Photojournalism As A Form Of Journalism

After a steady progression, pictorial photography as a movement emerged. Pictorial photographers believed that their field is more than just an objective, mechanical media. Photography was not just about capturing the documentation and information contained by an image, but rather, about the effect and the mood they translate. The images began to have meaning and a reason for their capture, completely transforming the images produced.

Photography, meaning “drawing with lights” in Greek, is an art as well as a science of capturing light and storing it on a medium with unprecedented accuracy. Yet, up until the late 18th century, history was mainly recorded through the techniques of painting and the press. These mediums unarguably contained a certain degree of a truth, though, it was not uncommon for events, such as war to be composed with glorified details, or an unfavorable bias from the artist at hand. Beginning in the 1830’s, cameras provided a revolutionary solution by combining the advancements in optics and chemistry. Consequently, the new medium of photography was established and forever changed how history would be visually captured. Unlike other methods, photography

The lightweight camera made it easier to transport and images were taken secretly and confidently. It started the era of the “Candid shot” (Collins). Images begun to look more real and less staged. Photojournalism was much easier, the picture was able to tell the story. Some photographers did not like the loss of freedom and went out on their own. They produced a series of photos that followed the same theme and told a story. This is known as a form of photojournalism and is still used today. Some journalists took on the role of a photographer and decided to write their own story and shoot their own images. There were many forms of photojournalism and one of the most important was the magazine called

Another significant reason that has played a vital role in photojournalism of recent times is the emergence of imaging technologies. Imaging technologies has undoubtedly played a major part in the works of a photojournalist today. Based on earlier accounts on how photography itself is an inherent manipulation, the question is no longer directed on ‘how has imaging technologies manipulate photojournalism' but ‘how much more has imaging

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

While Postman points out the literal meaning of photography is “writing with light”; the two are from completely different universes when it comes to public discourse (p. 71). Unlike typography, photography cannot offer assertions, make propositions and offers no commentary. As long as it is not an altered photograph, it has no choice but to be true (p. 73). Thus, the photograph is only able to capture a moment in time and does not have the ability to comment on that moment. Our author contends, where language presents the world as an idea, the photographs only option is to show the world as an object (p. 72). Whereas in language, the correct context requires consideration of what is said before and after, in photography there is no before and after, only the snapshot of time. Therefore, by its very nature photography is context-free (p. 73). As photography immersed itself in the American culture author, Daniel Boorstin called this “the graphic revolution.” Postman is unequivocal on the point that the traditional forms of information, news, and even reality itself received an impairment by this new focus on images. For examples, he cites billboards, posters and advertisements. He points to magazines Life, Look and several newspapers. The picture was the focal point, and the writing was forced to take a less dominate roll and sometimes done away with altogether (p.

Their print journalist counterparts, who are afforded not only the luxury of editing, but also a few column inches within which to develop their perception of the story fall into a different category all together. A photojournalist must ascertain the defining image of a news event as it is happening and capture it on film. If he or she is doing the job correctly, a reader can get a very good idea of what happened without even reading the accompanying article. There is no luxury of editing in photojournalism, the moment is either captured forever, or it isn't. If a fantastic shot is missed, it is gone forever.

The word photography originates from the Greek words “photos” (which means light) and “graphein” (meaning to draw). Although photography was being studied as early as 330 B.C., the first photograph wasn’t taken until 1827. In 1889, George Eastman invented film rolls. Today, however, most people use digital. (“Career Facts,” Lansing Community College). Digital cameras open a whole new world, making it easy to transfer photos electronically over to computers, hard drives, and other devices. When the picture is transferred to the computer, it can be modified in softwares such as photoshop. Photoshop is used frequently in advertising and by any photographer who desires a change in the

The second picture I chose called Laxman Singh, Rajasthan, 2002 I felt that this man is a prisoner in his own world because he has no legs to walk but prosthetics. I believe that the photographic approach of contemporary photojournalists have changed with both the idea and the technique since Gardner’s era. There is more history going on every day and there are so many stories that can be told that each photojournalist can use different techniques and ideas to tell that story to a viewer.

Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had learned from these two talented and intellectual men to America where he furthered his interest in the then-growing art of photography.

According to KPCB’s internet trends report, in 2014 nearly 1.8 billion digital images were uploaded online everyday. That’s not even including the number of photos that were taken and not uploaded. Taking photos has been simplified to opening an app on ones cell phone and pressing one button. Now a days everyone can take photos. Although many view photography as an every day occurrence, photography can be used as a powerful tool for social justice, documenting history, citizen journalism, and marketing.

In addition, photography does it pivotal role by showing people the realities of life. One relevant example to this is photojournalism. Through photographic presentation, people are informed of the real situations of the stories about the real situations around the globe, may it be good or bad news. It is very easy to understand news or stories with photos attached to them. Therefore, photography is a powerful communication tool that embeds social happenings to the human awakening, with no other form of media can

Photojournalism has inspired numerous movements within society and highlighted areas of life that are easily misunderstood or unidentified by the public, be that through war, social class, race, religion, sexuality or transgenderism. This chapter will underline how various photojournalist have contributed toward the recognition and acceptance for the LGBT population and how their work has inspired change.

Photography is a very interesting career choice. It can take people to places they only ever dreamt of going. Although it is a lot of fun, it is also a lot of work. There is many different types of equipment, lighting, cameras, and photographers. You must learn about it all in order to choose the perfect type of photography you want to do. Photography, is not just about capturing photos of objects, it is about how photographers see the world. Being a photographer, there are many responsibilities you must have. For starters, photographers have to be able to market and/or advertis. This will help them to attract customers or clients. On top of being able to market and advertise, they must also be able to analyze and plan compositions of

Photographs, drawings, cartoons and videos cover significant political matters. Photojournalists such as Lynsey Addario present critical political issues that affect the world today. In her book, It’s What I Do, she presents scenes surrounding the fall of prominent political leaders such as Muammar el-Qaddafi. The pictures on pages 4 and 5 of her book, for instance, show the struggles that the rebels went through in their quest to dethrone Qaddafi. She quotes Robert Capa, who once said, “ ‘ If your pictures aren’t good enough, you’re not close enough’ ” (Lynsey 7) which shows that photographs are significant in the world of journalism. A video such as “Shouting In The Dark” reveals the heinous acts done by the government of Bahrain towards its own citizens. In the video, we see the brutal force used by the government to silence the peaceful protesters. People were beaten, shot, imprisoned, and killed.