Physical and Emotional Destruction in Emily Bronte's Wuthering Heights

Edgar Linton, normally gentle, also uses physical violence when he fights with Heathcliff over Catherine Earnshaw, now his wife Catherine Linton. Like Hindley, Edgar does not realize that violence cannot produce love. His fight with Heathcliff results in Catherine’s insanity and her eventual death. Catherine, too, is not flawless. When Nelly, under Hindley’s orders, chaperones Edgar’s visit with Catherine Earnshaw, Catherine is furious and strikes Nelly. When her nephew Hareton weeps at this abusive display, Catherine seizes the child and shakes him. She then strikes Edgar when he tries to stop her. The root of Catherine’s violence is not the same as the one that plague Hindley and Edgar: she does not physically hurt her family because she wants to be loved. She feels that she is already loved by everyone, but she

Heathcliff is a character defined by his sympathetic past. Growing up as an orphan from a tender age, deprived of a structured family and family support system, exposed to the negative influences life offered, it is almost a certainty that his behaviour will not be that of an ideal gentleman.

His wife, Mrs. Earnshaw, is furious that Heathcliff has been brought into the house and the Earnshaws’ son, Hindley, is jealous of the apparent love his father

Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for

When Heathcliff returns three years later, his love for Catherine motivates him to enact revenge upon all those who separated him from her. Since he last saw Catherine, he has “fought through a bitter life”; he “struggled only for [her]” (Brontë 71). Nelly observes a “half-civilized ferocity” in Heathcliff’s brows (Brontë 70); she views him as “an evil beast…waiting his time to spring and destroy” (Brontë 79). Heathcliff’s obsessive love for Catherine becomes a menacing threat. Heathcliff reproaches Catherine because she “treated [him]

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

Her every need is taken care of. Later, when she is confronted by Heathcliff, she is reminded of Wuthering Heights and begins to miss the place she once was so eager to leave. Catherine begins to see the Grange as superficial and confining, and at first she is only annoyed by this, but eventually the suffocating enclosure causes Catherine to lash out at her husband and all the Grange represents. Catherine, aware of her incestuous attraction to Heathcliff, believes the Grange is destroying her, and because of her disgust of the Grange and her sense of guilt, it does. In the process, Edgar too must suffer Catherine's pain because of his love for her.

Brontë shows how cruelty passes through generations through Hindley’s mistreatment towards Heathcliff. From the moment Mr. Earnshaw adopts Heathcliff, Hindley enters a state of melancholy and loathes that his father clearly favors Heathcliff over him. Mr. Earnshaw’s adoption of Heathcliff upsets Hindley, his father clearly favors Heathcliff over him. Consequently, Hindley reciprocates this hatred when he meets Heathcliff, comparing him to satan and wishing for his death. Heathcliff, unable to act against these cruel words, silently absorbs them. This interaction reveals traits of each character: the maliciousness of Hindley’s character, who hates on the young Heathcliff without reason; and the timidity of Heathcliff, fostered by his inability to stand up for himself. Although timid at the moment, Heathcliff assimilates this cruelty so that he can inflict it upon others, just as Hindley does the same to him. This depicts how the victim of suffering develops into the bearer of cruelty. Soon after Mr. Earnshaw’s death, Hindley assumes control of his household and unleashes even more cruelty on Heathcliff. In a fit of

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

As soon as Hindley’s father dies, Heathcliff is taught the true meaning of hate by Hindley. As Heathcliff ages, his hate for Hindley grows inside of him, along with a need for revenge. Heathcliff’s need for revenge allows him to formulate his diabolical plan for taking over both the Grange and the Heights, upon return from his three year sojourn. Heathcliff’s ability to gamble the Heights away from Hindley foreshadows the unyielding power of Heithcliff’s hate when fueled by revenge. Thus establishing hate as the source of Heathcliff’s revenge.

The relationship between Heathcliff and Hindley revealed and developed the abusive nature of Heathcliff. Heathcliff was taken in as a young boy into a wealthy family that had two children. Ever since the day he was brought home the eldest son, Hindley, resented how the father favored him more. For example, Heathcliff threatened to tell their father if Hindley did not let him have his horse. This one childish threat had created the foundation of the resentment between the two men. Heathcliff threatened to tell their father that Hindley was making him feel unwelcome and abused emotionally, Hindley decided to not see if Heathcliff was going to follow through with the threat therefore gave him the horse. Later on through life, once the father dies, Hindley decides to take his absence as an excuse to start really physically abusing Heathcliff. He would beat him and punch him without thought of how this would transfer into the rest of his life. Heathcliff was also verbally assaulted by Hindley which is a twist on the traditional sense of cruelty. Hindley is demeaning towards Heathcliff and calls him a slave and make sure that he know that he is not equal with himself or his sister Catherine. This point planted the seed of doubt and not being good enough for the rest of his life. This continual mental assault forged the mindset of little Heathcliff to how he would exact revenge on Hindley for all of his wrongdoings. This cruelty from Hindley was due to the favoritism that Heathcliff received as a child, the death of his father, the death of his wife, and the constant reminder of his wife through his son. The constant cruelty is the motive for Heathcliff's actions once he returns to the Heights. Through baiting Hindley, in his own personal torment from his wife's passing, all the money and possessions are gambled away with Heathcliff as the new owner. Wuthering Heights itself

Furthermore, when Heathcliff returns, Catherine should take no interest in trying to rekindle her feelings for him as Edgar had been putting in effort to make their marriage work 'Mr. Edgar had a deep-rooted fear of ruffling her humour' Up until this scene the couples were getting along and if Catherine had concealed her zealous behaviour towards Heathcliff then the calm atmosphere would have remained. Catherine rudely ignores her husband's presence to the extent that he demands the disrespectful behaviour to be stopped and a decision made 'Will you give up Heathcliff hereafter, or will you giver up me? It is impossible for you to be my friend and his at the same time…' Indeed, Edgar is right to put Catherine's in this difficult situation because any other typical husband at the time would have been less patient with Catherine or banned Heathcliff from the house at an earlier stage. Catherine struggles because the two men in her life represent two types if world and she cannot have both at the same time.

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.

The confinement that characters within the texts experience can be translated into modern values based on equality. In the novel, Catherine Earnshaw is constantly controlled by the circumstances that control her; she’s ruled by her father and Hindley throughout her childhood, restricted by her injury at Thrushcross Grange, and forced to marry Edgar because of her isolation from the rest of the world. Even in her passionate relationship with Heathcliff, which reflects the spontaneous, exciting nature of the Romantic period, Heathcliff