An Exploration on the Ultimate Reality
Plato’s Allegory of the Cave
250837081
Submitted to
Professor Eric Desjardins
PHISOLOPHY 1130F
October 28th, 2015
University of Western Ontario
INTRODUCTION AND THE BIG IDEA
Plato’s big idea in The Allegory of the cave is metaphysics. This paper will discuss Plato’s claim of the material world and the immaterial world. It will question the idea of two worlds, as material object is needed to understand the form of the immaterial. Plato states that there is constant change in the material world, but the immaterial world stays constant. This is because we learn things through the ultimate reality, found in the immaterial world. Thus, the reality we perceive in the material world is not the
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He describes the chained prisoners seated inside an isolated cave. The prisoners are made to only see shadows casted by a fire inside the cave. The chains of the prisoners illustrate the boundaries and the prisoners’ lack of understanding of reality, as they are kept restrained by an outside force. The shadows shown to the prisoners are an imperfect representation of what they presume reality to be. Their reality is the casted shadows as it is all they can see being bound by chains. Hence, Plato concludes that we should not trust our senses like the prisoners, as what they see is not …show more content…
It talks about the differences between the two worlds, the immaterial and the material, and Plato’s insistence that one is better than the other. Plato opines that the immaterial world is the better of the two as it is a constant, and we should strive to be a part of that world. Plato’s desired reality gives rise to the ethical issue of personal choice, in which the prisoner must decide to help the others escape the cave or to keep this new reality to himself, meaning they would have to accept the material reality as the truth. In objection though, Aristotle believes that the idea of the form or object comes from the object it self with the help of our senses. Though there are some aspects Plato did not address in The Allegory, the ultimate reality illustrated from being freed of the chains of our material reality require us to first accept this world, before we can move towards the other
The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.
In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that
What Is More Important? ”Money is flooding into these athletic departments and the athletes benefit in many ways, but do athletes deserve to be paid for what they do?” (Walch). It is hard to make a living out of football in college because the athletes devotes their time and body to the sport, but aren’t getting money which is needed to make a living. The college athletes are the ones who bring in the money, but they don’t get any of it (Meshefejian).
In the ‘The Allegory of the Cave’, Plato uses a philosophical situation to help us as the reader to examine our perception of life by what is around us. Plato uses such an abstract situation to show that we can mistake the information that we gain due to our position in a situation for truth.
According to this allegory, which is related to Plato's Theory of Forms", the "Forms" (or Ideas"), own the highest and most fundamental kind of reality, and not the material world of change known to us through sensation. Real knowledge composes of knowledge of the Forms only. It is an attempt to explain the philosopher's place in society and to attempt to impart knowledge to the "prisoners".
Plato, being a Socratic apprentice, followed and transcribed the experiences Socrates had in his teachings and search of understanding. In Plato’s first work, The Allegory of the Cave, Socrates forms the understanding between appearance vs. reality and the deceptions we are subject to by the use of forms. In the cave, the prisoners’ experiences are limited to what their senses can tell them, the shadows on the walls, and their shackles; these appearances are all that they have to form their ideas. When one of the prisoners begins to question his reality he makes his way out of the cave and into the day light. This prisoners understanding of his reality has now expanded, thus the theory of forms; when he returns to the cave to spread the news, the others do not believe him. They have been deceived by their reality and what
This paper discussed The Allegory of The Cave in Plato's Republic, and tries to unfold the messages Plato wishes to convey with regard to his conception of reality, knowledge and education.
Plato's main goal in the Allegory of the Cave is to communicate the relevance and importance of the concept of intellectual perspective. His real agenda is to illustrate that most people are likely perceiving the world around them in a much more limited manner than they realize and that most of us are, to some degree, living our lives in the same circumstances as the prisoners he
Plato’s logical strategy in the allegory of the cave is of deductive reasoning. Plato uses a cave containing people bound by chains which constrict their neck and legs in such a way that they are unable to turn around and there is a fire roaring behind them casting shadows on the wall. Since the prisoners cannot turn their heads to see what is casting the shadow the only thing they can perceive are the shadows and the sounds that seem to becoming from them. This is what Plato argues in the allegory of the cave “To them, I said, the truth would literally be nothing but the shadows of the images.”(The Allegory of the Cave Plato). Since these prisoners know nothing outside of the cave they are ignorant of the “light” and are content on
The poem ‘My Country’ written and published by Dorothea Mackellar incorporates a strong representation of the Australian bush. Mackellar uses many poetic devices to portray her love for Australian bush as the land of Australia is highly representative of Australian culture. Mackellar uses a first person point of view, repetition and personification to reinforce the representation of Australia. The point of view Mackellar uses is important as it demonstrates her love for the Australian representation.
Plato's views on Forms, Ideas, and Knowledge are all expressed beautifully in the allegory of
Imagery used by Plato as part of his writing style of allegory examines the shadows of the cave as ideas offered at surface level. Plato is showing people are there to believe what is given to them because they do not know anything else to be true. The shadows are explained, as “truth would be literally nothing but the shadows of the images” (Plato 450). Shadows are a brilliant use of imagery because they resemble something dark, indescribable, and hard to recognize. This helps support Plato’s argument because the truth can only be seen at the basic level without any complex details; it is just known to be true. His philosophy is that people can only see beyond the surface if they have to capability to do so and believe, what others think is crazy.
In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).
Plato's theory of forms, also called his theory of ideas, states that there is another world, separate from the material world that we live in called the "eternal world of forms". This world, to Plato, is more real than the one we live in. His theory is shown in his Allegory of the Cave (from The Republic, Book VII), where the prisoners only live in what they think is a real world, but really it is a shadow of reality. According to Plato, to the prisoners in the allegory and to humanity in the material world "truth would be literally nothing but shadows" and he believes us to be as ignorant as the people in the cave. Plato followed the belief that in order for something to be real it has to be permanent, and as everything in the world we
Public-private divide structure the priorities of human rights issues in Afghanistan. The private sphere is traditional and immune to outside interferences. The public sphere is subject to interference from the outsiders. The United States government, like many other governments, most always has a hidden agenda when they choose what issues to privatize and what issues to publicize. American troops tend to ignore private issues such as domestic abuse and women’s education in Afghanistan because these issues are seen as private issues; however, when there is something to gain from interfering it becomes a public issue. Sharbat Gula is a young Afghan girl who for seventeen years was only a picture, lacking a name and a story in the American media. Seventeen years later the photographer, Steve McCurry, returned searching for this young girl to publicize her previous unimportant story. He returned to publicize the violation to women’s right to education in Afghanistan. The hidden agenda was to show the American people that Afghan women needed saving from their culture and society. Yet, there was no mention that the war that the United States is a part of is what ruined these women’s futures. The United States troops in Afghanistan rescued a brutally tortured and abused Afghan woman named Aisha Bibi after she was left to die in the mountains by the Taliban. At first glance the American audience see the American troops as heroes, however, when closely analyzed a hidden agenda