Plato’s Allegory of the Cave and The Matrix Essay

Thesis: There are many similarities in the Matrix ( Wachowski, Andy, and Lana Wachowski 1999 ), The Allegory of the Cave ( Plato ) and Meditation I of The Things of Which We May Doubt ( Decartes, 1641 ). It appears as you take a close look at the Matrix that it is a retelling of “The Allegory of the Cave” with elements of “Meditation I of the Things of Which We May Doubt” in it as well.

The Matrix itself is very comparable to the cave because both are prisons of false reality. Humans are trapped and manipulated by their surroundings.Their senses are tricked and they can 't recognize the truth. In the Allegory of the Cave, “people have been in this dwelling since childhood, shackled by the legs and neck. Thus they stay in the same place so that there is only one thing for them to look that: whatever they encounter in front of their faces. But because they are shackled, they are unable to turn their heads around.” Just like the prisoners, Neo is chained to a bunch of machines who blind him from the real world. In the film, Morpheus says: “Like everyone else, you were born into bondage, kept inside a prison that you cannot smell, taste, or touch. A prison for your mind”. Neither the prisoners or the people living in the Matrix know they are trapped. They are unaware anything exists beyond their

In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).

What if one were living through life completely bound and facing a reality that doesn't even exist? The prisoners in Plato's "Allegory of the Cave" are blind from true reality as well as the people in the movie The Matrix. They are given false images and they accept what their senses are telling them. They believe what they are experiencing is not all that really exists. Plato, the ancient Greek philosopher wrote "The Allegory of the Cave," to explain the process of enlightenment and what true reality may be. In the movie The Matrix, Neo (the main character) was born into a world of illusions called the Matrix.

Unable to know any better, people’s blindness to the truth about their existence throughout the ages has been relative to the questioning of reality. We search but are unable to the see the truth through the illusion that the world before us has portrayed. One might ask, how do we know what is real and what is simply illusion brought by our subjective view of the world? But when attempting to understand the nature of our existence, about why we are here, the complexities of life often make it difficult to interpret this subject. The film The Matrix centers on this same concept that the known world is an illusion. The movies core theme of reality and illusion is definite to the humans understanding of what the true meaning of life is. Ones

The prisoner’s process of apprehending knowledge in The Allegory of the Cave is depicted as an arduous yet spiritual process. When the prisoner begins to acclimate into the world outside of the cave, he has to learn and observe in steps. The prisoner first starts with seeing shadows because it is what he is used to when he inhabited the cave. Then, he can see the reflections of objects. After, he is able to move on to watching the actual objects. The released prisoner eventually can observe the night sky. Finally, he can look at the sun and truly understand the importance and meaning of it (Plato.153). The prisoner cannot merely stop at looking at objects because he has to comprehend the new world and look deeper into its meanings. He is unable to physically contact the sky which causes a feeling of uncertainty and wonder. The sun represents the truth and realities of the world, which is why he was so blinded by it when he first was forced out of the cave. The knowledge that the prisoner now possesses gives him the strength to rise above the standing of those who are stilling living in the shadows. In order to fully grasp the knowledge of the world, an individual must slowly understand smaller concepts before attempting to gain the full truth.

Having read the synopsis from The Matrix, the excerpt from Plato, The Republic, Book VII, 514A1-518D8 “The Allegory Of The Cave”, and the excerpt from Descartes, Meditations on First Philosophy, 1641 “Meditation I Of The Things Of Which We May Doubt”, I am able to conclude that there are similarities as well as differences among these readings. Each question the state of reality in which we live. Is our reality a true state of reality or is it a state of mind we have allowed ourselves to exist in?

Moreover, “The Allegory of the Cave” by Plato illustrates a civilization of physically restricted prisoners. Creating a setting in which underground prisoners are only exposed to a wall, its shadows (whom they see as beings), and the people around them, Plato displays a society of ignorant people who only know what they are able to physically see and experience every single day. However, once liberated by other freed people, these prisoners are able to attain knowledge more easily, and slowly, their individual truths become closer to reality. Despite initially being perplexed and irritated with the realization that what they saw and knew as prisoners is not the actuality of how things are, they, consequently, gain the ability to understand more about the world with their newfound knowledge. Thus, the freed people attempt to free the other prisoners from their chains, and expose them

Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.

As he talks about the prisoners, he claims that - were they not released and able to go into the outside light - they “would deem reality to be nothing else than the shadows of the artificial objects” (Plato). He describes their original life in the cave as being primitive and conjecture in nature. Once released from their chains, though, the prisoner must make his way past the fire and into the outside world because for Plato, “the entire ascent out of the cave, is a story of progress toward understanding values”

In the story The Allegory of the Cave, Plato describes the perception of reality. He explains how to interpret ideas or objects in different perspectives. The story he tells about the cave could have influenced different modern day ideas. Some ideal examples might include religion, abuse, and imprisonment. Plato’s cave theory applies to all of these ideas and can show many different perspectives.

In the movie The Matrix we find a character by the name of Neo and his struggle adapting to the truth...to reality. This story is closely similar to an ancient Greek text written by Plato called "The Allegory of the Cave." Now both stories are different but the ideas are basically the same. Both Stories have key points that can be analyzed and related to one another almost exactly. There is no doubt that The Matrix was based off Greek philosophy. The idea of freeing your mind or soul as even stated in "The Allegory of the Cave" is a well known idea connecting to Greek philosophy. The Matrix is more futuristic and scientific than "The Cave" but it's the same Idea. Neo is

In Plato's The Republic book VII he tells a story about prisoners in cave that were held captive. “Imagine that along this path a low wall has been built, like the screen in front of puppeteers above which they show their puppets.” (Plato PP) In today's society, it is not a cave rather a state of mind and the puppeteers are rather everything that we are exposed to. Every culture is stuck in a bubble, made to believe their values and traditions are above anyone's who are different. Socrates is explaining to the student how we only accept what we know to be true. The way society functions can be explained by us imagining a group of people whose existence has been inside of a cave. He explains that these prisoners are chained in a way that they are unable to turn to see in any other direction. There is a fire behind them that provides light which casts shadows that the captives believe to be entities. The prisoners way of making sense of it all is to give names and meaning to these shadows. One of the prisoners gets unlocked by her chains and

Plato's Allegory of the cave is classic from ancient Greece that will never go out of style and will always be able to relate to the present. The Wachowski brother’s movie The Matrix is a modern day with breathtaking visual and heart pulsing fighting scenes that will be enjoyed by future generations to come. Plato's classical short story and the Wachowski brothers’ box office hit share many similarities in the plot and the meanings behind the story itself. What makes their works of art so enjoyable is that they can connect to the real world.

Socrates’s anecdote of the cave presents a ghastly image: people who “are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around” (193). Also inside the cave is a “fire burning” which allows certain objects (out of sight and controlled by others) to project shadows (193). Consequently, the prisoners believe that the shadows are the most real things. When a prisoner is released, he experiences pain due to the light of the fire. In time, he recognizes the truth and becomes accustomed to it. He is then “dragged out into the light of the sun” (194). After a few moments, he tolerates its rays. Most importantly though, he grasps “the sun itself” (195). Finally, the escapee is not content with keeping this