Phillis Wheatley's Poem : Equality, Freedom, And Racism

During the years of the 1920 's through the early 1930 's, African Americans established themselves artistically, culturally and socially. This intellectual period was known as the Harlem Renaissance. The period of the Harlem Renaissance brought together black authors, musicians, and poets. One of the most notable poets of this era was Langston Hughes. Langston Hughes is considered one of leaders of this period. He 's famously known for his controversial bodies of work. One of the most controversial poems created by Hughes is his poem called "Silhouette". Silhouette was written in 1936, where racial segregation and prejudice was emphasized. What makes this piece of work so controversial is how the tone within the poem takes a drastic turn when the speaker and gender are changed. This paper will analyze the ambiguous meanings of the poem once the speakers identity is transitioned.

Phillis Wheatley was the the first African American writer to have her books published in the United States. Poems on Various Subjects, Religious and Moral written by Wheatley was viewed as a model for the importance of education with religious aspects, as it was often seen throughout her poetry. Formulated mainly of neoclassical elegiac poetry, Poems on Various Subjects triggered several discussions concerning the length to which Wheatley can be deemed a minor poet or whether she wrote to express politics and moral trouble.

Dunbar wrote in black dialect also, although it wasn’t his ideal way of writing. His readers favored his poems in black dialect instead of his preferred way of standard English so in spite of his success he was disappointed that his greatest gift had gone unappreciated. The need to survive financially in the literary world had forced him to compromise his talent. Dunbar often wrote about the difficulties the black race encountered and the ongoing race for equality in America; a subject Wheatley rarely touched in her poems.

This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality,

Wheatley explains that Africans are also important members of society as they also had the ability to become Christians like any other ordinary white person. The fact that she suggested they could be enlightened goes a long way in showing how she was inclined to believe all people were equal. Contrary to popular belief and the norm during that time, Wheatley believes that the Black race can be saved through aggressive habits to attain spiritual absolution.

In “Illegal Alien” Pat Mora writes about the problem of the difficulty people have communicating when they are of different backgrounds. For years now people have been judged by their skin color, their race, or where the originally come from. In “Illegal Alien” Pat Mora gives us a good example of this as the character in her poem goes through this trial of being from both the Mexican and the American cultures. Pat Mora indicates her difficulties that she is going through being born into two different cultures.

For many years now people have judged one another based on characteristics and family background. Some judge based on skin color, race, where your family has come from, and how you came about. “Legal Alien/ Extranjera Legal” by Pat Mora gives a very realistic message of how it can feel to be a mexican american and to be seen as a ‘legal alien’. To feel not wanted by either side, and to be judged based on the origins of your ancestors and your race. “viewed by Anglos as perhaps exotic,/ perhaps inferior, definitely different,/ viewed by mexicans as alien.” This here, is a perfect example of the way Mora feels about being judged and seen as an alien and her interesting use of diction, metaphors and similes. I think the tone Mora has is one

In Pat Mora's poem, "Legal Alien," the author describes her biracial character as being "viewed by Anglos as perhaps exotic, / perhaps inferior, definitely different, / viewed by Mexicans as alien," a description which highlights the situation encountered by people who strive to be prestigious individuals by floating between cultures and who consequently fail to be a part of any particular group (Mora 9-11). Often the individuals are biologically trapped between two probable lives, and they forge ahead to meet the opportunity of possibly belonging to the higher society while they degrade the small culture which has weaned them from birth. These people find themselves

Frances E.W. Harper and James Whitfield are two of the most influential anti-slavery poets of all time. Both individuals use poetry as a form of resistance and as a way to express themselves during a time of great racial tension. Their poems reach out to many different audiences, shedding light on racial injustices that were present in America. Harper’s and Whitfield’s poetry, like many other works that were written during this time, help us to better comprehend the effects of slavery on African Americans.

……In 1845 an extraordinary piece of work by Frederick Douglass was published “Narrative of the Life of Frederick Douglass, an American Slave”; this was the life of a man who through many adversities stood tall with his head in the heavens. Douglass was the more proactive abolitionist as his work was to demolish slavery while detailing his life experience as a slave and expressing is deep emotions and theory on slavery. In the “Narrative of the Life of Frederick Douglass, an American Slave” he expresses the way religion and its literature, the bible, had an effect not only on slavery but also with white Christianity. His position on slavery was strong and compelling. Douglass used powerful authoritative words from the start of his narrative to grasp our hold and attention and keep us enflamed while realizing God is embedded in the words. ……Phillis Wheatley overcame obstacles most people would quiver against. She showed us slavery and she showed us faith. In the poem, she tells us “Twas mercy brought me from my Pagan land, Taught my benighted soul to understand” (Wheatley, line 1-2) Right from the beginning , Wheatley shows us religion through her use of subtle but powerful words. She uses the words “Mercy, Pagan

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

In today’s society we face a lot of issues, but there is one issue that stands out to me most. Which these two poems address, that is injustice towards other race in America. In Langston Hughes “I Too” and “The Weary Blues” the trouble of unjust towards African Americans, weigh on the speaker’s mind. Each poem reflecting on the same issue just a little bit differently.

All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.