Piet Mondrian 's Influence On Society

Looking at his work Madame Matisse, it feels as though he is painting her face with different colors for a reason. Even both sides of the background were different colors. It’s almost as if he split the painting in half to represent different sides of Madame Matisse. In Notes of a Painter, published in 1908 he described colors and shapes as the equivalents of feelings rather than the counterparts

TXT- His unique style of using separate colored panels to create his subjects are similar to a Cubist painting, but he integrates several elements to construct this piece various colors and include text. Pg

He is quoted as continuing to describe these images as being defined by a "band of color, circling the empty center". He said that while there are some basic similarities to work that he was doing two decades ago that featured rectangles that outlined an open center. These new paintings are far more about emptiness than color, according to the artist.

The use of dark colors in middle of the painting, with subtle hint of brighter colors like red, tan, and green, on the outside courts of the painting.

He used the money made from selling his caricatures to fund a trip to Paris. Paris turned out to be a place of opportunity for Monet where he enrolled in the Academie Suisse. He studied there for a small time until he was drafted into military service. After a brief stint in the military, Monet went back to painting and Paris and had the fortune of meeting a painter that would help influence his own work, Johan Barthoid Jungkind. Johan Barthoid Jungkind was a English painter who already had developed an impressive amount of notoriety in the art world. Jungkind took Monet under his wing. Monet accredited Jungkind with the actual development of his artistic eye (House

The shapes are all free form and slightly blurred at the edges, no harsh lines are present. The painting exhibits a dull and dark color palette with a few exceptions. Brighter shades, blue and white, emphasize the moon. Warmer shades,coppery reds, represent the moon's light reflecting off of the stone partition. The paintings value is quite dark with the

The dimensions 28 7/8 x 36 ¾ inches. This painting was created in the modern art period of post-impressionism. Two formal art elements represented in this painting is line and color. The line is shown in this painting organically with smooth brush strokes of the oil creating volume within the clouds and plants, and even the wheat on the foreground.

He was a guy that raised and grew everything he almost ate. He had free ranged turkeys and chickens. It was crazy to find out that he was so into growing in his garden and raising these animals while being a very influential painter (Bordman & Fell 2015). They say he could connect with nature very well and therefore surround him with all of this food. Since Claude was able to connect with nature so well he was able to see beauty in things that others could not see. He was living in a pink house that had all of his gardens and plants around it that he loved so dearly. The garden behind his pink house almost looked like a painting in how he had it so welly organized with the families of food grouped together and the trees that apples that took a lot of space bordering the outside boundary of the yard (Bordman & Fell 2015). . This all comes to a surprise to me that he was so into gardening and painting, but like Meryl Sheep says that “Claude Monet was much more than an artist. Although he claimed to be good at only two of life's endeavours – painting and gardening – he lived a life that included entertaining leaders in art and politics in the large dining room of his beautiful home in the bucolic Normandy countryside.” This shows how he was a very unique guy that was in this world (Bordman & Fell 2015).

Though it’s safe to say no color goes unused in this work, I notice a lot of usage of blues/purples, reds, and yellows. I believe he uses these colors to convey the message he is sending. The color gives the painting a lot of emotion, as if you’re looking at a sad mood turn into a bright happy one. In addition to its emotional effect, I can visualize the bright yellow at the top of the painting representing the sun. I can gather this from the title, as if the sun’s yellow rays are “glistening” on the blue hues below, possibly water.

The critic was not entirely wrong to accuse Monet of utilizing a painting style vastly different from the era. Rather than striking detail, impressionism thrives more on the idea of contrasting colors, and the effect can be powerful, with complementary colors popping off of the canvas. In both figure one and figure two, there is little that is bounding the numerous objects from flowing into each other and becoming indistinguishable as a blade of grass or a chunk of ice floating on water. Moreover, the movement does not prioritize clarity of its structure in that the colors are often mixed on the cloth itself, which creates the thick outstanding layers. The murky reddish sky against the bright white ice was his way of catching one’s attention and provoking deeper observation and thought about the words the piece

In this painting he uses mass to make the painting three dimensional. The painting was on a canvas, but he used some materials to make the colors of red, yellow, purple, green, black, and brown come off the canvas. The way the colors are painted makes it look like they have motion, as if they are moving with the water and the wind. He uses dark blue and black on the bottom and the light blue around the three dimensional colors to give the rest of the painting a sense of light. This puts more emphasis on the three dimensional colors and drawing the attention of the viewer. When reviewing his painting, it just gave off a sense of clam that made me immediately love

Piet Mondrian’s real name was Pieter Cornelius Mondrian Jr., on March 7, 1872, he was born in Amersfoort, Netherlands. While growing up his father was a teacher and he thought that Mondrian would pursue that job but instead, he entered the Academy of Fine Arts in Amsterdam. When Mondrian was visiting the Netherlands when WWI broke out. During the World War, he furthered reduced his colors and geometric shapes and formed his nonobjective style with painting. He was able to make straight lines, right angles, and use the primary colors in his paintings to pop out to make it more amazing. During WWII Mondrian was forced to stay in London but afterwards he was able to move to New York City where he joined American Abstract Artists and continued

In addition, the painting includes an array of bold and contrasting colors. The red and blues differentiate with one another forming shadowy hues. The color red which is featured in the painting as a sunset is notorious for

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some