Few museums last the test of time. For years the Philadelphia Museum of Art have continued to invest in their visitors, providing them with an environment where they can create memorable experiences. The Philadelphia Museum of Art began as an art gallery at the Centennial Exhibition in 1876. The Centennial Exhibition, more notably known as the World’s Fair, was held in Fairmount Park, in Philadelphia, to celebrate the 100th anniversary of the signing of the Declaration of Independence. After the Exhibition, the PMA art gallery moved into an already constructed building, Memorial Hall, and became the Pennsylvania Museum and School of Industrial Art. They constructed a “vision” or a “goal” to “create a museum along the lines of the recently completed …show more content…
They are training up fewer “creative craftsmen” and instead are engaging communities, not only in Philadelphia, but across the globe. The addition of technology continues to make the PMA’s ambitious mission more of a reality everyday. The only problem is that an online visitor will not find the PMA’s official mission statement on their website. Only after a google search, can their mission easily be found. If an online visitor can manage to find it, the only place their mission is “briefly” mentioned is under the copyright section of their website. Not only is this disappointing but it also confuses their online visitors. They have their full story listed as well as any amenity the museum offers, however their mission, arguably the most crucial element for any museum, was missing from their …show more content…
Today, they continue to offer several workshops for children and adults in the form of museum tours, films, lectures, performances, art classes, family art tours, etc. In addition, today the PMA has majority of their permanent collection available online for public viewing, in addition to allowing online access to their library and archives services. In addition, they have additional resources available to schools, colleges and teachers. They even offer a resource called “distance learning” where they have instructions on how to tour their museum from the convenience of the classroom or the comfort of your own home. That is an incredible resource alone. In addition to staying mission focused, the PMA is taking great strides to extend their collections worldwide, all while encouraging learning and allowing their audiences to delight in all the they have to
Back in my school years I used to visit many historical museums, where I learned a lot about the culture and society of the past. As I have always been interested in history and arts, all that was a breathtaking experience for me. I believe that these museums is the best way to get closer to lives of our ancestries and it can help us to see the world in a different way. However, to be more knowledgeable about the world we live in, it’s also extremely important to be familiar with modern art. So this time I decided to experience something new and started searching for a museum which would contain works of contemporary artists. Tampa Museum of Art was a great option. This Museum was founded in 1979 and since then it has curated three exhibitions covering the Classical World to Mid-Century Modernist works,
Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of
The first room of the museum pulled in the audience with artwork from the 20th century. Although it may seem like artwork put together at the last minute, if you look closer, you will see something entirely different. Each piece had so much detail and unique qualities, such as style and art form, that you haven't see in many other museums before. It is important to appreciate the erratic design and character of each piece of art, but after seeing the entire museum, it is easy see the monumental difference between art now, and the art of our past. Art of the past showed a lot more
I hope to see museums make more concerted efforts to educate the public. Too many exhibits are of the “passive, didactic looking” than like the engaging Object Stories program (Dartt, Murawski). Exhibits should seek to tell untold narratives, and programs should be places of communication and cross-cultural encounters. For too long, difficult confrontations have been avoided, both inside the museum, and by dominant communities
Under the guidance of Charles Willson Peale (fig. 1) in 1805, a group of Philadelphian artists and merchants gathered to ratify the charter that formed the Pennsylvania Academy of the Fine Arts (PAFA) the oldest art school and museum in the United States. Founded on the dedication and principles of education, collecting, and exhibiting American art. Peale and the other Found Fathers of American art sought “to promote the cultivation of the Fine Arts, in the United States…and exciting the efforts of the artists, gradually to unfold, enlighten and invigorate the talents of our Countrymen.”
After arriving and going through the security screenings, I proceeded to go down the stairs, entering the exhibit itself. Before even observing anything specific, it was immediately realized that this was no typical museum. Most people know that upon arrival, but only when you first enter the exhibit do you realize that this museum is not one that inspects the past, but one that reminds us of it.
From the small city outskirts to shining Center City, Philadelphia has lots to offer. The city is home to museums, concert halls, shops, landmarks, and so much more. The Philadelphia Museum of Art is a great place to visit- with new exhibitions every few months, there is always new art to enjoy. The first Sunday of every month and every Wednesday night are times that art museum visitors may pay what they
I decided to visit the Longmont Museum and Cultural Center (Image 1). The URL for this museum is http://www.ci.longmont.co.us/museum/. My experience visiting this museum was very different from the other museums that I have visited more recently. It provided a great deal of interesting insight and topics for discussion for me to consider. My overall experience consists of the museum’s setting, any personal interactions that occurred, my analysis of my favorite work of art that I encountered, and my opinions on viewing art in person rather than through other material.
Throughout the experience, I learned the importance and care of working with an artifact along with operations within a museum. As I toured Heartland Museum, I witnessed all of the items that are stored behind the scenes because museums only keep a small percentage of the belongings on display. I also learned about the process of creating a display, which includes piecing together many details like attraction, relevance, and of course history. Museums must worry about the community’s interest in the displays. Lastly, I learned about the importance of an artifact by working with some of the items. It is important to handle artifacts with care because of the fragility of the item. After the information I learned at the museum, it was my turn to experience the public
While some may view museums as homes of the dusty, decrypt, and decaying, I think back fondly to the memories I've made in them. When I was four and living in a small apartment in Shaker Heights, Ohio, my father would take me to the Cleveland Museum of Rock and Roll on the weekends when he wasn’t busy working on his MBA at Case Western Reserve University. Every time we visited, I would tell my father that I would grow up to be just like Elvis, to which he would laugh and scoff affectionately. When we moved to Glen Allen, Virginia when I was six, we would occasionally drive up to Washington, D.C. to the Smithsonian Museums. On some Saturdays, we would walk for hours through the halls of art I didn't understand (and still don’t really understand) at the Museum of American Art. On other Saturdays, we would go to the Library of Congress, where I would press my forehead against the glass of the observation deck—much to the dismay of security guards. But perhaps the most significant "museum" I've been in is just a short three-minute drive or seven-minute walk from my suburban home: the Twin Hickory Public Library.
My building(Palace of fine arts) contributed to the Chicago’s 1893 World’s Fair from many ways. First reason, how the Palace of fine art contributed to the fair was by “relieving them from monotony the exterior facades were adorned with mural paintings representing the history of art”(Says, 2017). This means this building was used to help people out. Second reason, how the Palace of fine art contributed to the fair was by “showcasing artworks”(McNamara, 2004). Palace of fine art shows off to Chicago to the rest of the world by “housing over 10,000 artistic works from around the world” (Wadsworth, 2014). This means that this building allows a safe place to put the exhibits. Finally, the Palace of fine arts is now called, “Museum of Science and Industry.
When people think about a museum most of them think about walking around starring at paintings they don’t understand and reading the little cards with their description. After a while they get tired of walking around long hallways and finally decide to leave. On the other hand, the Gallery One at the Cleveland Museum of Arts is more than just a museum, it’s a fun and innovative environment that how Alexander explained, “… the intention of Gallery One was to transform visitors into participants, rather than passive observers.” (2014). When people get their hands on the action they are most likely to have fun, learn, and build experience.
Look at that!” Absolutely stunning and breathtaking artwork from artists then and now. It was nice to see the different styles and techniques that’s each person used, none of which were exactly the same. Going to the MoMa was like going through history and through the lives, lifestyle of a variety of people from all over. That is what I took away, I saw the individuality of everything. They were able to take risks and break boundaries, try new things take what they knew about art and make it completely what they felt it should
As I walked up to The Metropolitan Museum of Art (MET) for the first time, I was overwhelmed with amount of visitors that occupied the steps to the entrance and wondered if this visit was the best choice. I opened the front doors to the museum and stepped inside; my immediate impression of the place reminded me of my first experience at Grand Central Station. Initially, I was overwhelmed and distracted by the hustle and loud noise around me, yet at the same time, I found myself mesmerized by the architectural beauty and layout of the place.
There are opportunities though, and they are good opportunities. I was able to identify three that they should pay attention to and really hit hard on. In today’s economy, people aren’t wanting to spend a lot of money. The recession is making people be a lot more conscious about money. Good news, the museum is free. If marketed properly, this could be a huge way to gain new visitors. Plus, art museums have sophisticated connotations that make people feel smart when they go to them. What better way to spend the day than to go somewhere that is free and feel sophisticated? Another opportunity is that new exhibits could attract younger demographics, pending on the exhibit. This could be tricky though because they want to attract everyone, but older crowds are interested in things that younger generations aren’t. They have to be able to balance the attractions so everyone can relate to it and want to view it.