Poem Analysis : ' The Death Of A Loved One '

As Wendy Martin says “the poem leaves the reader with painful impression of a woman in her mid-fifties, who having lost her domestic comforts is left to struggle with despair. Although her loss is mitigated by the promise of the greater rewards of heaven, the experience is deeply tragic.” (75)

Death is a topic that unites all of humanity. While it can be uncomfortable to think about, confronting death in unavoidable. “Dying” addresses that discomfort and universal unwillingness to consider the inevitability of death. Pinsky’s use of imagery, symbolism, and tone create a poetic experience that is like death, something every reader can relate to. In “Dying,” Pinsky describes how people are oblivious and almost uncaring when it comes to the thought of death. Pinsky is trying to convince the reader that they shouldn’t ignore the concept of death because life is shorter than it seems.

“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage

In stanza six, we see the end of visiting hour, and the persona’s loss of control as he is overran with emotion. The phrase, “black figure in her white cave” creates an image of an intruder in her sanctuary. The black and white contrast suggests he is a shadow of his former self and also that he is trying to detach himself. The phrase, “clumsily rises” gives connotations of his state as he is physically affected by his feeling of loss. Furthermore, “swimming waves of a bell” is a metaphor which has connotations of water. This is used to illustrate that he is drowning in the realisation that she is dying. Finally, “fruitless fruits” is an oxymoron used to reinforce that there is no hope or going back, for her.

Burial Rites, a novel written by Hannah Kent is heavily based on story telling and the effect it has. Through the course of the novel, readers observe the significance story telling has for both the individual and the community. For an individual story telling can make the speaker feel empowered whereas for the community story telling’s main significance is the entertainment it provides. Since Kent’s purpose of Burial Rites is to tell the life journey of Agnes Magnusdottir in an ambiguous light, story telling also becomes important for the reader.

In the final stanza, he makes the reader sad as he assumes the inevitable will happen and she will die. He expresses this through metaphors such as a “black figure in her white cave”, which is a reference to the bright white hospital rooms and although he is the black figure he thinks she just sees a shadow which could be the grim reaper or even death himself, coming to end her journey. No one wants to deal with the sorrow of losing a loved one for good, as

As the poem progresses, the misplaced or forgotten items become concepts such as names and ideas, and therefore carry more of an impact. For example, forgetting someone’s name, however not uncommon, can be associated with feelings of embarrassment from the forgettor, and annoyance from the forgotten when they discover that they were not important enough to be remembered. The speaker simply shrugs off these losses because “None of [them] will bring disaster,” as mentioned in line 9. Emotion, often associated with memories is introduced in line 10 when the speaker announces, “I lost my mother’s watch.” An item such as a mother’s watch holds sentimental value, unlike the previously mentioned keys; however, the speaker repeats, “I miss them, but it wasn’t a disaster,” (line 15) indicating that the watch was merely a material possession crowded with memories. At this point, the reader recognizes the feeling of missing something associated with greater losses of objects and ideas the speaker regards with more emotional attachment.

As the poem goes on it gets deeper with meaning, sadder even. Lines four and five are the most crucial lines of the poem. Line three ends with the head giving the heart advice. “You will lose the ones you love. They will all go,” this isn’t the first thing someone wants to hear, especially not someone who is aware that they have just lost someone they love. But this is classic, logical advice that your emotions need to hear. What it means is that one day everyone you love will be gone, it is the sad truth of the world we live in. Nothing is forever. “But even the earth will go,

The poem Suicide Note, written by Janice Mirikitani (1987), talks about a young lady, who has studied in an Asian-American female college. The lady, unfortunately, committed suicide by jumping through her dormitory’s window. She left behind a note, citing reasons that led to her actions. After a critical analysis of the note, her parents were held responsible for her actions; they were pressurizing her to perform better in her exams. The poem, thus, describes the real feelings and the emotions of this young lady, who believes that committing suicide is the only option left to please her parents and to escape the enormous pressure placed on her. The persona uses voice in the poem to bring our attention to the sufferings she was going through, and that led to the devastating event. Voice in poetry is the strong words of a line, stanza or a page that creates a relationship between the audience and the persona. Voice can, therefore, be categorized as imagery, patterns of sounds created, rhythm, tone, and diction (Gahern 166). The following is a description of how the voice in Mirikitani’s suicide note helps the reader understand the persona’s reasoning.

John Nicholson Ireland(1879-1962) was a British composer who was consistently inspired by nature. He was born in Bowden, Cheshire, UK, and was orphaned by the time he was 15. Throughout his life, he frequently visited the Channel Islands where he was moved by the natural beauty. Rupert Brooke(1887-1915) was a poet, born in Rugby, Warwickshire, UK. Both Ireland and Brooke lived in the same time period, and were effected by the same historical events. Britain was knee deep in a world war for most of their adult lives. The war is known to have inspired some of Brooke’s most well known poems, but Spring Sorrow was neither mans most popular work.

The poem “Suicide’s Note” by Langston Hughes is a deep and emotional poem that is shown as the result of the imagery and literary devices present in the poem.

Much like poetry as a whole, used to express emotion and speechless opinions, the villanelle is almost perfect fitting for the theme of time. A villanelles structure alone portrays almost a near exhibition of time. Through the first five stanzas, a villanelle is predictable with tercets although the last stanza is a quatrain. This depiction could be metaphorical that time can be planned although in the end, everything may not come to together as hoped. The meter only emphasises this metaphor more by breaking the alternating line in each

The final stanza of the poem represents the woman going into labor and the delivery of her child into the world. “I wither and you break from me;” (16). This line represents the moment the

This source discussed the sonnet and lyric (the basis of my project.) It states that a lyric is the genre of internal and individualized emotions. It’s seen as a moment of “personal experience.” (33) The traditional emotion that is associated with the sonnet is love. Both the lyric and the sonnet are connected with song and music. I want to go more in-depth on how loss and death can affect the lyric and sonnet as well, without going into elegy land. This source was very informative on the basics of a sonnet and a lyric—such as how the sonnet has a twist and the lyric is more problematic than one would think. What more goes into a lyric then? (MAYBE) The approach this source is taking is showing the ways a sonnet represents and doesn’t represent a lyric. How exactly are they different and the same? Sonnets are a lyric because of the emotional base put into them. It mentions that in the Romantic peiord, sonnets were not blank-verse and strayed from the conventional form. They used everyday language. That brings up the question as to how did that incorporate into Keats’ sonnets? This source also begs the question, which I agree with, “who determines when something is a lyric or a sonnet?” (28) The lyric was something that could be private or social. What made a sonnet more intimate between reader and poet (though many sonnets were published in newspapers, especially during the Romantic period.) The length can prove to be a problem for sonnets is an issue that this source

Her diction is strong, confident, and unweathering. In the second stanza, the speaker introduces the first item that isn’t difficult to lose and reminds readers of the daily life hassles of finding lost keys. This is the first example of something in life that is easily lost for her. She further backs it up her original statement by saying that their intent is “to be lost” (3), saying that things are meant to be lost, no matter what happens. She instructs the audience to “lose” and “accept” (4), which suggests that she has gone through loss before and it would be better to accept losing things since it would not hurt as much. She then instructs the audience to “practice” (7) losing, so her heart will not be crushed when the audience is accustomed to losing. By line 6, the speaker gets frantic. Her words become careless and the words take a sort of rhythm. She says “losing farther, losing faster”. The alliteration in this line emphasizes how much and how fast she has lost that it is in a place so unreachable at this point. She then loses “places, and names, and where it was [she] meant / to travel” (8-9). She lost more important things, but they were bearable.