Plum Garden At Kameido Analysis

Characters overcome what life brings them and finding meaning in the things that they have in The Samurai's Garden by Tsukiyama. Stephan who experiences this watches as Matsu and Sachi work in their gardens. The gardens represent their gardener’s soul because they nurture and dictate everything that happens within the gardens walls.

A Chinese plum, Prunus mume, blossoms in the cold of late winter and early spring. It is a classic Asian aesthetic of five petals. “It manages in the

The focal point of this painting is the tree that lies central on the canvas. It is also the foremost feature in the picture with the town, sea, and intense foliage falling far behind

Secondly the Pomegranate tree can be seen as a symbol of Amir and Hassan friendship, childhood innocence and shelter. The tree is presented to the reader in two different states. When the tree appears in the first part of the story, in chapter 4, the tree is shown as being fruitful and blooming with ‘blood red’

Towards the end of the novel, the children “never stopped believing that somewhere out there, in some stranger's backyard, our mother's rosebush was blossoming madly, wildly, pressing one perfect red flower after another out into the late afternoon light.” (Otsuka 139) Flowers as a symbol of hope helps to characterize how the Japanese-Americans are feeling during this time. They have not given up and are still pushing

Secrets fill the garden. In Gail Tsukiyama’s novel “The Samurai’s Garden”, she uses metaphors to show the audience the garden and its’ curator in a mysterious light. Tsukiyama’s character Stephen gazes upon Matsu’s garden with wonder and amazement. He compares it to another world, “The garden is a world filled with secrets… Matsu’s garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden” (Samurai 31). Tsukiyama creates another world within the fences of the garden. She integrates the secrets of its’ caretaker into the aura of the garden. The metaphor to another world impacts the reader by allowing the reader to see the mystery and beauty that shrouds it. The cloak of beauty shows

"The garden is a world filled with secrets. Slowly, I see more each day. The black pines twist and turn to form graceful shapes, while the moss is a carpet of green that invites you to sit by the pond. Even the stone lanterns, which dimly light the way at night, allow you to see only so much. Matsu 's garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden. There 's a quiet beauty here I only hope I can capture on canvas." - Stephen at the beach house planning to paint Matsu 's garden, page 31

The Sugar Plum Bear and I became friends. As we were walking through, what seemed like peppermint trees, we stumbled across the “Sugar Cookie Trail”. Both the bear and I looked at each other in confusion. As we walked across the delicious road, I wasn’t paying attention to where I was going, and ended up in what appeared to be frosting.

The foreground of the painting displays quite a few important formal quality details. The lower right quadrant exhibits a comparatively focused escalation in the chiaroscuro of the tree trunks. The crustiness of the deep earthy tones and the lushness make the lower right quadrant appear darker and more jungle-like. In opposition, there are some blue hydrangeas in the same vicinity that provide for a visually appealing contrast to the darker tones that surround them. The blue hydrangeas manifest themselves as wild and uncultivated.

Along the side of the walkway in the pergola was a garden of small trees and shrubbery. Plants were present everywhere in the Palace, along the pergola and the rotunda, befitting the theme of a decaying ruin, overrun by nature. According to Maybeck, "it is the water and the trees" that people came to see (Macomber, 23). The natural scenery was integral to his design. The combination of majestic

Personification also contributes to the relationship by making the tree a lively component of the family instead of a passive object in the back yard. A relationship necessitates at least two parties so it is necessary that the tree be a part of the family. At the end of the poem, “the black walnut tree swings into another year” when the family decides to keep it. This shows that the family respects the tree as its own entity and presence. First, this personifies the tree as free and leisurely because swings are usually for play. It also contextualizes the tree as having a

“Under”). One could mistake that the focal point is the little figure under the birch tree who is a priest. However, the main point in this landscape is all about the birches. The reason why one could say so is because of all the visual elements such as: the birches are in the middle of the painting; they are also the most lighted objects in the painting (light is shining in the form of an oval) (National Gallery). Due to the levels of lightning one can see that the picture is divided into three horizontal parts: the top (dark, but not as dark as the bottom of the painting); the middle is the lightest; and the bottom is the darkest. This means that he used what he learned about the Dutch style and mixed it with his personal style thus we have a whole new way of seeing his point of view.

The darling buds symbolize the beginning of his love for her. The buds still have to develop into beautiful flowers, just like their love. It´s the beginning of summer, her beauty and his love.

The purple hibiscuses that grow at Aunty Ifeoma’s house in Nsukka are described as in the novel “rare, fragrant, with undertones of freedom”!!!!!. They are the most important symbols in the text (as can be seen from the novel’s title) as they represent acts of defiance and freedom to speak out The presence of these flowers!!!! “began to lift the silence” at home. Jaja’s hides the cuttings of the flowers from Nsukka in the fridge as he is afraid that Papa will confiscate them, therefore crushing his rebellion. The contrast between the purple and red hibiscuses symbolism is extremely effective in developing the theme of freedom vs. oppression. It is the love, warmth, laughter and free expression what they experience in Nsukka, home of the purple

Japan is described as a country of wood, and the reverence of natural materials. The depths of the love and admiration that the Japanese people have for wood are famous, which is similar to the Greek love of pristine marble and its smooth surfaces. This can be seen in an old Japanese expression "plants and trees all have something to say", Japanese believe that trees have a soul and say they can sense spirits, or "kami", within them. It is trees that form the core which nurtures the sensibilities about nature held by the Japanese people. It is thus natural for architecture in Japan to be based on wood. Many structures are made of wood, ranging from shrines and temples to palaces and homes, and in doing so grand structures have been created (Stokstad).