Piero The Forest Fire

This shows depression by using the word louring, all over again. He continues to create the complex of the poem through his use of imagery. In lines 5-8, Gascoigne describes a mouse when he writes, " The

Throughout the poem the tone and harmony is showing many different moods including shyness, anger and calmness. An example of shyness is at the start of the poem “softy, silently it swishes”, an example of anger is in the middle of the poem “it thumps, it sprays it rips at shores, its ozone spray”, and finally at the end of the poem calmness is shown, “it spends its strength, it sings, it sighs. The wave recedes”. One aspect of the poem I find intriguing is the alliteration and personification. For example, “it sighs, it sings, it seeks”.

A Fierce Green Fire, the documentary written by Mark Kitchell who got the name from a similarly titled book. Philip Shabecoff, the author of the book, however was not the original creator of the idea, but obtained it from Aldo Leopold. Leopold wrote the passage “Think Like a Mountain” where he references his experience of witnessing a fierce green fire leaving the eyes of a wolf that he helped hunt. This documentary encompasses the evolution of environmental movements from their beginnings to present day. Act one starts out with conservation in the 1960s.

The way the story properly delivers itself is by the vivid descriptions and rhetorical devices used by Golding. In this novel, his style of writing focuses on imagery and symbolism. Golding uses imagery constantly throughout the novel to portray his direction for the readers focus. Whether describing the environment where he writes something like, “it was roughly boat-shaped: humped near this end with behind them the jumbled descent to the shore. On either side, rocks, cliffs, treetops, and a steep slope: forward there, a tamer descent, tree clad, with hints of a pink tail.” (29), or the characters in ways like, “Inside the cloak he was tall, thin, and bony: and his hair was red beneath his black cap. His face was crumpled and freckled, and ugly without silliness. Out of this face stared two blue eyes, frustrated now, and turning, or ready to turn, to anger.” (20), Golding’s descriptions are always straightforward, leaving just enough to the imagination.

“I’d go on my two bare feet. But when, with my brother’s jack-knife, I had cut me a long limber horse with a good thick knob for a head…The willow knob with the strap jouncing between my thighs was the pommel and yet the poll of my nickering pony’s head,” says the main character. He basks in the glory of his younger years, and longs for a time when he was oblivious to all of the evils of the world. Containing many simple phrases, the structure of the poem brings an airy vibe to the mystical imagery. “My teeth bared as we wheeled and swished through the dust again. I was the horse and the rider, and the leather I slapped to his rump spanked my own behind,” reads the poem. Descriptive verbs allow the reader to see the character’s movements. The reader is able to easily understand that the character is comparing himself to his horse which he becomes one with. The poem is written in a first person point of view in which the character is within and beside

The image of the tiger's "unblinking eyes that stare into the gold heart of the sun" suggests that the poet is seeking for a way to freedom. The images help the reader to visualize "life as bleak" as the poet is finding it hard to express herself and also thrill the reader with the hope created. Therefore, the poem is interesting. A fixed tone is created at the beginning of the poem.

Fire is depicted, throughout history, as a symbol of knowledge and awareness. Fire is usually a symbol that appears in novels right at a time when the main character has an epiphany or realizes

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

Felix was walking toward Route 4 in Nimbasa City. As Felix was walking a man walked to him. Felix couldn’t describe whom it was, the man spoke with a quiet voice and says, “You shouldn’t go through Route 4. They say a Legendary Pokemon guards desert resort.” Felix replies with a deep tone. “I see. Why don’t I go check it out.” Felix excuses the man and continues walking to the south of the city, Route 4. Felix passes every trainer that was nearby. Felix steps onto the flushing sand in Desert Resort and looks around the area. The population of people that was there was 0%. Felix yells out, “Is there anyone here!” There was no replies back. “I’m guessing the man was right.” Suddenly a flame appears in the air. Felix gets surprised and runs toward the flame. The flames repeatedly kept on shooting in the air. Then, it stopped. Felix walks over a hill and sees a Pokemon that looked muscular. It looked like a dog, but more massive. “Its Entei, one of the Legendary Beasts.” Entei looked at me and jumped back. It uses Sacred Fire. Fire releases from his mouth. “Come out Medicham and use Protect!” Felix throws out Medicham and type of shield surrounds us. The fire hits the shield but doesn’t hit Medicham nor Felix. Medicham clenches his teeth trying to concentrate holding Protect. The Sacred Fire disappears and so does Protect. “You wanna battle Entei? Then, lets battle.” Felix raises one hand in mid level. Medicham nods and uses High Jump Kick. As Medicham was using High Jump Kick Entei uses Extreme Speed. Entei was dashing half way across the

On September 5, 1666, an immense fire destroyed most of London. During the fire, Samuel Pepys describes the situation and his actions in the diary excerpt, "The Great Fire of London." By doing so, he reveals his guilt and misogyny. In the diary excerpt, Pepys felt guilty for his actions during the fire, and his interactions with other characters show his prejudice against women.

The poet uses dramatic monologue, where the readers and the messenger are almost one person. From the description that the Duke uses to describe the Duchess, one feels as if he/she is the messenger that the Duke is addressing. The persona remarks about the innocence of the Duchess, which irks him. She finds delight in things such as riding a mule or the setting of the sun. The Duke uses symbology to connote his anger, which gets the better of him that he kills her. Her substitute is the piece of art, reflected at the beginning at the end of the poem. The use of both simple and archaic language styles creates the symbolic image that he uses to explain to the

"The Horses", as well as being a very beautiful and moving poem, has an important message to convey. The poet uses various methods to illustrate this.

“To Build a Fire” by Jack London is a short story about a man traveling through the Alaskan Yukon to meet up with his friends for lunch. The author keeps the character nameless and refers to him only as “The Man” which is used to show a connection between humanity and nature. The story shows the hardships the man goes through to get to his destination through the Alaskan Yukon, yet unfortunately doesn’t make it. The conflict is a man versus nature theme which contrasts strong and direct relations of the hardships in nature. Throughout this analysis, I am going to explore the conflict between the man and the merciless nature he has to go through before his death.

There is a sense of forward motion in subject’s posture as his left leg is noticeably in front of his right, and a weapon hangs from his belt, dragging behind as he approaches the still and ostensibly immovable mass of trees. This juxtaposition between movement and stillness adds a feeling of tension between man and nature and life and death, which is built upon as the work conveys a sense of impending danger to the subject. The diagonal line of trees extends upward from the left to the right side of the canvas, implying that the man is walking up the slope of a mountain, facing yet another obstacle. The work also reveals some visual clues in relation to the subject’s life, as the Chasseur is a uniformed French soldier, separated from his contingent and lost in the German wilderness. Considering the artist’s opposition to Napoleon’s expansionist regime and his patriotic celebration of Germany’s liberation, the forest represents the inevitable defeat of the subject as both a just sentence and an empathetic and romantic memorialisation of the individual

In the text “To Build a Fire”, one theme is to always trust animal instincts. A newcomer decided travel with a dog in 75 below zero degree weather. Before he left, he got advice from an old man to never travel alone in 50 below zero degree weather. It was the newcomer’s first winter. The man didn’t listen to the old man’s advice. The dog tried to tell the man to go back to the fire they had made. The man didn’t listen to the dog. The man made the dog walk in front of him because of the hidden traps. Since the man didn’t listen to the dog or the old man’s advice, his actions caused him to fall through ice. So he sat there and went into a sleep and for hours he never woke up and the dog sensed death The man lied there until