There was significant development of Ireland as an independent country in the first few decades of the twentieth century. Through the examination of Synge’s Playboy of the Western World, Shaw’s O’flaherty, V.C., and Yeats’ Easter 1916 and Sixteen Dead Men readers are able to better understand the violence that allowed for that development to be possible within Ireland at the time. Playboy of the Western World, published in 1907, is a playwright in which John Millington Synge attempts to define relevant political violence by highlighting the power of English’s rule on the Irish natives. The protagonist, Christy Mahon, is a murderer of his own father who is driven to tell his story due to the attention that he is receiving. In almost all cases you would perceive the attention that he is receiving as negative; however, in this case Christy uses his power of persuasion and desperation of his audience to be enlightened by his story. Christy begins by labeling his father as a, “ dirty man, God forgive him, and he getting old and crusty, the way I couldn’t put up with him at all.”(75) Christy begins to talk down t his father almost as if he was a useless authoritative figure much like the role of the British on Ireland’s soil. As his audience listens to his story it becomes more and more embellished and almost as if the killing was a necessary duty. Act II begins with Christy admiring himself in the mirror, “Didn’t I know rightly I was handsome…”(83). Christy develops even more
The Irish had suffered long before in the hands of the English when Cromwell had been in control and had taken away land held by the catholic majority of the country to members of the protestant minority. This created a large tension among the population with the oppressed majority and the rather entitled minority who by Trevelyan’s snooty tone did indeed see themselves as the superior people in the country. (Trevelyan’s tone is probably the most dismissive when in discussion of the Irish, mayhaps showing his own true dislike.) (Trevelyan, p. 116-
Conroy’s analysis of Northern Ireland is, in the simplest of terms, refreshing. Convoy’s attention to detail and analysis when describing Jimmy Barr’s dealing with the Housing Executive’s, when discussing the hunger strikes, and when discussing the plight of those who live in the Divis Flats all support the notion that Conroy has an understanding of Northern Ireland, even though he’s an outsider. John Conroy’s Belfast Diary is an example of how an outsider can provide a reliable analysis into the communal violence that has consumed Northern Ireland. I believe that Conroy’s outsider perspective, combined with his choice to immerse himself into the culture of Belfast allowed him to write a story that leaves out major biases, a story that
Throughout Jonathan Swifts essay, A Modest Proposal, there seems to be a tone of satirical bitterness towards the English government for colonizing Ireland and then neglecting its citizens to live in such dire conditions. This bitter tone seems to suggest that the English’s unwanted interference and neglect has not transformed the Irish people into “civil” citizens, but instead that it has evolved them into the “barbaric” and “animalistic” people they were once accused of being.
During this time it is clear that many changes were occurring in Ireland, a land that was once dominated by tradition was now becoming a modernized country. Where then does
The British have reigned over the Irish so long and so cruelly that they have left Ireland in “state of dependence” psychologically, politically, and economically. In other words, the “ideology of Protestant consumption” has “actually eroded” the self-confidence and sense of worth of the Irish so badly that it has left Ireland a nation unable to sustain itself (Mahoney). England is eating up Ireland. But this tribulation cannot be blamed solely on the British. Swift cleverly condemns the British aristocracy for their mistreatment of the Irish people while also criticizing the Irish people for allowing this exploitation.
Violence, terror, suffering and death. The conflict that has been burning in Northern Ireland seems to be an unstoppable battle and it has flooded over the land of Northern Ireland. The struggle for power and the persistence of greed have fueled the raging fires of the opposing groups. The conflict in Northern Ireland has been discussed continually over the past few decades. Ever since the beginning of the “Troubles,” organizations have been scavenging to find a plan that will cease the violence. Throughout my research for this project, the questions of what are the main sources of conflict in Northern Ireland and why have they continued today guided me to many fascinating pieces of evidence that
The history of Ireland is one of early scholasticism and rich culture in times when the rest of Europe had less of a literary and artistic tradition. By the time of Hyde’s speech, the nation had become “one of the least studious and most un-literary”3 countries of the area, and he claims that the fault lies in a divergence from “the right path.”4 Progressive Anglicization has led the Irish to forget their own culture and its traditions. The British claim that because the Irish have forgotten much of their language and customs, they should be content as an integral part of the United Kingdom, and
Identity is pivotal to the story and holds its own innate power, but what is even more pivotal is that the Irish do not necessarily all share the same views. The Irish find their history very important because it is the foundation of the language. Hugh says, “It is not the literal past, the ‘facts’ of history, that shape us, but images of the past embodied in language” (88). It is evident then that Hugh finds the historical meanings of
The turmoil of the second decade of the twentieth century gave way to a greater sense of peace and stability in the third, with a peace treaty signed between Ireland and Britain in December of 1921 and Home Rule finally established for most of the Irish isle (Ferriter, n.d.). At the same time, this new society did not lead to instant prosperity, and indeed poverty remained a major and growing problem in Ireland during this decade (Ferriter, n.d.). Economic and social problems that persisted during this decade certainly could have been pushes to increased immigration.
The start of the Irish’ peoples struggles began when the British came and destroyed their way of life. The Penal laws of 1691 stripped Irish Catholics of their freedoms by taking away their rights to become officers
The setting for “The Fatal Sisters” is an eleventh century, war-ridden Ireland. The nation’s fate appears to rest upon the shoulders of a few bloodthirsty
In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.
In William Trevor’s short story ‘Beyond the Pale’, the reader is presented with a text that seethes with the angst of a writer whose country’s Colonial past has been gnawing on his bones. Although there is nothing unusual in this (especially in Irish writing), Trevor manages to fumble the ball in the course of his didactic strategy and snatch defeat from the jaws of victory: what should have been a successful indictment of British Colonial Rule in Ireland becomes nothing more than the grumbling of an intelligent writer who cannot negotiate his patriotic feelings.
At the time of publication, 1916, Ireland had seen events such as The 'Easter Rising ' in which Catholics rebelled against the British and the Protestants in a bid for independence. This mix of both the need for Independence and religious extremism are elements that we see portratyed through Stephen. Knowing this information we can see that Joyce portrays not only his own struggles with religion and independence using this method but also the conflict found
The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.