Picturing The Bible By Spier J. Art Museum, Fort Worth

Section one gives examples of art within the scriptures. This art includes things such as the patterns and details of the tabernacle and the temple, King Solomon’s throne, Jesus’ use of art, the poetry and music of David, other music, drama and dance. Schaeffer concludes section one with a discussion on the art detailed in the descriptions of Heaven.

Early Christian and Byzantine art started after Jesusí death in the first century ranging and ending to the fourth century AD. The art produced during this period was secretive because Christianity was not a formal religion but as a cult; the Romans and rest of Europe persecuted Christians so the artist disguised their work with symbols and hints of Christian aspects. Christianity was the first cult to not involve rituals of sacrifice of animals and refused to worship an Emperor causing the Roman Empire to make Christianity illegal. Byzantine art excelled in the Justinian period in the east during 520-540 AD. The art was produced in Ravenna, Byzantine, Venice, Sicily, Greece, and Russia. The

Christian art and iconography began, about two hundred years after the birth of Christ. Western Christian art and religious iconography was based on the classical art styles and imagery by the Ancient Romans. Medieval art iconography began to relate more to text of the Bible. Religious Christian art was created in the form of illuminated manuscripts, mosaics, and fresco paintings adorned churches. The colors of art were generally muted except those used in manuscripts and stained glass windows. Figures varied in sizes in relation their importance. Unlike artists in the Byzantine period who avoided making sculptures at all costs, Romanesque artists made sculptures which were often large, made of stone, and

Art with biblical themes were popular in the Middle Ages because the artists were also focused on theology. Jesus and Mary were usually the main focus in most paintings. The people in the Middle Ages really appreciated godly looks and tried to incorporate the catholic religion in most if not all of their paintings (class notes). For example, Giotto’s painting Madonna and child displays Mary and Jesus in the center of the painting. Not only are Mary and Jesus in the center, they are also illustrated to be a lot bigger than the angels around them. Giotto wasn’t the only artist to place Mary and Jesus in the center and larger, this was very normal for the Middle Ages. Most artists were very influenced by the church because the church had the highest role in government.

This paper will analyze the iconography of the mosaic, Good Shepherd (lunette, Oratory of Galla Placidia, c. 425-26, Ravenna, Italy), that is located on the lunette over the north doorway of the Mausoleum of Galla Placidia, Ravenna. The iconography has been one of the most recognized and admired works of art since the 3rd century AD. In the mosaic, the artists present a depiction of Christ symbolic and traditional of Byzantine art during the conversion of Christianity in Roman provinces.

With the adoption of Christianity as the official religion, art was able, so to speak, to come above ground in the old pagan city of Rome, and painting, instead of being restricted to the decoration of the walls of the Catacombs or of small chambers and chapels, came into use on a large scale in the new churches that were at once set up. At the same time patronage moved from the hands of the poorer classes to the richer, and artists of outstanding quality came to be employed as well as those of obscurer character, who would work for small fees (www.religion-online.org). To wall painting was added the more luxurious art of mosaic; numerous sculptures were done, and minor objects, often in expensive materials, were in addition produced in the service of the Church, so that art production became at the same time both more extensive and more luxurious (www.religion-online.org ).

from the true story and emphasized the faith they have for God. “Protestant art focused on humble depictions of biblical scenes and moralistic depictions of contemporary everyday

In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.

Macdonald, (2010) suggested that the bible is a cultural work of art because it is used in storytelling, preaching, drama and visual posters. The bible tells God’s story in how he created the world, the fall, redemption and the new creation. The bible has a sequence of events, songs, proverbs, prophetic books, writing of wisdom and letters. In the bible there is a comparison between connecting scripture and constructing culture. It is able to change one’s life and one’s culture because

The subject of religion has captured the attention of artists for centuries, working its way throughout the years, in and out of various of styles and movements. The artists of this era often found themselves reliant on this subject matter due to Churches being a steady Patron throughout the Renaissance all the way to the Baroque period. Whether it was because of the rich cultural impact to society or the enforcement of strong divine beliefs, depicting biblical narratives have struck an everlasting cord within this medium. Two particular ones, in fact: The Deposition from the Cross (Entombment of Christ) by Jacopo Pontormo and The Entombment of Christ by Michelangelo Caravaggio. Both of which provide an excellent example of how culture and artistic style combined can alter the message of the same iconic scene and still evoke different emotions.

The Jewish community started Christianity, but Christianity later spread and convert from all over the Greco-Roman world were attracted by this religion during the progress of the first century CE. Ideas, traditions, ways of worship and traditions were brought along by the new convert of Christianity and it was adopted by their faith. This is through art because Christians who were once pagans of the Roman Empire stick to their artistic heritage when they became followers of Jesus Christ. Roman artistic forms and motifs and also Roman architecture were being used by this new convert to express their new faith. In further explanation, we’ll see how Roman art influenced the developing art of early Christians.

Just as it’s human nature to believe in something larger or more powerful than oneself, it is also human nature to express that divinity through art, this is proven time and time again in human history. Picturing the divine is a type of testimony to show a cultures greatness. The painting Arhats Giving Alms to Beggars comes from the Chinese culture of the Southern Song period. Whereas, the mosaic Christ as Pantocrator comes from the Byzantine culture of the Greek Orthodox tradition. Although these paintings come from very different backgrounds both cultures show the divine and their pressure on mankind to follow the rules, such as giving away worldly desires. By doing so and letting go of material possessions, mankind can be hopeful of

There are many similarities and differences between Classical Roman and Early Christian Art. What particularly stands out to me is how much these two cultures have in common when it comes to their art and architecture. Romans were geniuses when it came to engineering and we can see that in the monuments they left behind. Many early Christian architectural styles and ideas were adopted straight from the Romans. Their communities became organized geographically much like those of the Roman provincial governments. Christian cultural styles derived straight from Roman visual traditions. Early Christian art features the adoption of Roman art forms for Christian purposes. Their art also featured

This essay starts with the use of Roman architecture to practice Christianity. Then I will write about how the image of the Roman emperors became the inspiration for the image of the Jesus. Finally I will discuss the way Romans used the same iconography and narrative they already had as a formula to image the bible.

I will be choosing to write a traditional research paper for my final project. The topic of my paper will be the treatment of figural images in Islam as compared to Christianity. To begin the paper, I will give an overview of what the majority of Muslims and Christians believe about images and why. The main focus of my paper will be on Iconoclasm and how certain factions of each group are opposed to and even destroy figural imagery. I will briefly discuss the Byzantine Iconoclasm and the dispute between the Iconoclasts and Iconodules; providing a brief overview of the arguments from each side. I will describe how Muslims who are not against images have similar arguments to the Iconodules of the Byzantine Iconoclasm. I will analyze early instances