In Platonism, few philosophical theories are as essential as the theory of Forms. This is besides the fact that it is generally overlooked in many of Plato’s writings even though it lays the foundations to many other theories of his. The Republic is where the theory is first mentioned, followed by discussion in Phaedo and criticized in Parmenides and Timaeus thereafter. (These works will be further discussed later throughout the essay.) Plato’s theory of Forms, (sometimes referred to as the theory of Ideas) states basically: that which is made of matter and can be physically perceived by a human through one of his five senses does not represent true reality. The realm of ideas and abstract thought is in fact the ideal representation of reality. (When used in this manner, the first letter of form is usually capitalized). The aim of this essay is to identify “What is a Form?” and “What are the critiques of Plato’s theory of Forms?”
According to the theory, a Form is technically bound to nor space or time. A Form does not exist as a material object and therefore cannot exist in three dimensional space. Because this is true of a Form, it consequently can neither exist at any particular given point in time. In truth, Forms can only be sensed by the intellect, but they are not bound to the confines of one’s mind. Forms exist outside of the mind itself. Occasionally referred to as “Ideas”, Plato’s original term in Greek for Form was ‘eidos’.
As stated earlier, Forms do not depend
According to this allegory, which is related to Plato's Theory of Forms", the "Forms" (or Ideas"), own the highest and most fundamental kind of reality, and not the material world of change known to us through sensation. Real knowledge composes of knowledge of the Forms only. It is an attempt to explain the philosopher's place in society and to attempt to impart knowledge to the "prisoners".
To understand Plato’s argument, he gives us an interesting theory, his theory of forms. If we take the example of a beautiful person, not only does Plato say that there is the form of beauty and there is the beautiful person, but he also seems to say that there is the beauty present in that person which is distinct both from the person and from the form. (Lecture from 11/27). This beauty can come and go, and must, either withdraw or disappear at the approach of ugliness.
Plato is remembered as one of the worlds best known philosophers who along with his writings are widely studied. Plato was a student of the great Greek philosopher Socrates and later went on to be the teacher of Aristotle. Plato’s writings such as “The Republic”, “Apology” and “Symposium” reveal a great amount of insight on what was central to his worldview. He was a true philosopher as he was constantly searching for wisdom and believed questioning every aspect of life would lead him to the knowledge he sought. He was disgusted with the common occurrence of Greeks not thinking for themselves but simply accepting the popular opinion also known as doxa. Plato believed that we ought to search for and meditate on the ideal versions of beauty, justice, wisdom, and other concepts which he referred to as the forms. His hostility towards doxa, theory of the forms, and perspective on reality were the central ideas that shaped Plato’s worldview and led him to be the great philosopher who is still revered today.
Within this essay, I am going to argue that the simple soul is a more plausible conception than the idea of multiplicity within the soul within Plato’s work. This is due to the multiplicity of the soul resting on a circular argument of Plato’s ideal city which in turn rests back upon his idea of the tripartite soul. However, it can also be argued that neither conceptions of the soul are plausible due to them both relying on Plato’s theory of the Forms. Throughout Plato’s works of the Phaedo and the Republic, his account for the soul is conflicting as Plato’s two accounts cannot be reconciled. I will also refer to Plato’s work in the Phaedrus to aid my explanation of the multiplicity within the soul.
We are introduced to the Forms in Plato’s dialogue the Phaedo. The Theory of Forms says that
Plato, in addition to being a philosopher, wrestled at the Olympic level, is one of the classical Greek authors, mathematicians and the founder of The Academy, the first higher learning institute in the west. In short, Plato is one of the great thinkers in history and his contributions to philosophy, ethics and politics are many and varied. One of Plato’s main philosophical ideas is based on the idea that the world
Plato, being a Socratic apprentice, followed and transcribed the experiences Socrates had in his teachings and search of understanding. In Plato’s first work, The Allegory of the Cave, Socrates forms the understanding between appearance vs. reality and the deceptions we are subject to by the use of forms. In the cave, the prisoners’ experiences are limited to what their senses can tell them, the shadows on the walls, and their shackles; these appearances are all that they have to form their ideas. When one of the prisoners begins to question his reality he makes his way out of the cave and into the day light. This prisoners understanding of his reality has now expanded, thus the theory of forms; when he returns to the cave to spread the news, the others do not believe him. They have been deceived by their reality and what
Plato’s theory of the Forms showcases that acquiring knowledge involves turning away from the world of senses and moving towards the Forms/world of intellect. Within Plato’s Republic there are three analogies: the sun, line, and cave, which are intended to clarify how things experienced in the sensible world are less real than the Forms. All three analogies are consistent through their descriptions of the differences between the intelligible and sensible worlds. The usage of all three also enables Plato to guide readers through the knowledge process, starting with a simple description of the sun and ending with a full example of how man can reach that sun.
Plato, arguably one of the most famous philosophers in history is known for his dialogues and theory of Forms. The theory of Forms argues that ideas (non-physical forms) are more real than tangible objects or what our senses perceive. According to Plato, there is the visible realm and intelligible realm. Reality could be divided into three different levels; the level of appearances, the real level, and the ideal level which he explains through the analogy of the ‘Divided Line’ in The Republic.
Plato's "Allegory of The Cave" and "Theory of Forms" are two very important concepts when analyzing Heraclitus's and Parmenides's positions on the world. Though the two had conflicts of interest in their views, there is a margin where both their views can be reconciled through Plato's concepts.
“Everything which exist in this world and all things that we see around us are not as they appear to us” this is the core idea behind plato’s theory of forms.From this idea only he moves towards explaining his world of forms or ideas.
The theory of the Ideas is the base of Plato’s philosophy: the Ideas are not only the real objects ontologically speaking, but they are the authentically objects of knowledge epistemologically speaking. From the point of view of ethics and politics, they are the foundation of the right behaviour, and anthropologically speaking they are the base of Plato’s dualism and they even allow him demonstrate the immortality of the soul.
The world of sense is at a constant change, so how can the truth be
The physical world only has one constant - change. The human senses give an idea of the present reality. However, seeing is not believing. The perception we develop through the senses (seeing, smelling, tasting, touching, and hearing) does not consist of real truth. Real truth is not what is in front of us, but of absolute concepts and unchanging truths. Plato encouraged looking past what is directly visible in order to find truths that exist independent of the physical world. The understanding of the idea of reality through the discussion of the Divided Line and the allegory of the cave directly contributes and proves his theory of Forms and lie at the heart of his philosophy, which I think is convincing because of the extent of his discussions through experimental-based and direct evidence.
Plato was interested in how we can apply a single word or concept to many words or things. For example how can the word house be used for all the individual dwellings that are houses? Plato answered that various things can be called by the same name because they have something in common. He called this common factor the thing’s form or idea. Plato insisted that the forms differ greatly from the ordinary things that we see around us. Ordinary things change but their forms do not. A particular triangle may be altered in size or shape but the form of a triangle can never change. Plato concluded that forms exist neither in space or time. They can be known not only by the intellect but also by the senses. Because of their stability and perfection, the forms have greater reality than ordinary objects observed by the senses. Thus true knowledge is knowledge of the forms.