Pocahontas - Cultural Anthropology Essay

Disney not only fictionalizes accounts from American history, but romanticizes them as well. Since the film is directed towards children, many of them do not learn the real history of Pocahontas before watching the film thus believing the scripted story to be factual. The European men in the film all look like individuals whereas the Native Americans all look the same making it harder to differentiate between them. This could symbolize the idea that all Native Americans are the same in personality and behavior. Pocahontas was the only one in the film that stood out from the pack, she was the exception. Great emphasis is put on imagination and emotions to assist in decision making as the older neoclassical approach of using intellect is rejected.

The Choctaw Indians were an important tribe, and the largest of the Muskogean tribes. The Choctaws have two stories about their origins in their traditional homeland in central Mississippi. One is that their ancestors came from west of the Mississippi River and settled in what is now the homeland. The other is that the tribe is descended from ancestors who were formed by a spirit from the damp earth of Nanih Waiyah, a large mound in northeastern Mississippi. Either way, the Choctaws resided in places, holding most of Southern Alabama and Mississippi with adjoining parts of Louisiana.

I will use box office sales and other prominent statistics associated with the Disney company to help demonstrate the influence Disney has on the public. Pedagogy scholars Kevin M. Tavin and David Anderson’s journal article, “Teaching (Popular) Visual Culture: Deconstructing Disney in the Elementary Art Classroom” informs readers of the power of the Disney company in all medias to create “individual and collective identities” (23). In journal article, “Tackling Māori Masculinity: A Colonial Genealogy of Savagery and Sport”, Māori scholar Brendan Hokowhitu will build off this source by not only referencing cultural stereotypes formed by others, due to the media, but also identities formed about one’s own native culture and heritage. He uses a direct example of Māori men stereotypes. I plan to synthesize many of my sources like this: with one showing a various perspective (i.e. pedagogical or colonial) on the Disney company and another highlighting the point of view from a Polynesian.

It is said that there are many different versions to a story. There is one persons story, then there is an other person’s story, and then, there is the truth. “Our memories change each time they are recalled. What we recall is only a facsimile of things gone by.” Dobrin, Arthur. "Your Memory Isn't What You Think It Is." (online magazine). Psychology Today. July 16, 2013. http://www.psychologytoday.com/blog/am-i-right/201307/your-memory-isnt-what-you-think-it-is. Every time a story is told, it changes. From Disney movies to books, to what we tell our friends and colleagues. Sometimes the different sides to the story challenge the

Hollywood’s early depictions of Natives consisted of tribesmen and noble savages who are in tune with Nature. Films such as The Silent Enemy portray these stereotypes on screen with actors like Chief Buffalo Child Long Lance being shown as tribesmen who are very noble Natives. Although these stereotypes are positive, they are still stereotypes nonetheless. These stereotypes have caused

Popular culture has shaped our understanding and perception of Native American culture. From Disney to literature has given the picture of the “blood thirsty savage” of the beginning colonialism in the new world to the “Noble Savage,” a trait painted by non-native the West (Landsman and Lewis 184) and this has influenced many non native perceptions. What many outsiders do not see is the struggle Native American have on day to day bases. Each generation of Native American is on a struggle to keep their traditions alive, but to function in school and ultimately graduate.

During the 16th and 17th centuries, when the Europeans started to come over to the new world, they discovered a society of Indians that was strikingly different to their own. To understand how different, one must first compare and contrast some of the very important differences between them, such as how the Europeans considered the Indians to be extremely primitive and basic, while, considering themselves civilized. The Europeans considered that they were model societies, and they thought that the Indians society and culture should be changed to be very similar to their own.

In a scene where Pocahontas and John Smith had their first face-to-face encounter, John Smith who is holding his gun up ready to shoot but instead lowers his gun upon laying eyes on Pocahontas, obviously taken aback by her beauty. This shows how native American women romanticized by the media and portrayed as being mesmerizing to men. Movie-makers had taken a more sexualized approach in creating Pocahontas’s appearance as can be seen by how Pocahontas wears a mini dress that bears much skin and she was given a voluptuous figure with a tiny waist, adding how her hair was placed to attract attention throughout the movie (van Wormer, & Juby, 2015)(Ono, & Buescher, 2001). In the case where Pocahontas sings the famous Colours of the Wind soundtrack, Pocahontas dances in a sensuous way moving very closely to John Smith despite how they just met. This gives off the meaning that Native American women are very open, exotic and a sexualized image (Hopkins, 2005)(R, & Berger, 2004)

During the 16th and 17th centuries, when the Europeans started to come over to the new world, they discovered a society of Indians that was strikingly different to their own. To understand how different, one must first compare and contrast some of the very important differences between them, such as how the Europeans considered the Indians to be extremely primitive and basic, while, considering themselves civilized. The Europeans considered that they were model societies, and they thought that the Indians society and culture should be changed to be very similar to their own.

[4] Disney even goes on further to suggest that their intentions have a modern relevance when they say that “It is an important message to a generation to stop fighting, stop killing each other because of the color of your skin” (Pocahontas 37). It is quite clear that Disney never intended to write or rewrite history, as they have been so viciously attacked for doing. They are writing about tolerance and understanding, while at the same time they are giving back some respect to the indigenous people of America. James Pentecost, the producer of the film, feels that “moviemakers shouldn’t be handcuffed when using real stories as jumping-off places for works of entertainment” (Kim 24). Disney simply liked the idea of Pocahontas; they liked the message that it conveyed, and they made it applicable to Hollywood.

The film “The Englishman’s boy” is a screen adaptation of Guy Vanderhaeghe’s book of the same name. Vanderhaeghe also wrote the screenplay for the film. The book was based on the true story of the Cypress Hills massacre in 1873. I will provide a summary of the film’s most important plot points, characters and background information. The movie covers the horrors that were witnessed in Cypress Hills and shows the inhumane way Native Americans have been treated since colonization, in 1873 and through to the 1920s. The movie explains how white men were hearkened as heroes for committing these atrocities which were largely excused because society at that time viewed natives as inhuman and therefore undeserving of human rights. The film was set with a background in both 1873 pioneer plains and 1920s Hollywood. This method was used to show a dualism within the two eras and that negative attitudes towards Native Americans had not been corrected as they should have been but only muffled. I will compare the film and its accuracy to the actual Cypress Hills massacre and determine what dramatics were used to make a point within the direction of the movie. This film and the subsequent essay is relevant to this class because I believe that even though the crimes committed against native Americans are less obviously racist, violent and vulgar today, there is still a derogatory indifference towards them and their cries for equality.

John Smith's tales of the Indian princess, Pocahontas, have, over time, encouraged the evolution of a great American myth. According to this myth, which is common knowledge to most Americans, Pocahontas saved Smith from being killed by her father and his warriors and then fell in love with John Smith. Some versions of the myth popular among Americans include the marriage of Smith and Pocahontas. Although no one can be sure of exactly what happened almost four-hundred years ago, most historians agree that the myth is incorrect. Pocahontas did not save John Smith's life from "savages" and never showed any affection for him. The events of her life differ greatly from the myth Americans have created.

Now we will shift gears and look at the stereotypes and microaggressions that are in the Disney film Pocahontas. Son of the late Walt Disney, Roy Disney had the following to say regarding Pocahontas: “Pocahontas is a story that appealed to us because it was basically a story about people getting along together, which is particularly applicable to lots of places in the world today” (Amy, 55). Roy Disney’s comments are intriguing considering how offensive the film is to Native Americans, and how stereotypical and violent the film turned out to be. Allegedly the Disney production team intended to immerse themselves into the native World of Pocahontas’ and the culture for which she existed to get a better understanding of her lifestyle and to make the film as authentic as possible. They were said to have conducted historical research about Pocahontas and the time she lived (Amy, 53). Pocahontas is one of the few Disney films where the stereotypes are not hidden subtly in the storyline as microaggressions, but instead are set out front and center to grab the viewers’ attention, in a clear attempt to offend Native Americans.

Throughout world history, it is evident that Native Americans have struggled in society ever since the landing of Christopher Columbus in North America. Ever since the film industry began in the 1890s, Native Americans have been depicted in many negative ways by film makers. One particular way film makers degrade Native Americans by making their white characters convert into Indians or “go Native” and eventually they always become better than the original Indians in the film. This notion has been repeated in many films, three significant films were it is evident is in The Searchers, Little Big Man, and Dances with Wolves.

Native American representations in film is particularly important in influencing public opinion regarding depictions and beliefs of what Native people are like. Often associated with popular film in the United States is an Anglo constructed representation of a dated, drunken, and traditionally dressed Native person that seems to perpetuate these stereotypes. Because some shows are so popular in the United States, the effects can be powerful. The influence of these pictures comes from the large viewing audience, the cultural majority of the audience, and a failure to accept modernity of Natives. Still in the twenty-first century, there are several representations like this that imitate stereotypes, impact the majority culture, and negatively impact Native American communities. In this essay, I will analyze a case of this stereotyping of Natives in a modern comedy television show called Family Guy.