Pleasantville 's Insight Of Reality

Pleasantville changed. In the beginning of the movie everyone were “equal” and by the end of

The small town of Pleasantville portrays a perfect controlled society and time where everything is literally black and/or white. As the movie progresses so does the town. The towns’ people gradually begin to act upon their urge to change and find their true, authentic selves. While they progress and practice their freedom of coming into their own, their true coloring comes

The 1998 film, Pleasantville, written, produced, and directed by Gary Ross is a “swell” example of the three perspectives of sociology. Two 1990 teenagers get trapped in the blue-sky world of a 1950’s sitcom. While spending time with the people in the small town of Pleasantville, the teens begin to drastically change the the bland ways of the townspeople and alter their world completely. Throughout these events, viewers can find examples of the functionalist perspective, interactionist perspective, and conflict perspective.

Pleasantville, (before David and Jennifer) is a “dream world” if you will, everyone is always happy and there are never any conflicts with anyone. Once the two of them arrive however, everything changes. In Pleasantville everything is black and white, but after Jennifer has sex

In the 1998 film, Pleasantville, the idea of defying a supreme leader and exploring new taboo ideas is demonstrated by the rebellious mural painted by Bud/David and Mr Johnson. This mural painted in vibrant colours explores ideas that are nothing short of unthinkable to the bland citizens of Pleasantville. The elements painted on the mural include representations of sex, knowledge and music, which is against the core values of this idealistic town. While Pleasantville seems to have the all-american dream with white picket fences and nuclear families, it is evident that they are lacking many of the vivacious elements present in a normal flawed life.

During the mid-20th century there was much racial discrimination, specifically in home ownership. During this period there was mass immigration of Southern blacks to the north. In Lawndale Chicago, there was adverse reactions to this. As the

A Raisin in the Sun, by Lorraine Hansberry accurately portrays what it was like for an African American family to be living in the Southside of Chicago in the

The film Pleasantville shows the changes in American society over the past 50 years by placing two teenagers into the Pleasantville show, which was from the 50’s. The movie depicts how there is no longer the “American Dream” and no longer a perfect way of life and the changes the world has made. The world that the teenagers come from is filled with sex, drugs, money, and is very different from the way the world was in which the Pleasantville Show took place in. Morals and values have changed in the people and in society that the teenagers came from and shows it would be impossible to return back to the kind of life style the world had in the 50’s.

Perfection is shown in Pleasantville by everyone dressing nicely and no one ever being homeless. Pleasantville is a town where the weather is nice every day, everyone likes everyone, and no one does anything bad. When the basketball team shoots a basket it is impossible for them to miss because of the perfect world they live in. With no one ever doing anything bad or anyone disagreeing with something it creates a perfect society. However, in reality once someone disagrees with something or some else a dystopian society is exposed due to its failed attempt at perfection. A failed attempt at perfection is demonstrated when Skip and Bud were playing basketball and Skip asked Bud if he could take his sister out on a date. Bud told Skip no and told him it’s not the time for that right now. When Skip was denied by Bud he was unable to make a shot anymore since his world was not perfect anymore. By Bud saying no to Skip a dystopian society is presented as a result of a failed attempt at

How are we made aware of the filmmaker's attitude towards change? Refer to three specific episodes from the film. (excl. concl. stages)In Pleasantville, the filmmaker, Gary Ross, conveys his attitude towards change through the characters of David and Jennifer who are transported into the 1950s sitcom "Pleasantville". He doesn't necessarily demonstrate change to bear a positive result; rather, he addresses that change is essential to the development of society and self and that it is important to understand and accept change. Ross contrasts the ignorance and mindlessness of the unchanged people of Pleasantville with the hunger for knowledge that the changed (or coloured) people possess, communicating to the viewer that change and knowledge

The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.

"when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go the public amusement park that has just been adverted on television, and see tears welling up in her little eyes when she is told that Funtown is closed to colored children, and see the depressing cloud of inferiority begin to form in her little mental sky, and see her begin to distort her little personality by unconsciously developing a bitterness toward white people." (735).

A TV repairman shows up out of nowhere on their doorstep offering to fix the remote. The repairman quizzes David on Pleasantville trivia and after he answers all of his questions correctly, he gives David a “special remote”. The brother and sister fight over the remote and get zapped into the television show “Pleasantville”. This sets up a majority of the clashes with a 1990’s brother and sister team going back in time to a perfect small town family of 1958. The time period chosen for the television show was intentional. The oldies telev

A mirror effect of racial discrimination is presented through a courthouse scene involving majority of Pleasantville as ‘colours’ that are fighting for rights, equality, acceptance.

Furthermore, the movie Pleasantville reflects some of the cultural conflicts of the 1950s. To begin, racial discrimination in the 1950s was extremely prominent in society. Whites discriminated against blacks because they were taught that anyone different than themselves was evil. Pleasantville portrays this when the citizens thereof begin changing color from black and white to color. These people represent an embrace of cultural change which goes against the normal, stable and secure status quo. The people of color are persecuted against by those of black and white color because they feel their existence is threatened by this symbol of change. For example, this persecution is seen in the scene when Betty Parker is persecuted by five black and white people while out in town. The five boys threaten her with verbal and physical attacks, as would blacks or “coloreds” would be by whites in the 1950s. Another cultural conflict exemplified by Pleasantville is changing teenage culture. Two ideas that challenged the cultural status quo in the ’50s were the idea that sex is ok, and Rock n Roll. Teenagers embraced these changes, and these changes are seen in Pleasantville. For example, a location called “lover’s lane” is where teens would go in this movie to participate in taboo, status quo-challenging sexual activity with the opposite sex. The idea of this in the 1950s was not even considered,