Photographic Images Hanging On The Gallery Wall

In this essay I have examined the building in several different aspects into a series of paragraphs. Based on good research these paragraphs will put into context the architecture of the building, and the time in which it was constructed. I will also discuss the decisions and the process it took to construct it. The building I chose is the Villa Paul Poiret in France I will further describe the building

It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”

In a room filled with natural it expressed the was able to make these photos of what may seem like everyday life to some people as a true piece of art, allowing the viewer to pay attention to the detail that may not have been as clear if the photograph was in lesser lighting. Needless to say the setup of the gallery truly expressed what the photographer was aiming for when he himself to these photos.

With the development of modern technology, cameras have now become an optical instrument for recording or capturing images, which can be stored locally, transmitted to other locations or even both. Since that, photography starts to appear as a common activity for people to play with and it is also one of the most outstanding factors to affect different countries with architectural style. The first thing that photo affect us is the cultural identity and personal characteristics, people nowadays are gradually losing their personal identity along with the development of photography. Secondly, through the spread of pictures around the world, it would be entirely possible for a certain architecture style to appear simultaneously in two

The second piece that stood out the most to me was also another photograph by Mari Ortiz called “Loving the Architecture.” Architecture, especially in the downtown area, is antique yet interesting to look at. This picture’s medium required various techniques such as color correction, sizing, cropping, viewing, and printing in a dark room. The color of this picture defines the boldness and texture of the building in a naturalistic way. Although printing digitally in a dark room prints the photograph in black and white, the way the shadows captures depth and tones is absolutely

Architecture often stands on its own edifying right, but how much more affluent we are to seek an understanding of the cultural diversity and design influence one had on architecture when presented in terms of an historical account. This paper seeks to piece together the formal elements of the villa with dignifying examples of diversity from Hadrian’s travels and abhor of the surroundings of Rome itself.

I have chosen this topic because it links closely with the project that I am currently doing called ways of seeing, where I am photographing modern architecture and objects in different ways in order to produce

Architecture should be nurturing, responsive and alive, dynamically shifting spatial balances, organically expressive forms, subtly luminous colors and biologically healthy. To achieve such life-enhancing architecture, it has to address all the body senses simultaneously and fuse our image of self with experience of the world. By strengthening our sense of self and reality, architecture serves its all-important function of accommodation and

In the World Like Colossus, the author mentions various types of architect’s version of the truth or the gaze. Each architect, while not directly saying, implies that their truth is absolute. This brings to question is there is such a thing as one universal truth to the way we see and experience architecture; whether it’s through Le Corbusier’s sketching or Mendelsohn’s photography, immersing yourself in the experience or taking a quick view of it. I think the diversity of each architect’s viewpoint negates the idea that one should be a “universal truth”-- instead we should embrace the different opinions of each traveler to form a more holistic approach to whatever truth we may

His exceptional ground-breaking genius made him the inventor of a unique and personal architectural language that defies classification. The work of Gaudí is remarkable for its range of forms, textures, polychromy and for the free, expressive way in which these elements of his art seem to be composed. The complex geometries of a Gaudí building so coincide with its architectural structure that the whole, including its surface, gives the appearance of being a natural object in complete conformity with nature’s laws. Such a sense of total unity also informed the life

This book was written by Juhani Pallasmaa with regard to ‘Polemics’, on issues that were part of the architecture discourse of the time, i.e. 1995. It is also an extending of ideas expressed in an essay entitled “Architecture of the seven senses” published in 1994.

architectural research and art practice. He utilises visual archives, mapping, events and embodied experiences to activate and generate his practice, including photographic, film and site-specific projects. Collaborative projects combine photography and mobile technology with

In 1890s, Art and Crafts movement started and its architecture worked in different kind of media cooperate with the artist to bring in a greater unity to the arts. Most of the Arts and Crafts architectures being build along together with the sculptures, tiled decoration and some with highly symbolic imagery. As an example, the Standen located at East Grinstead, England showing the different kind of bricks and tiles for the building’s wall.

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

Architecture can be viewed with two different types of properties. Properties that can be seen like shapes, their composition, the spaces they create and, the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract. These properties can only be described using words; the meanings behind the architecture and the stories that can be told about it. The context, its cultural background and its function also affects how we view architecture. The question is, what