Photography By Paul Graham: Article Analysis

Early Landscape photography used the same principles as painters in order to create pieces of art. Before the 18th Century, artists used landscapes as backdrops and as a frame for the principal subject. Towards the later part of the century, however, artists such as Nicolas Poussin started to romanticize the environment, instead using it as a principle subject in paintings.

For everyday pictures, you can mix things up by telling a story with your photography. Instead of snapping pictures as they happen with no influence on the shots, this style of photography involves planning and executing your vision. The storytelling is completely up to you.

A reoccurring topic of the essays, concerning photography, discussed during the course is the future of professional photographers/photojournalists. Some believe that the easily accessible spread of amateur photography can and has put a strain on the works of professionals. However, with magazines such as National Geographic still in print after over a century, it raises some questions. Though the spread of information, and thus photography, has increased the platforms and need for professional photographers and photojournalists still exists.

For each assignment that we did my composing process was a little different. The process of composing the genre bending assignment began with my idea of a nutrition label. At first I decided that I wanted to do a parody on nutrition labels to comment on how unreliable and misleading some of them could be. Later that night I was watching the Presidential Debate and thought that it would be funnier to make a Donald Trump nutrition label. I used a templet of a real nutrition label and added in different qualities of Donald Trump. My composing process for the essay on photography differed greatly. I began by brainstorming my different connections to photography that related to something Sontag commented on. After I was finished I was inspired to write about

Alex Kotlowitz met Lafeyette and Pharoah Rivers in 1985 while working as a journalist. He was interviewing them for a photo essay in Chicago magazine on children living in poverty. The violence that occurred every day where the brothers lived in Governor Henry Horner Homes, or Horner, disturbed Kotlowitz. Lafeyette and Pharoah are 12 and 9 years old at the start of the book but have experienced more than many kids their age. The boys did not seem sure of what life held for them. Lafeyette told Kotlowitz, “If I grow up, I’d like to be a bus driver,” Lafeyette was not sure that he would grow up at just 10 years old (x). Kotlowitz wanted to show what it is like for children growing up in urban poverty after seeing the brothers’

Minor White is one of my favorite photographers. I was intrigued and inspired the first time I looked at his photographs. The first images I laid my eyes on were some of his infrared images and I fell in love. White’s landscape photographs have a large death of field and I believe that helps draw you into his images.His abstract work is very interesting since you never really can tell what White was actually photographing. It draws you in because it makes you curious and want to inspect the image further for a meaning. He was a very technical photographer which I love because I am very technical myself. His attention to detail when he printing his images are remarkable. The contrast in his images remind me of Ansel Adams. They have bright whites,

I was never able to step out of my comfort zone and develop different writing skills. Wanting to challenge myself and write different types of essays, I was very excited when my professor gave us our first major writing assignment of the semester. We were instructed to describe a personal experience that you have gone through and that has made a formative effect on you as an individual. At first I was nervous because the prompt was so open ended, but after digesting the guidelines of the essay, I grew excited and ambitious about tackling the task at hand. With out much thought, I knew what I was going to write, the only issue I realized was the process I was going to go through to develop the essay. No longer instructed to write a five-paragraph essay, I knew that I would have to write more elaborately and have a higher degree of complexity. Normally I would have written a paper in one or two sittings, briefly look it over for basic grammatical errors, and then turn it in hoping that I accomplished what was asked. However, our class required students to turn in one or two drafts to peer edit before the final draft was due. This was not only essential to my development as a peer reviewer but also my development as a writer. The writing process allowed me to gain helpful insight on errors that I commonly would glance

The purpose of my study is to give people a chance to understand what is the meaning of photography and how it was invented, plus how people was able to take photographs before the camera was invented.

Bruce Gilden was one of the excellent is a road picture taker. He is best known for his genuine close-up photographs of people in the city of New York City once expressed, "I cherish the general population I photo. That is to say, they're my companions. I've never met a large portion of them or I don't have any acquaintance with them by any means, yet through my pictures I live with them." I feel like John Szarkowski comprehended what Bruce implied while embodied the bona fide centrality of photography in his work keeps on managing new best in class picture takers the about the art of photography.

Memories can be as short-lived as the moments that created them. The recollection of events and the deterioration of memories over time is a constant process that cannot be stopped. This inevitable passing of memory is fused to the inevitable passing of human life. Emily Davis’s still life photograph of wineglasses is reflective and fragmented, allowing the image to act as a metaphor for this fleeting aspect of memory through its own memory-like qualities. The photograph is also symbolic of the transience of human life through the use of the traditional symbol of the wineglass, ultimately serving as memento mori.

The name "Photography" comes from the Greek words for light and writing. Sir John Herschel, was the first to use the term photography in 1839, when he managed to fix images using hyposulphite of soda. He described photography as "The application of the chemical rays to the purpose of pictorial representation". Herschel also coined the terms "negative", "positive" and "snapshot".

In Roger Scruton's Photography and Representation the author establishes the idea that ideal photography is not art. In the same breath he says that ideal photography is not necessarily an idea which photographers should strive, nor does it necessarily exist. Yet, he bases his argument upon the ideal. In reviewing his paper, I’ll take a look at why he painstakingly tries to make this distinction between ideal painting and ideal photography. His argument is based upon the proposition that photographs can only represent in a causal fashion, whereas painters create representational artwork via intentional relations. Scruton manages to create a solid argument, but in the end I’ll decide it is not a fair assumption to say that photographs

When going for a walk, a person takes in the beauty around them. On this particular day, the refulgent sun is extra bright, making the sky a perfect blue. White, puffy clouds fill the sky, slowing moving at their own pace. The wind is peacefully calm, making the trees stand tall and proud. There is no humidity in the air. As this person walks down the road, they see a deer with her two fawns. The moment is absolutely beautiful. Moments like this happen only once in a great while, making us wanting to stay in the particular moment forever. Unfortunately, time moves on, but only if there were some way to capture the day’s magnificence. Thanks to Joseph Niépce, we can now capture these moments and others that take our breath away. The

What is a photograph? The simplicity of taking a photograph leads many to ponder its artistic value. Yet, it is undeniable that there are some photos that cause an emotional reaction deeper than simply observing a recorded point in time. Surely, there are photographs that cause more reaction than some modern art pieces. There seems to be two types of photographs. The first classification is the ‘time capture’ photo – an image with the sole purpose of recording a particular event or point in time. The second nature of a photo carries a ‘deeper meaning,’ which has the ability to change the observer’s mood and cause a reaction. But what distinguishes these two varieties? There are a

Have you ever taken a picture or been looking through a photo album and felt a sudden rush of emotion? Do you wonder what caused that emotion? Many find themselves captivated by a photograph and overwhelmed by the emotions that the photograph arouses. Believe it or not the arousal of emotion from those photographs was not caused by the content of the picture but by certain elements within the photograph. When a photograph is viewed it is not only the subject that triggers the overwhelming emotional response, it is the length of time that the film was exposed to sunlight, the way lighting is used and played with, and the strong detail of colors or lack thereof. While many believe that the subject acts as the primary stimuli to emotions, the