Phil Yu's Journey To Asian American Identity

Despite the fact that Asian Americans have been in Hollywood for decades, there are very few positive representations of them in film. More often than not, they’ve been depicted as stereotypical caricatures, and more specifically, as foreigners who can’t speak grammatically correct English. Moreover, the negative representations of Asian Americans in film has perpetuated certain misconceptions about their culture. Chan is Missing (1982) calls for more genuine representations of Asian American identities through its cast of complex characters and defiance of Asian stereotypes. The film also urges its viewers to critically think about their own notions of identity through the use of several recurring themes and filmmaking techniques.

Liu, like any other kid wanted to be cool. He shares that one major part of being cool, was to have the cool hairstyle. For most of his childhood, Liu sported a bowl cut. The new style in his school however was hair parted down the middle and tapered on the ends. With Liu’s Asian genes it was nearly impossible to accomplish this style. After a couple years of trying various different hair styles that did not suffice as cool, he finally became content with having a crew-cut. Liu also thought that because he was Asian, he had less of a chance to get girls. Liu insists that it was the “sole obstacle” to his “advancement” (Liu 20). His response to this was to do more school activities such as write for the school newspaper and join the school newspaper. Although he wanted to disconcert stereotypes, Liu states that this made him seem like a typical “Asian overachiever” (Liu 21). Another concern Liu had from his Chinese heritage was that he had never been taught American manners. When he went to a friend’s house to sleep over, he never said “thank you” for it. When he had dinner at a friend’s house he ate differently than the others. As he began to change the way he acted and talked at friend’s houses he began to realize that he was getting further and further away from his Asian heritage.

Cultural Values Toward Education The Asian group has strong standards regarding academic success. The United States Census Bureau reported that the percentage of Asian Americans to possess a bachelor’s degree or higher increased by 54% which shows a significant increase within the past 20 years (United States Census Bureau, 2016). Throughout much of Asia, children are taught at an early age to believe that education is the only path to success. While they are a distinct minority, their indicators of success in terms of education and future income occur because of the unique style of parenting which is based on the belief of the philosopher Confucius. Within their culture, they are taught to work on self-perfection which will help them achieve self-improvement in qualities such as diligence, determination, and concentration (Seal, 2010). Parents, family members, and their community assume the responsibility for teaching and disciplining children. Furthermore, they instill the belief that a child’s achievement or lack thereof is a direct reflection on the efforts of the entire family and community (Chen & Uttal, 1988). These types of demands coupled with academic

Asian American Experience The pain and the suffering, the oppression, and the exclusion all describe the history of Asia America. When they arrived to the United States, they become labeled as Asians. These Asians come from Japan, China, Korea, Laos, Thailand, and many other diverse countries in the Eastern hemisphere. These people wanted to escape from their impoverished lives as the West continued to infiltrate their motherland. They saw America as the promise land filled with opportunity to succeed in life. Yet due to the discrimination placed from society and continual unfair

Growing up as an Asian American, I often struggle to identify my own cultural identity. Being the first generation of both my mother and father’s side of the family, I more than often get confused between American and Asian culture when applying them to society or at home. While being raised at home, I am largely influenced by culture and traditions from Asian parents and relatives. However, when I go to school or someplace else, I am heavily judged for practicing part of my Asian culture because it is entirely different than western or American. With that being noted, I began to learn and adapt to the western culture in hopes of fitting with society as well of trying to keep my Asian culture intact. As can be seen, this situation I dealt with is the same problem the whole Asian American community faces. Mainly focusing on younger generations like me for example, the Asian American community struggles to adapt to the western culture because they were raised with an Asian influence. Wishing to fit in society and be part of the social norms, the Asian Americans community faces issues that identify their cultural identity.

Chin-Kee is loud, obnoxious, and can't speak properly due to his chinese Jin Wang is embarrassed to even be apart of his family by the way he acts and how he represents their culture. He now can see how hard it is to fit in.

An Asian Growing Up in America The air would always be humid and stuffy while riding the bus to school, and the slightest bump in the road would result in tossing up the kids like salad. The backseat would provide carriage for all the popular and tough kids shouting out at pedestrians on the street or flipping off a middle finger to the bus driver that would shout for them to calm down. I despised those kids in the back. They were the same people that made my life a living hell, while growing up and attending an American school.

Rhonda L. Callaway’s article explores the idea that Western orientated human rights are not suited to Eastern Asian societies. Callaway discusses how Asian societies prefer to follow a less individualistic approach to life, instead focusing on the family and community, placing them in a position opposed to Western customs and rights. Yet, criticisms of the notion of ‘Asian Values’ are also included, one such criticism labelling it an excuse for the state to repress rights.

The Chinese-American Identity Fae Myenne Ng is a contemporary Chinese-American author who is known for her first written novel, Bone. Her debut novel was published in 1993 and the story is told through the eyes of the main character, Leila Leong. Leila tells the story of her family’s history and the events that unfold following the suicide of her sister. As Leila’s story progresses, themes of identity and family life are revealed. Leila and her two sisters border the line between American and Chinese, two distinct cultures that belong to very different worlds. The sisters deal with the struggles of assimilation as they grow up in the seclusive community of Chinatown only to live in an American world. The family life of the Leong

Chinese Americans      The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

Historian Daryl Joji Maeda called the The Asian American movement “a multiethnic alliance comprising of all ethnicities by drawing on the discourses and ideologies of the Black Power and anti-war movements in the United States as well as decolonization movements around the globe.” By the 1960s, a new generation, less attached to the ethnic differences that plagued Asian immigrant groups, began to grow and work together. The black and white binary race treatment in the US alienated Asian-Americans as an other, causing some to begin their own rally for Asian-American civil rights.

Sitting in a circle, most of those who were staring at me also looked like me – black hair, squinted eyes, and yellow skin. Not twenty minutes ago, I paced around the heart of a predominantly white college campus. Now, I was introducing myself to the members of Asian Students United (ASU). While I was never a part of ASU, I asked one of the organization’s executive board (eboard) members – Tien, who happened to a Facebook friend – if I could attend a couple of their meetings to conduct research on Asian American identity. He delightfully agreed. After all, from an outsider perspective, I would fit right in. At these meetings, I participated in many of their activities, which included making a quilt and participating in discussions. Yet, I was always observant and somewhat detached because this was all new to me, making me an observer-participant. This allowed me to observe a range of details; however, because I was so new, such details may have been unimportant to those whom I studied. On the other hand, my Vietnamese church was all too familiar. As a full participant in the church and a former participant in Youth for Christ (YFC), I was pressed to critically observe and dissect these interactions. While I still asked the group leader for a chance to observe YFC meetings, data from this second site may be more biased toward the way I have known people in this institution from prior years. As a tradeoff, though, being a participant-observer may have allowed me to note more

Many new arrivals still struggle to survive and often Chinese Americans still encounter suspicion and hostility. Chinese Americans have achieved great success and now, like so many others, they are stitching together a new American identity. As Michelle Ling, a young Chinese American, tells Bill Moyers in Program 3, “I get to compose my life one piece at a time, however I feel like it. Not to say that it’s not difficult and that there isn’t challenge all the time, but more than material wealth, you get to choose what you are, who you are.” (www.pbs.org)

Xue Wu grew up living the busy, big city life in Shenyang, China. She lived with her parents and her grandparents on her mother’s side. She looks back fondly upon her childhood. Elaine remembered that while in elementary school, her father would typically be the one to drive her to school.

The Asian athlete are often seen as the model minority for their overly conforming attitudes towards American culture (Martin, 2015). The Asian athlete offers the image of the patriotic immigrant subject who asks little to nothing of the nation and praises the nation for the opportunities it presents (Joo, 2012). One example is found by Mayeda (1999) regarding Japanese pitcher Hideo Nomo’s first year in the major league (1995), as the American sports media viewed him conforming entirely to American beliefs and values. According to the author, Nomo embraced this perception by sacrificing personal comforts and remaining quiet to better help his team and teammates on the Los Angeles Dodgers. Former Houston Rockets center Yao Ming represented model citizenry in displaying a good balance of an ideal Asian, in that he was able to compete against non-Asian athletes and still maintain his individuality as a Chinese citizen to become a cultural icon of Chinese American communities (Bairner, 2008).