Photography And Its Effects On Impressionism

But the artists who would become known as the Impressionists (including Claude Monet, Mary 5,Camille Pissarro) looked at art a little differently—they wanted to make art as truly

A Sunday Afternoon on the Island of the Grande Jatte, painted by Georges Seurat in 1884-6, and La Grenouillère, by Claude Monet in 1869, are both works that are on display at the Metropolitan Museum of Art, originally painted in France during the Impressionism period. These works are recognized today for the modernity embodied in their impressionistic painting styles as well as their depiction of leisure in modern life.

Art has progressed in many ways throughout history; two prominent styles however that define the evolution of art are Realism and Impressionism. Realism is defined as “treatment of forms, colors, space, etc., in such a manner as to emphasize their correspondence to actuality or to ordinary visual experience”(realism). Two artists that are well known for this style of art are Gustave Courbet and Jean-François-Millet. Impressionism is defined as “a style of painting developed in the last third of the 19th century, characterized chiefly by short brushstrokes of bright colors in immediate juxtaposition to represent the effect of light on objects”(impressionism). Claude Monet and Pierre Auguste Renoir are pioneers of defining the Impressionist movement. These artists use a variety of techniques, perspectives, subject matter, as well as influences to create the art we see hanging in museums today.

In Paris in the late 19th century (1874-1882), several artists who called themselves the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibit that launched the movement called Impressionism. These artists, such as Eduoard Manet, Edgar Degas, Claude Monet, Pierre Auguste Renoir, and Mary Cassatt, sparked worldwide following and revolutionized Western conceptions of painting. Appearing to other artists to be a group, these independent painters with quite diverse artistic approaches, were only unified in their rejection by the official annual Salon (the Académie des Beaux-Arts which is a French academic organization that

In early 19th century, the French government controlled the academies and salons of paintings. The impressionism took place in second half of 19th century, which was results of French artists rejecting the traditional government sanctioned academic painting that was dominating their arts at the time. The first independent art exhibition was held in 1874 for one month. Few of the famous artists’ who participated and help organize this exhibition was Claude Monet, Berthe Morisot, Pierre-Auguste Renior, Edgar Degas and Camille Pissarro along with 25 other artists. They displayed approximately 165 paintings during this exhibit. This group of artists referred themselves as

This essay analyses the aesthetic and ideological underpinnings of the Modernist artwork, Impression, Sunrise of Claude Monet. The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm Worringer is used to theorise the aesthetics of modernity.

Throughout my time while learning Visual Arts, I had the privilege and the opportunity to be exposed to a number of artists and mediums. Like all artist, I have been influenced by a number of artist and techniques. I was especially interested in a contemporary artist called Gerhard Richter. I was introduced to his works in the beginning of my years in IB and he has been constantly influencing me in my works, one way or another. One major concept that I realised was that he had a very close relationship with photography in his artworks. This triggered me to ponder if it was the same for other artists and actually how photography affected paintings throughout the history of art.

Australian Impressionism is influenced through the French as it has grown over time. Some of Australia’s world famous artists are from the Heidelberg School Tom Roberts, Arthur Streeton, Frederick McCubbin, Jane Sutherland and Charles Conder were all students who studied at the Heidelberg School. The following Artists work was made during 1833 and 1897. During this time each of these artists played an important role in the development of an Impressionist style of painting The Years between 1883 and 1897 were the beginning of the Australian impression era. During this time Charles Darwin career kicked off as well, being famous naturalists, for many of the Australian impressionist artists, Charles Darwin’s findings would have been a good influence

This group included Claude Monet, Pierre Auguste Renoir, Camille Pissarro,Edgar Degas, Alfred Sisley and Henri Marie Raymond de Toulouse-Lautrec whom all worked together, influenced each other, and exhibited together and independently. A major fact that tied the group together was that they were exhilarated by contemporary developments in the color theory which helped their search for a more exact analysis of the effects of color and light in nature. They did not believe the shadows of objects were made up from its color with some brown or black added like it portrays. Instead they believed in greater depth that the shadow of an object was broken up with dashes of its complementary color, which is found to be very interesting. Impressionism is based on modernity, meaning faster pace and various improvements in the quality of daily life (Gersh-Nesic, n.d.). The key characteristics of Impressionism were light and its reflection, quickly painted surfaces, dots, dashes, separation of colors and letting the eye's perception mix them, commas and other short brushstrokes. These artists are known to jot down things faster and were called impressionists and their paintings eventually became known as Impressionism. The word "impressionist" in 1874 typically meant no skill but the group did not give up on the art they believed in, although they were rejected by academic institutions such as the French academy of fine arts and the Salon. By then end of the impressionist period artist no longer listened to the strict rules and did not care about the opinion of the salon, they were free to paint how they wanted and began to pursue their own ideas. This led to a growing revolution in art and is looked upon by many artists

There were many obstacles in Monet’s lifetime that may have encouraged him to quit painting entirely. One specific obstacle that killed many painters’ careers in his time was the invention of photography. “Just as the introduction of the mechanical loom affected the work of the weaver, the invention of photography in 1839 took over much of the painter’s documentary work, portraits, illustrations and plates for books and journals”, (Ventura 128). In an historic effort Monet managed to bypass all of those obstacles. As a result to his efforts, Monet has become one of the most famous artists to this

1.How did Gericault talk about particular conditions of human life in his art work? Gericault was Romantic artist who painted scenes of suffering. Typically, the suffering was connected to war. Nonetheless his painting displayed a sense of insanity regarding war. These paintings were caught in the public’s eye giving them a visual of what occurs during battle. In addition, Gericault work was influencing regarding suffering of human life.

The rest of the Impressionist soon adopted their, now, particular style. They typically forgot about chiaroscuro, and usually paid no attention to composition. Moreover, they adopted Monet’s quick sketchlike technique, where the final painting looked unfinished. Their goal was to capture the “constantly changing aspects of reality”. The impressionist style shared the desire to truthfully capture “tone and colour and the play of light” from the point of view of the observer. To really achieve this, quick, loose, and rough brushstrokes where often necessary. The new approach to painting mentioned above, came as a shock to the Parisian public, for they were so used to the Salon’s presentation of “only the smoothest of paint surfaces… the delicate, mother-of pearl transition of values”, that they considered the Impressionist paintings as “a fall into the abyss of deepest ignorance”, and a disgrace to traditional painting. In fact, art critic of the time, Ballu, wrote in the Chronique des Arts et de la

The Rococo style was popular in France during the 1700’s after the days of Versailles and into the days of the aristocratic women hosting salons. Rococo artists sold their works to the wealthy people of society to decorate their lavish salons to awe their guests. The artwork gave the salons their sense of luxury and sensuality with scenes of classic love stories and lacey dresses. After the impressionist movement came the post-impressionist movement in France. This movement was less unified then movements before it. These artists were experimental in finding a new way to represent their world and imagination. Also starting in France during the 1930’s after the Great War came the Surrealist movement. Following the teachings of Freud, Surreal artist dove into their minds to find the inspiration for their irrational creations. The Rococo movement focused on creating an atmosphere of sensuality and luxury in the social salons. The use of bright color in the love stories, extreme detail portraying “naughty” scenes and nature is how the artist chose to create their work. They told classical, fanciful love stories to the wealth French society. In contrast to this fanciful style the geared towards the wealthy, the post-impressionists chose to use art as a way of expression and showing their imagination while experimenting with different styles. Post-impressionist used imagination and science to show their scenes with color and stiff figures. The Surrealists chose to further this

Numerous art historians believe that the birth of modern art can be traced back to Edouard Manet. Countless artists of note since Manet’s time have been influenced by the legacy he left behind. Manet completely deviated from the established artistic traditions, and invented a entirely new type of painting. He was thought to be the frontrunner of the avant-garde.

     Impressionism began during the 19th century. An example of an artist’s beliefs influencing his art can be seen in the works of Pierre Auguste Renoir. It is documented that he felt that art should be different from the real world, which can be cold and harsh. He said, “Why shouldn’t art be pretty?” and “There are enough unpleasant things in the world.” An example of his attitude towards art can be seen in ‘A Girl with a Watering Can’ from 1876. This picture can easily be interpreted as being beautiful and therefore it proves that his belief of art is true. ‘Dance at Bougival’ from 1883, is yet another example of the artist and the inspiration for the art. By painting an attractive scene with two people dancing accompanied by laughing faces in the background we see a correlation between his quotes above and this piece. Therefore, one can conclude that Renoir painted mostly beautiful and attractive art.