 49 years old and the renaissance was actively happening at the time.

“In a comparative study of texts we see that the connections between texts are realised through the different textual forms used by each composer.”

ENC Major Project 1 Rough Draft JF Jacquelin Fleming Tue 9/15/2015 12:00 AM Inbox; Sent Items To: Jacquelin Fleming; When you think of literature, reading and writing is usually what comes to mind.

Petrarch made an impact on the Renaissance by inspiring people and students to study the classics. His poetry, and especially the sonnet form, has truly evolved as poets from Shakespeare to Franz Liszt and Eliot Carter, both modern day composers. His love for Laura is replicated in a novel entitled Muse by Canadian author, Mary Novik. His use of Italian in his writing also helped develop modern day Italian and he has been an inspiration to other

Medieval scholars had long studied ancient Greek and Roman authors, but had, like St. Thomas, devoted themselves to integrating the ancient ideas into the theology of the church. Starting with Petrarch in the early 1300s, however, humanists became interested in the ancient writers on their own terms. Humanists came to admire the more worldly wisdom of values of ancient Greece and Rome, and eagerly sought out new texts in an effort to recover as much of the ancient knowledge and spirit as possible. Why such enthusiasm for the ancients? The worldly spirit of the ancients seemed more suitable to the prosperous merchant class, and they provided an important foundation of prestige and authority for a new class of men as they asserted their right to rule.

He adds that there is too much credit given to Renaissance artists, that they “were really rather medieval. They were more traditional in their behavior, assumptions and ideals than we tend to think—and also more traditional than they saw themselves” (Burke, 172). That does not mean to say that Renaissance men were not influential, just not as progressive as they believed themselves to be. Petrarch is considered extraordinary for reintroducing and defending pagan classical works in a culture dominated by the Catholic Church. He writes in his Letter to Boccaccio that “to desert out studies shows want of self-confidence rather than wisdom, for letters do not hinder but aid the properly constituted mind which possesses them; they facilitate our life, they do not retard it” (Petrarch, 162). Petrarch’s contribution was still significant, but it was not the first of its

In the literary `movements' of neo-classicism and romanticism, Voltaire's Candide and Goethe's The Sorrows of Young Werther represent the literary age in which they were written. In the following composition, textual evidence will be provided to demonstrate how each book accurately represents either the neo-classicism age or the romanticism age. Candide and The Sorrows of Young Werther will be examined separately, and then examined together. After, a discussion about how each age seems to view the nature of man and the significance of moral and spiritual values will be presented. Also, a personal interpretation of the conclusion of each book will be given. Lastly, quotes

In the later years of his life, Renaissance humanist Francesco Petrarca (1304-74) remarked: “There is no lighter burden, nor more agreeable, than a pen.” In many ways, the positions taken on the liturgy by Cardinal Diego Fernandez de Quiñone, (1482-1540) the Council of Trent, (1545-63) and by St. Pius V (1504-72) represent the Catholic Church’s embrace of Humanistic ideas. The effects of this embrace were manifold: attempts were made at the Council of Trent to limit the elaborateness of the music of the mass to insure clarity of text, Additionally, attempts to thin out and order the breviary were undertaken by Cardinal Quiñone and Pope Pius V However, Pius X’s (1835-1914) attempts to distribute a new Psalter

He chose the life of a monk after losing the woman he idolized as perfection, and devoted himself as an employee to a cardinal after squandering most of his inheritance on “debauchery” . While devoted to God, Petrarch developed a side affair with a love of Classical Antiquity and Literature the most popular devoted to the idolized woman he never had. “Petrarch’s writings made him perhaps the most celebrated man of letters of his time”. His renaissance style and thoughts made Petrarch a man many considered both self-aware and conflicted, nevertheless he wrote books of love and dispelled paganism. He was a multifaceted man of the era and for many, a required stepping stone, building a bridge between two eras able usher the middle ages into a renewed light of

Beginning with the Renaissance (1400-1600) we see a change in the subject matter being portrayed by artists of the time. We can attribute this change not only to the change in patrons, from the Christian church to wealthy bankers and politicians, but also to the growing body of scientific knowledge. “The Renaissance was