Essay on Phantom of the Opera

In 1984 Andrew Lloyd Webber, transformed the original The Phantom of the Opera novel (written in 1911 by Gaston Leroux) into a dialogic, emotional masterpiece. The prologue starts at the end of the story, in an auction in the Paris Opera House, in 1905. Raoul, the Vicomte de Chagny is buying a papier-mâché music box,

Meursault's character is the determining factor in his conviction and sentencing. His social rebellion is deemed immoral and abominable. The reader and the novel's characters both try to rationalize Meursault's actions in order to give his life meaning. But according to Meursault, life is meaningless and consequently needs no justification.

"It is precisely of him that I wished to speak. Dispose of me as you please; but help me first to carry him home. I only ask that of you." Upon examination of Les Miserables, it is clearly evident that the elements of Forgiveness, Self – Sacrifice, and Courage are only a few of the main themes Hugo wanted to develop.

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

A ghost appears and says he is Hamlet’s father. The ghost says he was murdered, and wants Hamlet to get revenge on who is responsible for his death. Hamlet is hesitant because he doesn’t know if the ghost is telling the truth. Hamlet must find out the truth and deal with his actions along the way. The ghost has a very impactful and important role in the play, and is the driving point in the play.

“We all have a social mask, right? We put it on, we go out, put our best foot forward, our best image. But behind that social mask is a personal truth, what we really, really believe about who we are and what we're capable of.” Sometimes people can use mask’s to change how they look, feel, and what they think. Everyone has their own mask that they use so that other people do not judge them on who they are. People also mask themselves if they do not think they meet any standards that other people have. It is more beneficial than harmful to mask yourself.

When given the thought, one makes the comparison that masks are used to describe our

veil to shield the emotions of bearer of the mask and personal denial of specific

In We Wear the Mask, the author’s purpose is to push the reader to feel something about the way things were in his perspective.

The Phantom was a first class creep and murderer. However, that may have been different if society didn’t judge a book by it’s cover. All throughout his life, The Phantom was scared of being judged due to his face. His deformity lead to his mom giving him a mask to hide his face. He was in a freak show where they called him the “Devil’s Child” and tortured him. All of this lead to the murdering of innocent lives and an obsession of a 16 year old girl named Christine.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

He is the topic of conversation between the three witches in the first scene, so the audience is aware that he is the protagonist of this tragedy.

    Does the ghost in Shakespeare’s Hamlet conform to the standards for ghosts in the days of the dramatist? This essay will answer this and other questions about the ghost in the drama.

Contrary to his belief, the narrator does not have a mask on. Although the narrator believes in a misconception that he is ‘playing the role of a boy,' when in fact, what he considers to be a mask is simply his body and his male appearance. The narrator is never in a real need to ‘play a role' because nobody really actively tries to find out who he really is. His peers, based on his appearance, all assume that he shares the same sexual orientation as they do.

    Though Shakespeare cannot claim the invention of the ghosts in tragedies, still he can claim to have clothed his ghost in Hamlet with convincingness. This essay concerns his one supernatural character in the tragedy.