Phonograph And Its Future

A very popular consumer item was the phonograph. It was first invented in 1877 but it was so expensive it took a while for the homes in america to get ahold of it , by the time of the 1920’s 7 million homes had their hands on one but they were still pretty expensive. The phonograph was a music recorder and to the people of america it was important because that's where most of their music came from either that other radio. It was referred to by many names like “talking machine” or “music machines” or its proper word “phonograph”. The most popular phonograph was called the “victor victrola”. Its inventors were Thomas Edison, Emile Berliner,Eldridge R. Johnson. The newer version of the phonograph that was produced in the 1920’s didn’t have

Overall, Jenkins is interested on the impact convergence has on popular culture, however, considering the process of convergence of modes, he recognizes that popular and political cultural are beginning to blur. Like cultural, both new and old media alike are begging to blur and evolve, while delivery technologies become obsolete and get replaced. An example would be the replacement of floppy disk to CDs and more commonly now, the use of USBs, Jenkins describes this as “The Black Box Fallacy”, where media combine as one

The development of the phonograph is similar to the development of the Audio Spotlight. The first rudimentary machine was for recording and playing back sounds. The way it all started out was using paper strips to make a record of telegraph messages. By attaching a needle to the back of the diaphragm and mounting it above rollers for the paper strips, then putting sound to the into the mouthpiece causes the diaphragm to move. After, this causes the needle to inscribe squiggled indentations into the strips. Last, the indentations would move the attached diaphragm, which should reproduce the original sound.

In the digital era of convergent media, the most obvious about the change of cinema is the storage which rely on celluloid that you can touch in the past. Now, however, it is stored as electronic packets of 1s and 0s which is virtual. The changes of the cinema is not only about the film storage, but also the production，post-production, exhibition and distribution which is the main part of the film industry structure. In the era of celluloid, the four steps of movie is relatively independent and has its sequence. In digital movie, whereas, the connection and integration among four parts of industry structure are ever close.

The history of music players dates back to November 21, 1877 when Thomas Alva Edison invented a device for recording sounds and then playing it back called the Gramophone. It was patented on February 19, 1878. The Gramophone looked like a cylinder that was smaller at one end and bigger at the other. Even today, at the annual Grammy Awards the awards that are given out are miniature versions of Edison’s invention.

After reading"The Incredible Talking Machine","History Of The Cylinder Phonograph", and"Psst...Hey, You", it becomes evident that the phonograph and Audio Spotlight are similar.Both products were built,refined,and marketed.As a result,they became widely used and evolved into products we still use today.

In this day and age, television is seen as the most useful technology in the world where we get enough information, entertainment and knowledge. People believe that it is more preferable to have a television rather than to watch a live play in the theatre due to the freedom of relaxation and high level of participation. In this essay, Marshall McLuhan’s technology is the extension of human senses along with Walter Benjamin’s reproduction of art would be analyzed. The main of this essay is to analyze two theoretical concepts and compare them to one another in relation to television and also how these two theoretical concepts would approach television as a technology.

Perhaps an even greater example of technology’s influence on the music industry is told with the

The first film that showed early signs of a rise in the quality of technology was the Western “The Great Train Robbery.” When this film first came out the audience were so amazed at the fact that they could watch something on a TV or at the cinema. Although this film was very good for the 1900s it still lacked some key features that make films much easier to understand such as dialogue, sound and camera shots. The one feature of a film that developed the quickest over the period of time was sound. Sound was introduced in October 1927 in the film “The Jazz singer”, which had three song numbers and a few lines of spoken dialogue. Apart from these few songs and words, the rest of the movie was silent, but the audience still thought that it was amazing that words had been spoken in the film, they used to call it “the movie that talked”.

The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed

The introduction of sound films in the late 1920’s was a divisive issue among those involved and interested in the emerging motion picture industry. Even though it wasn’t the sudden breakthrough it is often perceived to be, the addition of sound and voice to mainstream cinema revolutionized movie making and led to conflicting viewpoints as to whether or not this innovation was a positive progression for film as an art and as an industry.

Henry Jenkins describes convergence as ‘a situation where multiple media systems coexist and where media content flows fluidly across them’ (2006: 282). An important part of the information transferred across platforms are the techniques utilised in creation. Digital technologies have no doubt had a large impact on moving images and how they are developed and produced in the modern world. There has been the introduction of inexpensive consumer digital recording devices, and the ability to create a video with mobile phones rather than needing a separate dedicated device. This has led to growth in the creation of amateur moving images on platforms such as YouTube in a variety of forms. As well as inspiring the creation of new areas of production, digital advances have enabled further evolution in more traditional areas. Early cinematic pioneers dabbled with in-camera trickery in order to create fantastical scenes and amaze viewers, and this principle carries forward to today. Matt Reeve’s Dawn of the Planet of the Apes (2014) is a good example of the intriguing applications of digital technology in order to achieve these old goals in a potentially better way. As with the introduction of any new way to achieve a goal, the opportunities available to content creators have multiplied with the growth in the variety of digital techniques. The power particular innovations in technology can have in their contribution is perhaps underlined by the impact they have had in less revered

phonograph in 1877, people have felt the need to create and record music. People have different

Old media like broadcasting, print, and film created a consumer culture in the public. Participants would consume the media they could find, and that was the extent of their engagement with a piece of media. But during the digital age, participatory culture has exploded. Participatory culture is a concept coined by Henry Jenkins where consumers take part in both the consumption and the production of media. The advent of computers facilitates a low barrier of entry for creation of digital media and its propagation. With the availability of personal computers and consumer level software to manipulate media as well as the popularity of the internet to spread content, fans have become more engaged with the media they consume. In turn, participants can create forms of that media that comment and expand upon the original content. Participants who used to only consume media now have the avenues to become producers of media. In this essay, I will explore participatory culture through the lense of Lev Manovich’s Five Principles of New Media: Numerical Representation, Modularity, Automation, Variability, and Transcoding.

Information and entertainment today are usually spread through the development of technology. Due to this, various medias enable us to give and receive information. Media can be divided into traditional media and new media (Christian, 2014). While it is easy to pinpoint the differences of the two medias, there are also some similarities that tie both medias together.