Petrus Christus and Raphael from the Age of the Renaissance Essay

Gorgeously. Striking. Grace. The golden painting is taking up by the two most iconic symbols of Christianity: Jesus Christ and Virgin Mary. Christ gently placing a golden grown on the inclined head of the Virgin Mary, who is sitting on the right side of Jesus; her hands crossed over her chest symbolist of humble, reverent and loyalty. This position was purposely set by Fabriano. In Christianity art, position is significant in dividing between good manners and malefactors. For instance, in The Last Judgment by Giotto di Bondone in 1305, heaven was placed on right of Christ, and hell was on the left. This ideology was clearly stated in the bible “...before him shall be gathered all nations:

The ominous figure in the centre of the foreground - Jesus Christ hanging lifeless on the cross, in Luca di Tommè’s ‘The Crucifixion’, primarily catches the eye. The symmetrical arrangement of lamenting figures around the cross, as well as the gilded background, highlight him as the focal point of this artwork.

In general, both Giotto’s Lamentation and Caravaggio’s Entombment are idealistic paintings for their times. They both show the artistical achievements for their era by their use of detail and new techniques that are available for them to use within their perspective paintings. These

There is a convex mirror on the back wall that has tiny scenes of Christ's passion around it (figure 4). These small scenes would depict the couples love for Christianity. Jan would also make the scenes so obviously small so that the viewer would be intrigued and reminded of their faith. There are also prayer beads to the left of the convex mirror and they would also depict Christianity (figure 3). Like most of the painting of this time, religion played a huge role and if Jan wanted the church to support this painting he would have been forced to add religion to the painting.

For being over eight hundred years, the Christ in Majesty with Symbols of the Four Evangelists remained in remarkable condition. However, pieces of the original piece, which originated in the Catalan chapel in Spain, have faded. Portions, especially along the bottom, have disappeared over time. Even though historians moved it to the Boston Museum of Fine Arts, it has not been fully restored. The artist identified each of the apostles in the Christ in Majesty with Symbols of the Four Evangelists, but the writing has grown fainter and this creates a difficulty for art historians. Another key factor in the overall story represented has faded--one of the lamps or incense holders beneath Christ.

The medium of the painting was Tempera on wood and this was common practice use of painting during the early part of the Renaissance. The painting itself tells a story. It shows three miracles that saint Zenobius performed. In the first scene, we are shown Zenobius beside what is believed to be a funeral procession for a young boy. In the painting itself, it is

The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a

It also show the “intercession of the Virgin” (kleiner, pg. 351). In this fresco Christ is the central figure. He is looked at, by the saints and martyrs, in awe. Christ is also show trampling on Satan and his key and locks to Satan’s prison “House of Hell” (kliener,

This artwork is a Bohemian design painting. The artist shows the impact of naturalism through visual art by painting human figures and expressing a dramatic event . The painting shows Jesus hanging on the cross, with the two thieves on both sides. Above Jesus and the two thieves are

The theme of God’s mercy and love for humanity is evident with the crucifixion portrayed in the painting by Jesus, in infant form, sleeping in the arms of his mother, Mary, symbolizing his death after he was taken down from the cross and held in his mother’s arms. The white linen being spread out by Saint John represents the shroud in which Jesus’ dead body was wrapped in for his burial. The presences of Saint John is very significant to the art piece because Saint John was present at the crucifixion of Jesus and is told the famous words quoted in John 19:23-24; which helps depict the theme of God’s love for humanity in order to regain the right to Heaven in this painting. The small symbols portrayed throughout the art piece, send the grand religious theme of God’s mercy, casting guilt on the society for what they have done during the Renaissance

This piece is located on the south wall of the Scrovengi chapel in Padua, Italy. The duration which this piece was created during is from 1304 to 1306. The medium used for Kiss of Judas was fresco. 2. I managed to count 20 faces, including Jesus, Judas, and Peter, though there seems to be more than twice that number of heads.

The Temptation of Saint Anthony Abbot by the Artist: Master of the Osservanza, ca. 1435–40. Located at New Haven, Connecticut Yale University Art Gallery.

How about we begin with depicting Giotto's Lementation (Mourning of Christ), you're eyes will probably look particularly towards Christ's dead body laying on the floor. Touching Christ's head is his mother, the Virgin Mary. Down underneath demonstrates a woman holding Christ's field and her name is Mary Magdelene. The bodies or figures surrounding Christ's dead body are demonstrating a saddened feeling towards Christ's passing. The lady to the center left of the composition is

It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, Saint Mary Magdalene and Joseph of Arimathea.

The French sculpture entitled Christ in Majesty, of unknown artistry, represents the Christ figure from the Romanesque period. This piece, made approximately in 1188 for the Cathedral of Orense in Spain by a scholar from the Limoges school, depicts a judging Christ, a recurring theme throughout Christian artwork. It is currently located in the Sacred Art section of Getty Center Museum’s North Pavilion. According to the description on the bottom of the artwork, it consists of “engraved and gilt copper, champlevé enamel, and colored glass. In many ways, Christ in Majesty, represents the intertwined nature of religious, political, and social customs of the Romanesque time period.