Physics of Salsa Dancing Essay

In her book, Salsa Dancing into Social Science, Luker discuss the importance of sampling, operationalization and generalization in canonical social science research while highlight the believe that each of these ideas can also be applied to qualitative research. While all three concepts are important to consider when it comes of qualitative research. It is import to definite that similar and differences. The following gives an overview of how each competent uses within canonical social science research, how that translates into effect qualities and explore the ways in which Hochschild utilizes these methods in her research for Strangers in Their own Land

Hispanic American community are rooted from their origins in Cuba, Mexico, Puerto Rico, and other Spanish speaking countries that have come together and form a culture in the United State of America. The culture is built in different categories; for instance, religion, social custom, health practices their privacy, and birth. They come from a comprehensive familiar culture that has been called the second in America. Because of their pride and affection they feel unsafe to give up their past. Their notoriety in the United State has been their resistance to assimilate; their guarded image of Hispanic-American culture has been the tongue of flame. However, their remarkable legacy, Hispanics carry from Latin America is not their language, an

To begin the experiment, we measured the masses of the two stoppers and the eye bolt used to secure the stoppers that we were using in our apparatus. The mass of the first stopper was 18.8 grams and the mass of the second stopper was 50.5 grams. The mass of the eye bolt was 11.6 grams. The mass of the screw and bolt that secured our hanging mass was given to us as 25 grams. After, we chose six different hanging masses based on stopper mass. We made sure that the hanging mass was always larger than the stopper mass or else we would not be able to get the stopper to spin at a constant velocity. The first three mass ratios we chose was using the stopper with the mass of 18.8 grams and then we used a hanging mass (the mass of the screw and bolt is included) of 65 grams, 85 grams, and 105 grams. This gave the three mass

Set the radius to 2.0 m, the mass to 1.0 kg, and the velocity to 10.0 m/s.

4. Connect the Newton Scale to the cart and then drag the cart up the ramp, across the 30cm difference at a steady rate.

Locate the force string and use the hooked end to connect the force string to the other side of the spinning mass. Guide the force string over the pulley. Suspend the mass hanger plus an additional 0.55 kg of mass, so that m= 0.6 kg. Ensure that the weight hanger does not touch the table top. This hanging mass will be referred to as the force mass from now on, and is used to set the centripetal force, Fc. The force Fc is equal to the force mass, in kg, multiplied by gravity. Calculate this value and record it onto Data Sheet C. Adjust the tension knob so that the tip of the spinning mass is directly above the

4. Place the mass on the bottom of a ramp and attach the loop of string to the

It is he who conveys the "group hail"- - an enormous staff brightened with quills (seen on left) and the posse image. For the most part, Flag Boys are a square or two behind Spy Boys, and no less than a piece in front of the Big Chief. Their duty is to go along Spy Boy's data to the Big Chief, and give back the Big Chief's reaction back to the Spy Boy. By raising his pack hail high noticeable all around and utilizing prearranged signals, the Flag Boy can keep the Big Chief and Spy Boy in direct correspondence. This permits the Big Chief control over the heading of the course his tribe will take. As said, the movement can be numerous avenues long. "Second Liners" are constantly present between the positioning Indians. They are normally not costumed, but rather give much amusement as they take after along moving, singing, pounding drums and playing

I learned that mass and volume work together to find the

Los Angeles doesn't have its signature type of Salsa. Bands here adopt the classical Puerto Rican music. The dancing style moves are both exciting and sexy. In Cuba, the type of Salsa is called Timba. The movement is fast influenced by Afro Cuban music. Musicians blend in the popular Reggae and Pop music in between the breaks. The dancing style is called "Casino" simply because when it was started it was played in gambling joints or casinos. One notable difference is that Cuban Salsa is circular rather than linear. The man keeps moving around the woman. The Columbians have maintained their Salsa Dura up-to-date. The dancing style is spectacular with a swift movement of feet and tight spins. The dancers stay close; bodies almost touching. The West Africans also have their Salsa. Traditional music instruments are relied upon to give the rhythm. The dancing style is what they call Salsa Mbalax more African than Latino. Some contemporary Salsa musicians are:

In Latin America, African music and dance did not rise to prominence in an unadulterated form, but rather one transformed by interactions with European styles in a process known as transculturation. Such an intricate transmutation occurs when cultures exchange aspects, including music, language, or dance, and mutually influence each other in both beneficial and adverse ways. John Charles Chasteen explores this concept in profound detail throughout National Rhythms, African Roots wherein he explains the origins of Latin American popular culture in a tale that spans centuries, continents, and race gaps. This radical transformation of culture is not removed from current events, but has become increasingly relevant with the rise of the internet and social media to serve as channels for such diverse interactions. After African and European dance and music were interwoven through transculturation, Latinos gradually embraced the hybrid rhythms as their own after being exposed to them at carnival street parades and clandestine dance clubs. Nonetheless, these interracial interactions were not completely free from racism and degradation to the African identity.

Mass of the Fulcrum Clamp: _________________(grams) Mass of Clamp with V-wire: ________________(grams) Mass of Weight Hanger: __________________(grams) Balancing point (center of mass) of meter stick, x0 = ____________(cm) Values Case 1 m1 = 100 g m2 = 200 g x1 = 15 cm x2 =_________ Moment (lever) arms r1 = ___________ r2 = ___________ Results *(see note above) τcc = ___________ τcw = ___________ % Diff. __________ Case 2 m1 = 100 g m2 = 200 g m3 = 50 g

Salsa did not come from just one place or person, it is a mix of multiple cultures as well as peoples creativity. When Spain found the Caribbean during the 1400’s, they later brought African slaves also. The merge of such two different musical and dancing styles from the Spanish and African community merged with the native community has given us what we now understand as salsa. The evaluation of salsa that is danced in clubs today has taken many years and been a long

SNC attempted to rush through the brief which lead to the Orientation being unclear. The FT began the execution with SNC’s initial plan, and he was able to control his FT up to the point of friction. When the enemy began firing on them, one of the FT members yelled “contact front.” SNC was unsure which direction the enemy was and yelled “contact left,” but quickly realized his FT was not on line with him so he yelled “contact right.” Once everyone was finally oriented in the proper direction SNC failed to provide any additional information or pass any commands before simply telling his FT to begin rushing. While conducting the buddy-team rushing the FT had neither coordination nor guidance from SNC, they simply rushed in the general direction

The equation of the line in run 1 between the two points is y – y1 = m(x – x1)