Pierre-Auguste Renoir Essay

The Portrait of Paul Revere is Copley’s only finished portrait of a craftsmen simply enjoying his cup of tea. The way that Copley depicted Paul Revere shows him as a man with little too no emotional appeal. Everything from the dark imaged background, too the blank expression on Pauls face too the lack of design on the tea cup symbolizes a simplistic state of absolute nothing.

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

In Abstract Expressionism - a certain construction of the world we call “individuality” is revealed in its true, that is to say, contingent, vulgarity. And so is painting; or rather, so are paintings like Hofmann’s “The Garden” and Adolph Gottlieb’s “Black, Blue Red” - done as they were under the sign or spell of such a construction, by “individuals” believing utterly (innocently, idiotically) in its power.

The influence of surrealist art on society on the past centuries has been powerful, and artists like Salvador Dali contributed a lot to this form of art, in this research paper I piece together the career and life then by focusing on one of his remarkable artworks and trying to analyze it and how it affected the target audience of the culture and society and for all these topics which makes the main questions in my research paper I did a research to know more about them so that I can be able to link them together and understands how they affected the society.(1)

Impressionism is the movement in the arts that favored exploration of the elements that include light, color and sound over literal presentation. This effort in music was more concerned with human perception and how the artwork would be impressed on us rather that expressionism is concerned with gestures and how they reflect internal psychological mindsets. One of the most innovated composers that is considered an “impressionist” composer is Claude Debussy, who focuses his artwork on the visual aspect. In his first book of Préludes there are two pieces of music that show Debussy’s uses of impressionism are “Violes” by the influence from painter Monet.

     Auguste Escoffier was born on October 28, 1846, in the village of Villeneuve-Loubet, France. He was the son of Jean-Baptiste Escoffier and his wife Madeleine Civatte. His father was the villages blacksmith, farrier, locksmith, and maker of agricultural tools. Escoffier's childhood dream was to become a sculptor. Unfortunately he was forced to give up that dream at the age of thirteen, just after he celebrated his first Holy Communion Escoffier was told he was going to be a cook.

     Post Impressionism, as the name would suggest, is the art movement that directly followed Impressionism. One artist, who led the Post Impressionism movement, was French artist, Paul Cézanne. Much of his early work was pure Impressionism and, although he was introduced to the style and guided by Camille Pissarro, Cézanne's works showed a distinctive uniqueness. Cézanne broke away from Impressionism because of the lack of composition; he felt the desire to depict subjects in the third dimension as well as appearing flat. Cézanne did not agree with the Impressionistic trait of portraying the world through light, instead, he built up images by a generous use of colour.

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

A group of French artists in Paris, of which included Claude Monet and Berthe Morisot, worked together in their academic painting, while rejecting Salons and becoming independent from the Académie. They created a self-supporting group rather than relying on state-sanctioned institutions (Stokstad 987). Impressionists challenged the way paintings were viewed, and critics often viewed their paintings as unfinished. As a result, they unknowingly started the movement of Impressionism, and the movement changed the way art was created. Impressionist artists escaped from the norms of painting religion and the working class, and turned to subjects like landscape, nature, and the upper class.

Claude Monet was an impressionist who used and changed art conventions such as the Salon des Refusés and the world as a source of ideas to create artworks such as “Impression, Sunrise”. The impressionists of the late 1800s wanted to capture the ephemeral moment in time. The artists had a major focus with the light and colour of the moment than with the details of

Luncheon of the Boating Party is a European artwork painted in 1880-1881 by French Impressionist, Pierre Auguste Renoir. In traditional Impressionist style, Renoir depicted a scene from modern life and based it in a place he knew well - the Restaurant Fournaise. Chatou was one of Renoir's beloved settings and Luncheon of the Boating Party is a romanticized portrait of his friends enjoying a Sunday afternoon on the balcony of the restaurant. His intention was to take a normal scene and create a modern day party that portrayed the youth and beauty of his friends. The arrangement of Luncheon of the Boating Party represents a relatively new Impressionist movement as well as the changing character of French

This paper will explain the growth of the simplistic impressionist, Edvard Munch, and how he slowly started to take part in the art movement against the bourgeois. Munch was always heavily interested in death and illness due to childhood experiences, and portrayed that in his art. He was an intelligent and open person in a way that he was able to display his emotions in his work, with others being able to understand it fully. He worked with an abundance of mediums, making him a well experienced artist and up to date, making his work very interesting and diverse.

Paul Gauguin is known for being one of the world's greatest painters, although he was not much appreciated at his time. His work seems to tell stories of his life. In his series of painting done in Tahiti, we can see the many wonders that Gauguin himself explored. Today Gauguin's painting run for millions. For example; Paul Gauguin's Maternite (II) done in 1899 was sold for $39.2 million. That wasn't the case back when Gauguin first started his new career. In this essay I will determine to explore Gauguin's life and his well-known painting Where Do We Come From? What Are We? Where Are We Going?

This 1879/80 scenic multicolored and glossy oil on canvas painting (47.5 x 56.4 cm) by Pierre-Auguste Renoir (1841-1919), a French artist of the Impressionism of Modern Art era. The painting is of two people (an older man and a young preadolescent girl), whom are about three feet apart from each other and are gathered on a rustic looking brown rail overlooking a wakeless sky-blue lake with one small dark-blue boat floating along the shore. There is a one occupant standing on the boat with a single pole in his hand (sometimes used to push small boats along rivers and lakes in Italy) and an outboard motor is attached to the other end of the craft. The lake’s blue color is the reflection of the calm blue color of the sky. In addition, there

The Large Bathers, 1898-1905 is the largest of Paul Cezanne's pictures and has been cited as an example of his ideal of composition and his restoration of classic monumentality after its lapse during the nineteenth century. Cézanne’s great achievement forced the young Picasso, Matisse, and many other artists to contend with the implications of Cézanne’s art. This essay will discuss how both Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon are considered as inspired by and breaking free of The Large Bathers.