Pit And The Pendulum Irony

Have you ever been so close to death you thought you were dead… or wished you were? The story, The Pit and the Pendulum, by Edgar Allan Poe, is about a Frenchman who was visiting Spain and was caught up in the Spanish Inquisition in 1806. He was captured by the church-men who ruled the terrifying land he had ventured to. “They arrested, accused, and tried me… all on the charge that I did not worship God as they did. And for that I was going to die.” The Frenchman was tortured, not only physically but mentally as well, and found himself at death’s door throughout the story.

In “The Pit and the Pendulum”, the atmosphere is dark and unsettling. In addition to the setting and characters, there are various other factors that give the story a creepy feel to it. Furthermore, the narrator’s thoughts and descriptions add to the ominous mood of the story. For example, the tale states, “By long suffering my nerves had been unstrung, until I trembled at the sound of my own voice, and had become in every respect a fitting subject for the species of torture which awaited me” (Poe 5). At this point in the story, the narrator, falling into his torturers’ trap, tips on the verge of insanity and begins to lose hope. The reader can easily picture the narrator, cowering against the wall, eyes wide, flinching at the slightest of sounds. Therefore, along with the horrifying aspects of the torture chamber, the unstable narrator and his thoughts create a foreboding and macabre feeling characteristic to gothic

The unit question asks whether or not the hero of Edgar Allen Poe’s “The Pit and the Pendulum” would realistically be able to escape the descending blade swinging on a pendulum. The question is a matter of time, is it feasible for the protagonist to escape the pendulum with the allotted amount of time. Based on standard deviation and testing a pendulum of the same scale as the one mentioned in the story, the answer is no. The protagonist mentions that he believed 10-12 periods of the pendulum would result in the blade coming in contact with his torso. Using the formula developed in class for the period of a pendulum, it would take the 30 foot pendulum described in the story about 72 seconds to complete 12 periods. Testing the actual 30 foot yielded similar results within 1-2 seconds of 72 seconds. Therefore, it is fair to say that the hero is working with 72 seconds to free himself. This does not seem like enough time to develop an escape strategy, act on the strategy, and leave without getting hit bit the pendulum. The method the hero describes involves thinking about the situation and then employing the help of nearby rats. He also mentions, “Yet one minute, and I felt that the struggle would be over,” as if to imply he had 1 minute to spare. Since he was reflecting and then enticing the rats to gnaw through the rope it is not likely that it took only 12 seconds to escape. 72 seconds does not seem like enough time for the hero to complete his escape. However, the thickness of the rope and speed of the rats are factors that could affect the outcome.

The walls became yet wetter and more slimy and the jagged rocks bit deeper into his writhing limbs. Foot after foot Orloff propelled himself along this narrow, sloping path. His breath came in short gasps, while the darkness seemed to become ever more intense. For one moment he paused, an agonizing fear shooting through him. He realized that it would be impossible for him ever to ascend that sloping passage to regain his cell. A cold shiver ran down his spine. Then, he clenched his teeth and propelled himself forward with the superhuman strength of despair.

The theme in “The Pit and the Pendulum” is death and hope. This is displayed in the poem when the narrator realizes the razor sharp pendulum that has been over him swaying from side to side is not an image, and is getting ready to kill him at any second. In the “Pit and the Pendulum” on page 276 it states, “It was the painted figure of Time as he is commonly represented, save that, in lieu of a scythe, he held what, at a casual glance, I supposed to be the pictured image of a huge pendulum, such as we see on antique clocks.” This means the whole time the narrator was in the dungeon he thought the pendulum was nothing but an image of time. When the rats bite through his restraints, he has a feeling of hope that he will escape and not die He feels the same thing

Taking into account the previous descriptions and the definitions of horror and terror we will try to identify which of these stories presents horror and which one may be said to go deeper by portraying terror. The Pit and the pendulum is characterized by having a narrator who seems in absolute use of his mental faculties. As it is mentioned above, this character is aware of what is happening around him and by having a peak of his logical thoughts and feelings the reader experiences the struggle of the narrator to stay alive in a much more personal way. The fact that this character is sane, integrated and coherent in his thinking is one of the reasons why the reader may sense the terror of the story on a whole other level.

To be able to handle his death his mind takes him on a journey of escape and he imagines himself taking out his earlier plans and plunges into the river, swimming rapidly to

As you can see, Poe has the narrator terrified of death in the pit. At the same time he has

feel isolated and afraid. Moreover, the narrator of “The Pit and the Pendulum” also experiences

The temporal setting “oppress the character with the shape of a pendulum” (3) He fears its deadly velocity which represents his final hours of life. He feels terror of the doom that will “cut” his time on earth. As everyone knows, this symbolizes that death is inevitable.

The main themes of Edgar Allan Poe’s works are death, perversity, revenge and destruction. The settings he employed in the given short stories, especially in The Fall of the House of Usher and The Black Cat are Gothic. Therefore, naturally the mood of these stories would be dark and sepulchral. However, this is not a trivial employment undertaken to put the reader in a certain kind of zone.

In his short story, The Pit and the Pendulum he writes “I was sick-sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence-the dread sentence of death-was the last of distinct accentuation which reached my ears” (Poe quoted in Hamilton). The narrator of this story tried to gain the sympathy of the reader, similar to William Wilson, by describing how ill he was and how others were treating him. In another one of his works, The Cask of Amontillado, the narrator claims “The men Fortunato had done me a thousand wrongs. I bore them as best I could. But when he began to insult me, I vowed revenge. You do understand my nature, will know that I spoke no threats aloud. But to myself I vowed to be avenged, sometime” (Poe quoted in Hamilton). Again, he attempted to gain the sympathy of the reader by making Fortunato seem like an awful person, and that he was right to be angry and want revenge. His use of phrases like “a thousand wrongs” and “I vowed revenge” helped to get his point across, that he was extremely angry with

In both “The Pit and the Pendulum”, and in “The Masque of the Red Death”, the main characters face the possibility of dying, but in “The Masque of the Red Death”, Price Prospero cannot escape his inevitable fate and ends up dead like all his guests. This is contrasted by Poe’s other story, “The Pit and the Pendulum”, where the narrator is inexplicably saved at the eleventh hour.

In a true horror story, the feeling of terror is often created by suspense. Suspense is the anticipation and anxiety of the unknown, which is a common factor in “The Pit And The Pendulum.” The narrator tells us that “ I am sick- sick unto death.” This description of certain death creates the feeling of anticipation. Poe often uses repetition to create suspense. In this story, Poe creates this feeling by the lack of description. The reader does not know what the storyteller is on trial for. This creates the feeling of the unknown. Another part of the story that creates tension is when the narrator is exploring the dungeon. A feeling of complete solitude and lack of knowledge while in the tomb creates anxiety. The action of the

Additionally, “The Pit and the Pendulum” is a nail-biting narration of a prisoner being kept in a dungeon. Unaware of what his fate will be, the narrator assumes he will suffer death by hanging, until he explores his unlit surroundings and finds he is in a dungeon with a deep pit in the floor and a pendulum like scythe swinging from the ceiling above. Left to die, the narrator is saved in his last moments of despair by General Laselle who has taken over the prison as part of his crusade to end the inquisition. Perhaps one of Poe's most aspirant pieces of writing, the narrator in the “The Pit and Pendulum” never relinquishes himself to what the reader may view as an inevitable, certain death.