Every Tuesday afternoon after preschool my mother took my brother, my sister, and me to the home of a kind woman. There, my mother failed to distract me with crosswords and coloring books; instead, the nearby dissonances and unsteady rhythms enticed my innocent mind. Each night at home, I heard similar sounds after my father returned from work, but those tones instead formed rich melodies. I knew that the key to skillfully producing the impassioned music which I listened to every night lay in what I witnessed my older siblings do every Tuesday: take piano lessons. I begged my mother to allow me to study under the kind woman, and she reluctantly agreed despite her worries about my short attention span. I was three years old.
After eight years,
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It was as if my middle-school self was an unhappy worker who devoted his capacities to fortune and fame instead of unmaterialistic authenticity. While I may have had sporadic moments of satisfaction, my happiness was not sustainable. Until I experienced true failure by not even passing the screening round for the junior division Renee B. Fisher Competition in eighth grade (a piano competition held in New Haven, CT) did I begin questioning my intentions on piano. Should I even seriously pursue something at which I am not the best? Of course, I acted unperturbed by this rejection and left myself alone to discover that I must forsake my “musical materialism” and instead appreciate the intangible dimensions of music. Entering high school, I experimented with original melodies and chord progressions until I attained a conceptual grasp of music theory, which enabled me to fathom the skill and insight of revolutionarily creative composers from Bach to Gershwin as well as begin composing myself. A freeing abundance of pleasure emerged from my ability to improvise; I could create lush melodies or enhance those I already know at my leisure. Improvisation now relieves stress, distracts me from monotonous routines, and even allows me to orchestrate my pieces for a written channel of my emotion. A new independence evinced from my incorporeal understanding of music, and with this new understanding of the intangible aspects of music, I placed fourth in the senior division of the same competition I had failed three years
Tanner started his freshman year playing in the second best orchestra of three in his school. Here, he excelled musically and made new friends with upperclassmen. By January, one of Tanner’s older friends had convinced him to join choir, so he decided to audition for the upcoming year. As a sophomore, Tanner sang bass in the top choir, even though he did not have any prior singing experience. The same year, he also auditioned into Symphonic Orchestra, the top orchestra of his school. While he was in both the top orchestra and choir, he started student conducting for the lower orchestras and choirs. By senior year, Tanner’s schedule was almost completely filled with music classes. Consequently, Tanner grew extremely close to his high school ensemble directors. It got the point where he could casually call his Symphonic Orchestra director “mom.” This inspired Tanner to make it a goal for himself to form strong relationships with his future students. Through his experiences conducting his high school orchestras, and choir, Tanner found that he really enjoyed teaching music and decided to study music
Throughout the reading this week, the information presented in David Elliott and Bennett Reimer’s texts stressed the importance of music and more specifically, music education. “People everywhere find music rewarding, and everywhere we find people engaged in formal and non-formal efforts to teach and learn music.” (Elliott, 2014, p. 4)
Mrs. Thomas shares with me that her earliest childhood memory was at the age of 5 years old. She recalls the family installing a Baby Grand Piano, which they placed in the family’s living room, where each child in the home learned to play well. Most evenings after dinner the family would sing and play the piano, taking turns as a way of sharing family time, this was something the entire family enjoyed. She said she valued engaging in music with her family because she believed it provided a bond between each sibling and her mother. She recalls her life
Imagine a third grader, small and blonde, standing on a stage that practically swallows her. She gazes in awe at the bright lights that seem to tower miles above her head; likewise, she follows with a stare, fixating on the hundreds of darkened faces that remain directly in front of her. Unlike her classmates who fidget with nerves beside her, she feels a rush of adrenaline. What may have seemed to some an ordinary choir concert in a dull auditorium, was, to me, a life changing moment. Ever since this day, for 9 years now, I have had an unwavering passion for music and performing. As I aged, I found myself excitedly learning how to play 7 new instruments, but even considering the vast number of bands, orchestras, choirs, and instrumental lessons that I joined, I noticed myself
Music was my entrance into the world of writing. When I didn’t have access to books, listening to songs such as Beyoncé’s “Irreplaceable” and Raven-Symone’s “This Is My Time” helped me get through the many days in middle school where I was bullied and isolated myself from everyone. My social isolation led to my first bout with depression. As I kept to myself, I wrote my own songs, pouring my heart into each and every word. However, fully perfecting the craft was difficult because I did not know how to perform the music I created. Fortunately, there are organizations that enable children to learn how to play instruments, and one of those organizations is Hungry For Music.
As the article progresses Mrs. Smith begins to tell us stories of other classrooms where children as young as elementary school are learning to compose rhythms and progressively add notes pleasing to the ear. Middle schoolers learning to add dynamics to their piece of music! I certainly believe these children are ahead of the game and will be extremely successful if they decide to pursue music.
In the first grade, I picked up a clarinet. It was my sister’s, collecting dust while waiting for me to play it. From the moment I produced my first sound, an ear-piercing squeal that frightened my dog, the path of my life took a turn for the better. I began teaching myself for the following three years, along with learning from my sister how to properly play the beautiful instrument. The music pushed me out of my comfort zone: concerts that forced me onstage, tests that made me play difficult songs, and teachers that pushed me to be an exceptional player. From the shy elementary school student I used to be to the outgoing band member I take joy in being today, music has shaped my everyday life.
At 11 years old, I sat outside Mr. Tilman Singleton’s porch waiting for my piano lesson. From outside the front door, I could hear the frustrated comments and the occasional bangs of his hands pounding on the piano. Slowly, I stood up off the bench and opened the door. “You never improve! This is trash and you know it. Your lesson is over. Next Victim.” I assumed the victim was me. At first glance, my piano teacher Mr. Singelton was a tall, startling skinny, man with thinning hair and a large pair of glasses. I still remember what he wore my first lesson: turquoise dress pants perfectly creased, and a pink plaid button down shirt. Every outfit looked straight out of an 80s magazine. He was the definition of eccentric. Today, I will be commemorating my former piano teacher Tilman Singleton; the man whose character, perseverance, and friendship will forever inspire my musical dreams.
Music has always been integral in my life. During my childhood, when I was four years old, I pressed my fingers on an oven handle like a piano. Throughout my childhood years I listened to my mom’s old-school mix CD’s, along with the Pandora music app on my old Kindle. In fifth grade, I picked up the piano. My alto saxophone studies began in seventh grade. When high school arrived, I turned my focus to guitar and voice. The more knowledge I absorbed, the more knowledge I craved. My decision to pursue music was also influenced by the inspirations I’ve encountered on my journey so far.
I can say I’m a multi-instrumentalist. I can play the harmonica, the trombone, the ukulele, the bass, the piano, the electric and acoustic guitar, and I’m probably forgetting one. But really I wouldn’t be where I am today if it wasn’t for her” (Montes). “One of the big things I teach my kids is how through hard work, you can accomplish anything. Whenever a kid shows up to a lesson, I always ask them if they practiced, and sometimes they say no because they don’t have a piano at home. It reminds me of the days when I couldn’t even afford a piano, but I push those thoughts away and work towards helping these kids fulfill their dreams as I’ve fulfilled mine. Music teaches the kids how to work through a tough song, and through time and practice, they always get it at the end” (LaBeau). Ronnie’s School of Music has performed annually for several of the city’s prominent events: the Arroyo Lighting at Christmas, Saint Anthony’s Fall Festival, Winter Texan festivals, and many more. LaBeau teaches students of all ages, from three to ninety seven. The majority of her students, however, come from Saint Anthony Catholic
As a child I frequently made up little songs, and there seemed to be a constant stream of music in my head. I could see myself in the children she was observing and like them I didn’t have a framework for my experience – it was just my life. Whether it was singing while playing, tapping out some rhythm, singing at the top of my lungs to a favorite song, or goosebumps from hearing “Hall of the Mountain King”, it all felt familiar and warming. It has also made me aware of the musicking I continue to make every day in small ways here and
* “when you speak with great educators, and look behind the test scores, the lessons learned in studying music, learning to play an instrument, playing in a band, learning to read music, all provide a richness to a child's education that will last a lifetime,” (par 1).
Derek became an acclaimed concert pianist by the age of 10. His longtime piano teacher, Adam Ockelford, explains his student’s unique relationship to music. Adam encouraged his obvious musical interest and ability, although it was obviously natural. Adam gave him lesson as child understanding
Sarah Chicoine had loved music ever since she was a child. Her house was always filled with music. Whether it was her father playing the piano, listening to her favorite recordings, or her own music she created. At the age of seven her father enrolled her into piano lessons. She continued to take piano lessons until the age of fifteen. The piano was not the end of her musical career, it was just the foundation. Even though she involuntarily stopped the lessons, she continued to play piano throughout her life. When she was in eighth grade she joined her elementary school orchestra, where she studied viola. The same year she also enrolled in her school’s choir as a soprano. Throughout her musical career she built her reputation as a leader, not
Just like before, everything was strange to me, but only I concerned about my ambition. I never took music classes before but in high school as a freshman which fascinated me. The class was tough for me at my first time, and other classmates would make fun of me. I never mind it but take them as a thrust to my curiosity for music. After all, I composed a song and learned to play piano better than anyone in the class at the end of the semester. My songs were my feeling that I jotted down on the dairy. At the end of the semester, I sang a song and everyone applause with a grin. After that, my dairy turned to many songs over the high school years. Whatsoever, I sang a song too on the graduation day where everyone cheered for me and realized that I wasn’t the different one there, but they