Plight of the Code Hero in the Works of Ernest Hemingway Essay

On the third day the fish tries to escape while Santiago was sleep-deprived,and aching he manages to pull the marlin in close enough to kill it with a harpoon thrust. Dead beside the skiff, the marlin is the largest fish Santiago has ever seen. He lashes it to his boat, raises the small mast, and sets sail for home. While Santiago is excited by the price that the marlin will bring at market. He is more concerned that the people who will eat the fish are unworthy of its greatness.

Ernest Hemingway is among the most unmatched of American authors. In his works, he is often said to focus on gender roles, especially those of men. Hemingway often created characters that showed the characteristics that he believed made a boy into a man. However, these characteristics are not gender-specific, and could very well apply to women as well. This collection of characteristics became the Hemingway Code Hero. The Hemingway Code Hero, more commonly referred to as the Code Hero, was an embodiment of male prowess. Most of Hemingway’s characters failed to live up to this almost impossible standard, however, all of his characters are capable of

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Hemingway’s code hero is portrayed in most every novel that Hemingway wrote. He takes his main character and makes him someone that is hard to change and even harder to make realize the situations around him. His code

After 84 days of life, the old fisherman Santiago nothing at all. Alone, poverty, in the face of his own death, San Diego now considered unlucky. So Manolin fishing partner until recently (San Diego and San Diego church since the age of five young people) has always been the parents of the fish ship in another more productive. Every night, though, when San Diego empty-handed again, Manolin told him to help home equipment, to his company, and he brought food.

Hemingway’s “A Clean, Well-Lighted Place,” like all of his other stories, is based around a famous code of behavior. The philosophical premises that are demonstrated in Hemingway’s code of behavior tell people to accept that there are no guidelines or rules in life, face reality and see things exactly as they are, no matter how difficult, contain their despair and self-pity by sheer willpower, don’t make trouble for others, and instead of judging others, people should view the unenlightened with irony and pity. By analyzing “A Clean, Well-Lighted Place,” the reader can find different examples of this code of behavior within Hemingway’s writing.

The characters in Hemingway’s stories reveal much about how he feels about men and the role they should play in society. Most of Hemingway’s male characters can be split into one of two groups. The first of which is the “Code” Hero. This is the tough, macho guy who chooses to live his life by following a “code of

Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes

The characters in Hemingway’s stories reveal much about how he feels about men and the role they should play in society. Most of Hemingway’s male characters can be split into one of two groups. The first of which is the “Code” Hero. This is the tough, macho guy who chooses to live his life by following a “code of honor,

Most importantly, Hemingway’s “heroes are not defeated except upon their own terms” (Warren, 55); what matters to them “is the stoic endurance, … the stiff upper lip” (Warren, 55) which represents victory in their own ways. Hemingway then masterfully shows how these principles affect the character’s lives in a positive light. Santiago, the protagonist of The Old Man and The Sea, shows how the code hero principles help him gain peace despite his failure to catch the large fish. The struggle may also be arduous and testing, as shown in The Nick Adams Stories. We the audience see Nick Adams, the protagonist and code hero, evolve from a naïve child in the beginning of the story, all the way to a fully realized code hero at the end. Hemingway maps Adam’s journey as one with both blessings and hardships; however, in the end, these learned principles give Adams peace and understanding with his life. These heroes all face different forms of defeat or death; however in the end, they “all manage to salvage something” (Warren, 35) out of these excruciating circumstances. Ernest Hemingway utilizes Santiago from The Old Man and the Sea as a fully developed code hero and Nick Adams

He tries to reel it in but he can't. Instead the fish is pulling the boat! He struggles and struggles with the fish for hours. After a while fatigue takes it's toll as his hands clamp up, and his back aches from the line tied around it. The fish surfaces and Santiago realizes that it is longer than the boat he is on! An unexpected jerk leaves a gash in his hand only to add to his pain. After a very long while Santiago shortens the line to harpoon it. He latches the fish to the side of the boat and begind to tow it back to shore triumphant. Then a mako shark approaches and takes a large bite out of the marlin. Santiago kills it with a harpoon. Only later did he realize that the sharks blood would attract more sharks. As more sharks approached Santiago fought with all his might to save his fish but there was too many sharks. By the time he got to shore, he had nothing more than a skeleton. Santiago collapses from exhaustion on the shore but is found by Manolin and calls for help. The community marveled at the size of the skeleton that is still attached to the boat. Manolin takes care of the old man and vows to return to him as an apprentice. Santiago finally gets the repect from his community.

Santiago spent much of his life fishing in the sea. Santiago worked really hard to catch just one fish. He spent eighty-four days just waiting for this fish and when that day came his hard work paid off. “‘He was eighteen feet from nose to tail,’ the fisherman who was measuring him called” (Hemingway, 2003, p. 123). Santiago’s effort paid off because he reached his goal of catching one fish and he surprised everyone with his

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is

The Old Man and the Sea is the longest of the short stories discussed here, but it still comes in at only 127 pages. Three of the literary techniques used in this story are conflict, simile, and reflection on the past. A variety of conflicts are squeezed into this story: man vs. self, man vs. society, man vs. nature, Santiago vs. fish, and present vs. past, to name a few. All of these conflicts are due to Santiago trying to mend his wounded sense of pride. Santiago challenges himself to sail farther into the ocean than he ever has in order to prove to society that he is not just an old, washed up fisherman. He is trying to prove this to himself, too. While out in the ocean he has to deal with the wrath of Mother Nature and the conditions that tag along with her. He wrestles with the Marlin for days before he can actually capture it, and when he finally does, sharks eat it up. Poor Santiago just cannot win. While all of these conflicts are going on,