Plato's The Allegory Of The Cave

In Plato's Cave, the prisoners are tied down with chains, hand, and foot under bondage. In fact they have been there since their childhood, which much like matrix people are seen as in reality being bound within a pad whereby they are feed images/illusions which keep them in a dreamlike state and they have been in this bondage by virtue of the virtual reality pads in the fields since their youth and like the allegory of the Cave they are completely unaware of such a predicament since in regards to the Cave they have become conditioned to the shadows that dance upon the wall and do not see the true forms of which the shadow is a mere non-substantial pattern of. In the Matrix, within the person of the virtual world, it is a non-substantial pattern of the world, it is reflective of the real world, it is a shadow in its form and nature being a simulation of the world at a particular point in history. Like the prisoners in the cave, those who are prisoners in the system of a matrix are held in their calm state by reason of the illusion that stimulates them and tricks them into remaining asleep or rather into being ignorant of the fact that they are prisoners in pads so the machines can feed on their bio-energy. The shadows on the wall which are reflective is to keep the prisoners on the Cave unaware of the fact that they are prisoners, that they are under bondage and have never truly seen life outside of the Cave. The shadows on the walls are by puppets, perchance puppeteers. They could be seen as the agents, whom within the Matrix being programs are to maintain that the humans asleep in the matrix remain in their comatose state, they are to support the illusion, by keeping man actively ignorant of what is truly happening, so they never wake up. The puppeteers of the puppets which are seen on the wall to keep the mind of the prisoners stimulated so they never realize that they are chained, and only have a vision that is straightforward, which is basically saying their minds are only subjected to a single perspective and they are blind to the degree of seeing within other perspectives, broader perspectives and this in and of itself is a limitation.

In Plato's “Allegory Of The Cave” he expresses that people are innately born with abilities like thinking and communicating, but their individual outlook on life is relative to their experiences in life; their educational awareness. Like the men chained in the “cave”, restricted to see only shadows of images cast by fire light and muffled echo sounds of voices; if one is restricted from experiencing new things, places or ideas, then in life their reality is limited to only the experiences they have had. The shadows the prisoners see on the wall are their reality not the actual objects that made the images. As our text “”Think” buy Judith A. Boss indicates, experience and facts we receive from additional resources is the basic level of thinking. Without continued facts and experiences, without education, our thinking is limited to our narrowed reality (shadows).

The Allegory of the Cave, also know as The Analogy of the Cave, Plato's Cave or Parable of the Cave is presented by the Greek philosopher Plato in his work “The Republic “ as a theory concerning the perceptions of human kind and compares the effects of education to the lack of education on our observations. The passage is written as dialogue between Plato’s brother Glaucon and his teacher Socrates.

In Plato’s allegory, he begins with a set of three people, prisoners of the cave that have never seen anything other than what the cave and their binding allows. “The prisoners are tied to some rocks, their arms and legs bound and their head is tied so that they cannot look at anything but the stonewall in front of them” ("The Simile of the Cave." Republic, 1974). What they are able to see is shadows of a fire and those people or animals- free to the

In Plato’s, Allegory of the cave, a key theory I found was the importance of education. Plato uses an “allegory to illustrate the dilemma facing the psyche in the ascent to knowledge of the imperishable and unchanging forms” (104) Based on my research of the republic, the allegory can reveal multiple hidden messages. Plato describes, ordinary mortals are chained within an underground chamber, which according to Fiero, represents the psyche imprisoned within the human body. These mortals can’t look sideways only straight ahead. They also can’t leave the cave and are facing a cave wall that they can see shadows from a fire of what they imagine are men. These mortals have been in this cave since childhood, which makes them believe the shadows themselves are the men, not a reflection of an actual man. Again, according to Fiero, the light, represents true knowledge, and the shadows on the walls of the cave represent the imperfect and perishable imitations of the forms that occupy the world of the senses.

“Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light, or from going into the light, which is true of the mind’s eye, quite as much as of the bodily eye…” (Plato). In this quote from Plato’s “The Allegory of the Cave” an instance in which a person comes face to face with something that confounds them, it can be due to two factors. First, it could be that they are knowledgeable and are paying attention and go to seeing ignorance. Or it could be that they are not knowledgeable and are faced with veracity. A situation such as this takes place in Plato’s

While interpreting Plato’s “Allegory of the Cave’’ in which is a representation that described a narrative of the society of people in before Christ years. I realized how there was a major comparison of people in today’s society that reflected the same prisoner traits as the prisoners that were described in the dialogue. According to the Plato’s “Allegory of the Cave.” It described conditions of people chained at birth unable to function as independent individuals that were locked in a protracted dark cave. They were allowed to rotate their necks but could not stand up unless told to or leave the cave. Within this cave they could only watch a wall showing flash images and objects as if the prisoners were watching a play or movies at a theater. They believed that the pictures shown on the wall were factual in which they were just shadows of objects that were behind them. The objects reflected forms and puppet that were placed up by puppeteers to create shadows on the wall. The prisoners were unable to see the puppeteers and seemed as if they were watching a puppet show in the dark.

Plato who was a Greek philosopher was born around the year 428 BCE, where he was known for opening an academy. The academy was considered the first university in the western world. In “The Allegory of the Cave”, three prisoners were tied up and could only see the shadows that reflected from the wall. They have been living in the same cave as prisoner for practically there whole life. The shad`ows represent things that are believed to be true. One prisoner got free and experienced the reality of the world but the other prisoners just laugh at him when he comes back. Plato is telling people In “The Allegory of the Cave”, the rhetorical appeal is a metaphor of the sun and symbolism.

One of Plato’s more famous writings, The Allegory of the Cave, Plato outlines the story of a man who breaks free of his constraints and comes to learn of new ideas and levels of thought that exist outside of the human level of thinking. However, after having learned so many new concepts, he returns to his fellow beings and attempts to reveal his findings but is rejected and threatened with death. This dialogue is an apparent reference to his teacher’s theories in philosophy and his ultimate demise for his beliefs but is also a relation to the theory of the Divided Line. This essay will analyze major points in The Allegory of the Cave and see how it relates to the Theory of the Divided Line. Also, this

Prompt: Define Plato 's “Allegory of the Cave”. What is the central message? Is he describing education alone? Where does politics come in?

Written in 1845, “The Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself” details the events that Douglass is faced with throughout his journey from slavehood to freedom. In a sense, it is this very journey that mirrors an allegory taught by a famously wise Ancient Greek. This is, of course, the “Allegory of the Cave” from Plato’s Republic. These two texts and the concepts that they present are no doubt parallels, which is why this topic is an extremely interesting and philosophical one to discuss.

In the Allegory of the Cave, Plato distinguishes between people who mistake sensory knowledge for the truth and people who really do see the truth. In this a group of people have lived in a deep cave since birth, basically never seeing the light of day. They are prisoners. The people are bound so that they cannot look to either side or behind them, but only straight ahead. Behind them there is a fire. And behind that fire there is a partial wall. On top of the wall are different statues, which are held up by a group of people, hiding behind the wall out of sight. Since there is the fire, the statues cast shadows across the

In Plato’s “ The Cave Allegory,” he feels people are too stubborn, to welcome new concepts. He uses the analogy of the cave and the shadows to represent the nonsensical things people view as valuable knowledge. He uses the outside of the cave, and the true forms of things, to represent his philosophical logic. There is a prisoner, that has been shackled in this cave his entire life, and then suddenly was released to venture out of the cave, and into the real world. It took his eyes time to become adjusted to the darkness,

Once one of the prisoner’s is released, he is forced to look at the fire and the objects that once made up his perceived reality, and realizes that the new images he is made to acknowledge are now the accepted forms of reality.

“See human beings as though they were in an underground cave-like dwelling” (193). Although Plato’s famous allegory of the cave doesn’t appear until Book VII of The Republic, its significance cannot be understated. The meaning behind the Greek philosopher’s imagery manifests itself throughout the rest of the work, specifically Book I. After outlining the description of the cave and demonstrating how the rest of The Republic dramatizes it, I argue that Plato (or Plato’s Socrates) is revealing a relationship that posits philosophy, which can only come about through mutual respect, as critical for the city’s well-being, but ultimately not enough just by itself.