Plato's Allegory Of The Cave

After that, we have Plato and the Allegory of the Cave. In this text Plato distinguishes between people who mistake sensory knowledge for the truth and people who really do see the truth. The story begins in the cave where there are three prisoners, those three prisoners have never seen life outside the cave and have stayed in the cave since their birth day. Outside the cave people carry animals, plants, and etc. The only thing the people inside the cave see are the shadows, not the real object itself. Plato along with the prisoners guess the objects they will see next. Then, one of prisoners escapes from their bindings and leaves the cave. When he is out he is very surprised to what is outside the cave and then realizes that his former view of reality

Plato makes the point in his analogies that philosophers are the only ones who can have true knowledge. “Above all, the shadow world requires no action by the viewer, no real love or hate, no communication with others, no commitment of any kind…only passive receptivity” (Mackenzie). Mackenzie points out the the shadows, just like the screens, do not require intense knowledge, rather knowing things that were in the sensible realm. Mackenzie’s comparison to modern day screens to Plato’s shadows show the fake reality, where true knowledge is not needed but belief is.

Stage Three of Plato’s allegory pushes us further along the path of enlightenment, where new wisdom is being thrust upon us as we are opened up to yet another set of truths that we have never experienced. The prisoner is being pulled from the cave

In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that

In Plato’s “Allegory of the Cave,” Socrates illustrates society's perspective on the world around them. Using symbolization, he describes the journey of a man, who finds enlightenment while trapped in the ‘dark.’ It starts off with men chained within a cave cut off from society, because of this their version of reality is twisted. Seeing the world through ignorance they believed only the shadows they saw upon the wall were real. Once one of the men escaped the cave, he realized there was a whole new world waiting to be discovered.

The Allegory of the Cave is a passage contained in Book VII: The Republic written by Plato. The passage describes a group of prisoners who are held captive inside of an enormous and cavernous cave. The prisoners sit facing a wall that reflects sunlight, allowing them to observe the shadows cast against the wall by the events going on outside of the cave. The shadows cast against the wall are the only sensory stimulus that the prisoners receive and as a result, they perceive the shadows as reality. Plato continues to describe a single prisoner who is set free from his chains and released into the world. After being released, the prisoner is able to absorb and rejoice in the beauty of the world and experience all the sights, sounds, and tastes

In the ‘The Allegory of the Cave’, Plato uses a philosophical situation to help us as the reader to examine our perception of life by what is around us. Plato uses such an abstract situation to show that we can mistake the information that we gain due to our position in a situation for truth.

Plato's Allegory of the Cave is also termed as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It was used by the Greek philosopher Plato in his work The Republic to illustrate "our nature in its education and want of education". It comprises of a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon. Socrates gives a description of a group of people who spent their lifetime facing a blank wall chained to the wall of a cave. These people saw and tried to assign forms of the shadows projected on the wall by things passing in front of a fire behind them. These shadows as put by Socrates, are what the prisoners can view close to reality (Law 2003). He further compares a philosopher to the prisoner who is freed from the cave and comprehends that he can envision the true form of reality instead of the shadows which the prisoners saw in the cave and these shadows do not depict reality at all.

One of Plato’s more famous writings, The Allegory of the Cave, Plato outlines the story of a man who breaks free of his constraints and comes to learn of new ideas and levels of thought that exist outside of the human level of thinking. However, after having learned so many new concepts, he returns to his fellow beings and attempts to reveal his findings but is rejected and threatened with death. This dialogue is an apparent reference to his teacher’s theories in philosophy and his ultimate demise for his beliefs but is also a relation to the theory of the Divided Line. This essay will analyze major points in The Allegory of the Cave and see how it relates to the Theory of the Divided Line. Also, this

Meanwhile, as for Plato this became his third step of his divided line. Further, this prisoner started seeing and thinking belief due to the outcome of experiencing the objects of trees and animals that were fake improperly in the cave. Now we can say this prisoner’s authenticity has moved from imagination and belief in picture world to thinking in which Plato called the intelligible world. In this case, this prisoner has improved from opinion to knowledge on his way of awareness. Then with this new knowledge this prisoner now get to know how pointless the other prisoners live are. That these other prisoner’s lives rotate in cycle of something, which happened not to be real. Also this prisoner that escaped the cave can be compelled awaken to the other prisoners in this newborn world.

The main idea presented by Plato in his infamous Allegory of the Cave is that the average person's perceptions are severely limited by personal perspective. Plato uses the metaphorical situation of prisoners chained together in a way that limited their visual perception to the shadows projected from behind them onto a wall in front of them. He uses that metaphor to illustrate that perspective determines perceptions and also that once an individual achieves a wider or more accurate perspective, it becomes difficult for him to communicate with those who are still limited to the narrower perspective that he may have once shared with them. Plato meant his allegory to apply to the limitations of perspective attributable to social experiences as well as to the absence of formal education and training, particularly in logical reasoning. Plato believed that logical reasoning is a skill that must be learned through formal training and that without adequate training, it is substantially impossible to understand the logical perspective.

The “Allegory of the Cave” by Plato represents the differences in the way we perceive reality and what we believe is real. In his story, Plato starts by saying that in a cave, there are prisoners chained down and are forced to look at a wall. The prisoners are unable to turn their heads to see what is going on behind them and are completely bound to the floor. Behind the prisoners, puppeteers hide and cast shadows on the wall in line with the prisoners’ sight, thus giving the prisoners their only sense of reality. What happens in the passage is not told from the prisoners’ point of view but is actually a conversation held between Socrates and Glaucon (Plato’s brother).

Humankind is filled with individuals testing each other and competing with one another to be the greatest, ignoring the reality of life. In the “Allegory of the Cave,” Plato justifies this by displaying a parable that serves as a metaphor for life. This parable teaches the reader how people wish to remain in their comfort zones and disregard the truth. It portrays the struggle of facing different realities that alter the illusion of one's life. In the story, he described a group of prisoners chained inside a dark cave; their only source of light comes from a burning fire that is used to create shadows. These shadows display images that the prisoners each interpret as the reality; however, once one is released and is struck by the light, he

Plato describes the vision of the real truth to be "aching" to the eyes of the prisoners, and how they would naturally be inclined to going back and viewing what they have always seen as a pleasant and painless acceptance of truth. This stage of thinking is noted as "belief." The comfort of the perceivement, and the fear of the unrecognized outside world would result in the prisoner being forced to climb the steep ascent of the cave and step outside into the bright sun.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion