Pocahontas Research Paper

Walt Disney’s film Pocahontas is not historically accurate, but there is value in creating cartoon interpretations of American history. As a child, cartoons are mostly important for your development, both physically and mentally. Fairy tales help children understand the complexity of life. These visions use various symbols to teach morals and cognitive skills. Walt’s film was based off the legends and folktales surrounding Pocahontas, it was not meant to be historical but to promote racial tolerance.

The book is written in narrative flow and shows Pocahontas’s development from a little girl to a grown woman. The author is showing how big of an impact a woman made to her people and culture. Even at the age of nine she was a main concern of her people because her father was Powhatan, the paramount chief. At that time she experienced strangers who came to her father’s kingdom in big ships. As the story progresses, she is more and more as a greatly influential person. Townsend portrays that she is the one who saved John Smith’s life. She also explains who Kocoom is and his relationship ties to Pocahontas.

Back in 1995, as a 20 year old woman, I was, absolutely, still in love with everything Disney. I was still very much enamored with the romance and fairy tale aspects of all their stories and movies. So when the Walt Disney Company released the animated feature “Pocahontas” in the summer of my 20th year, I had to see it. At the time, I thought I had hit the jackpot with this movie. “An American legend comes to life” is the tagline to get viewers interested in this movie. [1] A heroin, whom was a beautiful Indian and a love story, who could ask for more from a Disney movie, I thought to myself. Now, being ignorant of the true facts about the Indian woman Pocahontas and even about Indian culture and history itself, I took this story more

In the production of the movie “Pocahontas”, Disney should have acknowledged that not all of the historical information included was completely true. Many people were angry with Disney that they had misportrayed the history of Pocahontas and her tribe. In the article, “Bias in Disney Movies: Pocahontas”, Tom Roderick states that “the film’s ‘pro-social’ messages about racial tolerance and talking out disagreements ring hollow” (Roderick 126). Throughout the film, there are many instances where Disney changed up the history a little bit. In their defense, Disney was just trying to entertain but they should have checked with the Powhatan tribe because they were beyond mad. In the novel, “The True Story of Pocahontas: The Other Side of History”,

Townsend examines the following months on the settling of the English, as well as Pocahontas’s kidnapping, to her imprisonment, down to her marriage to John Rolfe, her conversion to Christianity, and finally her death.

By far the most questionable stereotype and misinterpretation in the film is the way Disney chose to portray Pocahontas, specifically her age, characteristics, and body image, which according to historical records and cultural belief, was completely inaccurate and therefor unauthentic. The article Using Critical Race Theory to Analyze How Disney Constructs Diversity, once again provides insight into the differences between the Disney film and the authentic native culture. It says, “When Compared to White Disney heroines, Pocahontas is portrayed as sexier, more sensual, and exotic, bare skin

John Smith's tales of the Indian princess, Pocahontas, have, over time, encouraged the evolution of a great American myth. According to this myth, which is common knowledge to most Americans, Pocahontas saved Smith from being killed by her father and his warriors and then fell in love with John Smith. Some versions of the myth popular among Americans include the marriage of Smith and Pocahontas. Although no one can be sure of exactly what happened almost four-hundred years ago, most historians agree that the myth is incorrect. Pocahontas did not save John Smith's life from "savages" and never showed any affection for him. The events of her life differ greatly from the myth Americans have created.

Many people believe the 1995 film, Pocahontas, to be the true story of a young Powhatan woman. However, the story lacks facts. Pocahontas isn’t even her real name. Matoaka, the real Pocahontas, faced mush more misery than the movie showed. Mataoka’s life in America, life in England, a comparison between the movie and real life, and how fictional portrayals of real people effect society today will show you that Disney’s inaccuracies could change history.

In Paula Gunn Allen’s “Pocahontas to her English Husband John Rolfe”, the representation of Pocahontas that is being portrayed is that of a strong Native American woman. She is tired of her husband being unappreciative of the things that she does for him out of love. It makes the reader question if she really loved Rolfe from the way that she speaks to him like he her child and not her husband. This can be seen in the first few lines of the poem when she states “Had I not cradled you in my arms, / oh beloved perfidious one, / you would have died” (Allen 1-3). When analyzed and interpreted,

Pocahontas is a Walt Disney Pictures animation released in 1995 following the Disney Princess franchise. The movie is about Pocahontas, a native American lady whose home is invaded by Englishmen who wishes to exploit the land’s resources and to “civilize” the people living there. However, one of the Englishmen, John Smith, fell in love with Pocahontas. This essay studies the stereotypes of native American and them being essentialized in the media as being savages, sexism and also over romanticization, as represented in the movie.

This all happens in the movie, the time lapse is different though. In the movie, Smith is held hostage for his first summer and fall in America. Throughout the warmer climate, Smith and Pocahontas spend many days swimming, running about in fields, and doing many outdoors activities while they fall into a deep love. In reality, it was December when Smith was seized by the Natives. Thus, about an hour of love affairs is flawed in The New World because it would have been too cold to spend so much time falling for each other in a scenic summer.

[4] Disney even goes on further to suggest that their intentions have a modern relevance when they say that “It is an important message to a generation to stop fighting, stop killing each other because of the color of your skin” (Pocahontas 37). It is quite clear that Disney never intended to write or rewrite history, as they have been so viciously attacked for doing. They are writing about tolerance and understanding, while at the same time they are giving back some respect to the indigenous people of America. James Pentecost, the producer of the film, feels that “moviemakers shouldn’t be handcuffed when using real stories as jumping-off places for works of entertainment” (Kim 24). Disney simply liked the idea of Pocahontas; they liked the message that it conveyed, and they made it applicable to Hollywood.

The effectiveness of media in perpetuating and maintaining racial definitions is apparent through the consistent presence of such ideas in popular films such as Disney’s Pocahontas (1995) and James Cameron’s Avatar (2009). Despite over a decade difference in release, there are similarities between the two in terms of the racial labels applied to Native Americans as a race and how they are portrayed as a result. The producers behind Pocahontas claimed that the film is much more than a love story and is about maintaining an open mind in order to appreciate different cultures. By creating an animated picture about a

Barnett explains, "a number of unlucky Pocahontas figures populate the frontier romance, saving white beloveds only at the cost of their own lives" (93). Fortunately, Pocahontas's life was spared despite her willingness to sacrifice, although her later affiliations with a white man and Europe led to her death from disease. The notion of females rescuing white men and assimilating with their culture have traditionally been connected, which resulted in greater Indian deaths due to their exposure to a foreign culture from which they had not yet learned to protect themselves.

Hollywood’s leading animation studio has had many instances of stereotyping and being racially insensitive. Two main examples of their racism towards Native American tribes have been Peter Pan and Pocahontas. In both instances, there have been controversial songs that have the Native Americans at the center. Both depict the stereotypes that are not necessarily true of the tribes.