Poetic Justice Essay

To illustrate, Antigone articulates to Ismene that Creon lacks the power to prohibit her from burying Polyneices (Prologue, line 35). Disregarding Creon’s powers, Antigone extends both her immaturity and recklessness in amanner that both generates a hazy impression of Antigone’s plausibility and discredits her personality because of the seldom conflict between the king and women in Ancient Greece. Furthermore, characters such as Eurydice and Jocasta, who experience much more tragedy, diverge from Antigone in the course of their reactions. While Jocasta and Eurydice grieve for their loved ones and succumb to the sorrow, Antigone’s reaction exists at the opposite end of the spectrum where she acts with the sole intent to spite Creon. Continuing, Antigone dictates that she is “not afraid of the danger; if it means death, / It will not be the worst of deaths - death without honor” (Prologue, lines 80-81). Recognizing her inevitable fate, Antigone makes little effort to alter her actions or consequences. Her proud acceptance of her death, which she claims to be one of honor, projects her arrogance and stubbornness toward her situation. This immediate compliance fails to reflect the true outlook and reaction toward approaching death both today and in her time. Additionally, the diatribe provided by Antigone to the chorus near her death sparks much criticism when she asserts that she prays Creon’s punishment equals her own when the truth of her actions emerges (Scene 4, lines 67-69). Antigone’s blatant assault on Creon’s life conveys her ignorance, which also transmits the impossibility of her individuality. Sophocles employs Antigone to generate the generalized perspective of tyranny Conversely, many individuals justify Antigone’s reckless behavior

When Creon passes his law, it is used to protect Thebes from being betrayed again. But Creon betrays the gods’ law and does not bury Polyneices, his nephew. As a result Tiresias, a blind prophet approaches Creon and says that if Polyneices, that “before you have surrendered / one of your born flesh and blood, / a corpse for a corpse given in return”(1183-1185). Shortly afterward, Creon realizes that his authority has overstepped into his family and now will go honor his family, by going against his own law. But little did Creon know things were not going to be that simple. When Creon and Haemon arrive at Antigone’s tomb, they are greeted with a hanged Antigone. As a result Haemon lunges at his father and kills himself after he misses. Creon’s authority led to his son ending his own life because he saw the woman of his dreams, hang lifelessly due to his father's action. Creon realizes that Tiresias was correct about the prophecy, but it was too late. Shortly afterwards, Creon finds out his wife, Eurydice, had also killed herself because of her son’s recent suicide. This would lead Creon alone without any family members except his own law to comfort him. He then realizes that “the guilt is all [his]” and he must repent (1442). Creon’s authority led to him being alone without any other family members to comfort him,and also lifetime of guilt

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

Sophocles’ Antigone is a Greek tragedy that transcends 5th century BC Greece due to its complex analysis of justice and integrity. In the case of Antigone and Creon, it is not clear who in the end is suffering from injustice. In Creon’s defense, Antigone is the one committing unjust acts according to Theban law. As the king of Thebes, it

On the other hand, he is power madness, self-righteousness, and ruthlessness. Because of these bad characteristics lead him to his downfall. He does not aware of how bad his flaw is taken over him, even Tiresias, a blind prophet, warns him about his fate. He does not want to listen and accused Tiresias that he is telling a lie. Although he realized it at the end, by then it is too late. It is all his fault that Antigone, Haemon, and his wife, Eurydice die. His authority also makes the citizens of Thebes scare of him. Because they fear that what Creon did the Polynices will happen to them. All of this tragedy happen because of his tragic

The play Antigone, written by Sophocles, is a tragedy about Antigone, who defies the king’s order of her brother’s burial after. She shows her strength by using morality and the laws from the gods, not Creon. He is the new king, who became hungry for power and was being obstinate to everyone that wanted to just do what is open-minded. However, characters like Haemon, acts as a foil character to him and wants to do what’s right and just, brings out Creon’s tragic flaws of stubborness, and advances the plot with his conflicts relating to the king.

   In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact

Conflicts that institute in a royal family directly result in a catastrophic incident leading to outcasted characters alone. In the Greek play, Antigone, exhibits a tragic story about a family where a king named Creon believes he’s required to kill his niece, Antigone, for her valiant action. Antigone wanted to honor her brother Polynices so she disobeyed her uncles order, Creon, and buried Polynices. Creon endeavored to make Antigone lie and not tell anyone about the burial for the sake of his son, because Haemon, Creon’s son, is profoundly in love with Antigone. Antigone was reluctant to retain her mouth close and was willing to die than abide by the rule of the government. Antigone contributes to Creon’s development as a tragic hero by having opposing views, developing the theme of regret.

Since Antigone knew and admitted her action but not her guilt as Creon insisted she do, her defiance of Power appears not only as a demand for justice, an expression of the greatest love, a passion for an ideal and conformity to an ethical norm superior to the public one, but also as the head-on collision between individual rights and the requisites of the State.

The opening events of the play quickly establish the central conflict. Creon has decreed that the traitor Polynices must not be given proper burial, and Antigone is the only one who will speak against this decree and insist on the sacredness of family. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon’s point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. Creon’s first speech, which is dominated by words such as “principle,” “law,” “policy,” and “decree,” shows the extent to which Creon fixates on government and law as the

The conflict among individuals or among a person and a group of peoples possessing a given power has always been existed in each society. As many generations have read the renowned Greek play Antigone written by Sophocle, the conflict between Creon and Antigone, which finally not only causes the misery death of the female hero character but also leaves the grief for the tyrannical King, can be considered in various patterns from religion and politics, to command and persuasion, or rigidity and flexibility, and not limited to a gender struggle. When Antigone raised to oppose to Creon’s ordain, the fact is obvious that to prevent the collision, a mutual agreement does not simply come from the same perception, but a condition in which each side has been put in to a reasonable and resolvable state, thus be the core of the play. The complexion making Antigone a tragedy performs its fundamental principle as a lack of justice through chains of dramatic events. This interaction between Antigone and Creon has to be transparentized under a deep thinking toward three remarkable dimensions of justice: devine judgment, harmony, and natural law.

Even though Antigone has familial love toward her brother, she expresses sympathy toward him. Antigone does this by telling her sister that Creon “Promotes one of them and shames the other” by denying his burial rights (22). In this part of her speech, Antigone chooses her words carefully to describe the situation to her sister and express the sympathy she has for Polyneices, especially when she uses the phrase “shames the other” and “miserable corpse” (22-26). Antigone is sympathetic of her brother Polyneices because he is not given a proper burial and is left to the “vultures, unwept, unburied” like he is forgotten (29). It is also intriguing to see how Antigone’s sympathetic response to the lack of her brother’s burial is actually the familial love she has for him. Because she loves and considers him a part of her family, she is emotionally sorrowful for the way he has been treated.

Antigone is a tragedy with the opposition of state laws and religious laws. The main protagonist is King Creon ruler of Thebes, who has recently stepped up to the throne, after his nephews Eteocles and Polyneices had killed each other in a war over the throne. Creon declares, that his nephew, Eteocles shall receive a proper burial for defending Thebes, while Polyneices's body will be left to rot for attacking Thebes. This idea is greatly opposed by Creon's niece Antigone, as it goes against what she believes is morally right, and that Polyneices was a person and deserves to get a proper burial like everyone else. Despite being the antagonist Antigone is the hero of the play. This is because she is doing what she believes is the right thing to do, she claims, "Say that I am mad, and madly let me risk the worst that I can