Memories can haunt someone In the poem “Facing It”, by the poet Yusef Komunyakaa, he himself is the one who is speaking, the poem is about his own life experience at the Vietnam Memorial. The way a person can tell if the own poet of the poem is the speaker is by the use of “I”, or first person throughout the poem. In this case, the poet uses words like “I” and “I’m” that support the fact that he is the speaker. The Vietnam War was a Historical event taken place in Vietnam, Laos, and Cambodia. Which was one of the first war that African Americans were integrated with White people, and the majority of the soldiers were African Americans. Komunyakaa, being an African American soldier in the Vietnam War and surviving, is an honor, as not much African American’s survived. For Komunyakaa all his bad and painful experience is coming back to him to hurt him, as he is visiting the Vietnam Veterans Memorial. He is expecting to see his very own name engraved on the black granite wall, as he feels like part of him is gone and left behind in the War. In “Facing It” Komunyakaa memories from the War are coming to him and the memories are affecting his life style in the sense of haunting him/ hurting him with the use of imagery, metaphors, similes and personifications throughout the poem. To begin, in the poem there is a lot of use of imagery, as the speaker wants the readers to see the same things as him rather than told. Komunyakaa is visiting the Vietnam Veteran’s Memorial, where the names are engraved of those soldiers that have passed away, or were never found as they have been missing during the Vietnam War. The granite where the names are on is black. Komunyakaa himself, is an African American so he see’s that his face is disappearing, “My black face fades,/ hiding inside the black granite” (1-2). He is experiencing a loss of identity, for the fact that there is no contrast between his face and the black granite because he see’s that he blends in. Another image is that Yusef Komunyakaa had in mind that he will not cry or be emotional as he is acknowledging the black granite, but he ends up crying “I said I wouldn’t,/ dammit: No tears” (3-4). He saw himself as a strong person, but ends up crying as he see’s his own
“Facing It” by the American black poet Yusef Komunyakaa of Shreveport is written with the use of visual images. Yusef Komunyakaa writes about one of his many trips to the Vietnam's Veteran's Memorial in Washington DC. This Memorial is a long polished slab of black reflectant granite with the names of all the US soldiers who lost their lives in Vietnam. Yusef says “my black face fades, hiding inside the black granite”. Here Yusef uses his reflection in the wall to bring the reader back to the war and how he feels standing at the wall now. He makes his feeling ambiguous and give the reader the opportuntity to decide what he is feeling through his use of viual images.
He struggles to internalize his emotions, telling himself he is stone, like the granite memorial, a strong and steady reminder of the past, but he fails as he realizes the difference between him and the memorial: he is a living human being. He shares the darkness, the blackness, with the granite memorial, yet he can feel the full impact of this connection whereas a granite memorial cannot itself feel the pain that it directly represents. The overall moral of the poems is fairly up front for the reader. It is that war is not how stories make it sound, it is not honorable and fun and glorious, it is gruesome, deadly, and changes the lives of many young men and women who still had a lot of life and innocence left in front of them, and now all they will have are the memories of death and their friends dying in front of them. As Komuyakaa face becomes clear it now serves as a direct reminder of the emotional impact of his surroundings upon him, through mirroring his own face and also by simultaneously illuminating his surroundings and his silhouetted existence within these surroundings, reminding him that he stands within the Vietnam Memorial. This effect is described within the (lines 8-13) His constant turning and moving from angle to angle also suggests emotion as he cannot view the
Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.
The poem “ Feliks Skrzynecki” communicates to the responders that as a result of the Skrzynecki family migrating to Australia, Peter had lost a significant aspect of his life which was his relationship with his father due to the barriers that had arisen restricting them from proper communication.
Kabul is a beautiful poem, written by Saib-e-Tabrizi, that is an ode addressing the city of Kabul. Throughout the poem Tabrizi describes the beauty of Kabul. The theme is Kabul is beautiful. The literary devices in this poem are similes, personification,and allusion. These three literary devices portray theme and describe how beautiful Kabul really is.
Remembering memories is preferred, rather than living in reality. In the poem, we witness a woman remembering her high school idol, and she decides in the end to not go and talk to him. It is evident that the woman in the poem prefers her memory rather than the view that reality is showing her, this is shown when the woman refuses to go and meet the “hero she had as a girl”, despite giving herself a realistic reason why she should go and greet him, “you think how easy it would be to walk right over and tap him on the shoulder[, and] say hello” but she doesn’t. She doesn’t go and greet him because her memory remembers him as someone amazing, and admirable, “taller than the boys in your own class[,] taller even than your brothers”; where height is a reflection of her admiration. But her hero is now “fat and balding”, and to go greet him now would warp her perspective of her hero, from someone to idolise, to someone pathetic. In the end, she chooses to just remember him just the way she wants to, rather than remembering him the way reality does, showing that memories are preferred over reality. The woman also chooses not to talk to him because of her personal desire to retain her views and opinions of not only how she sees her hero, but also how
Cruel and terrible events forever leave a mark on our memory. Especially, when these events are directly related to person, the memory reproduces every second of what happened. Unfortunately, humanity fully cognized the term of "war". "Facing it" by Yusef Komunyakaa reveals another several sides of the war. Poem tells the reader about which consequences, the war left and how changed people's lives. The hero identifies itself with the Vietnam Veterans Memorial, mourns all those killed and who did not return. That is why the poem is dramatic. War has become a part of the hero's life, even after the ending.
Yusef begins the poem by using visual imagery to describe his face reflecting in the memorial wall. He uses the specific words “black face fades” to tell us a few things (line 1). One thing it tells
Beauty is a subjective idea that focuses on the characteristics preferable to a single species that gives an advantage over another and at the cost of another species survival. Humans have created astounding empires with beautiful cities and monuments because they were the most progressive species that are able to do so because of their capacity for violence. Some empires fear for their survival, so they must eliminate any threat whether it be humans or other animals. The poem, “Thanks” by Yusef Komunyakaa, it symbolizes how humans can become single minded only driven by their own personal desires at the sake of anyone else. Humans naturally commit ugly atrocities to progress their own beauty, or at least idea of, and they instinctively oppose nature because mankind is the dark side of nature.
Poetry Analysis for “Sunshine” By Matisyahu Many songs use different literary devices to communicate a message out to the audience. One of those songs is “Sunshine” by Matisyahu, which displays symbolism, imagery, figures of speech, tone, and theme. Others might not enjoy the song because it gives mixed signals. Although that is true, there are much more reasons to why someone would enjoy it. “Sunshine” by Matisyahu is an effective song because the artist uses a potpourri of literary terms to present his meaning to the audience. Matisyahu uses symbolism to define the deeper meaning of never giving up in his song. In “Sunshine”, the artist says, “You’re my golden sunshine”, which symbolizes the center of happiness in
The ending lines “A loneliness lingers like a silver needle under my skin, as I try to feel how it is to scream for help through a horn” conveys that Komunyakaa's concluded
Reflections Within is a non-traditional stanzaic poem made up of five stanzas containing thirty-four lines that do not form a specific metrical pattern. Rather it is supported by its thematic structure. Each of the five stanzas vary in the amount of lines that each contain. The first stanza is a sestet containing six lines. The same can be observed of the second stanza. The third stanza contains eight lines or an octave. Stanzas four and five are oddly in that their number of lines which are five and nine.
"White people, black people, green people speak Vietnamese. One guy ask... What does he ask? I stare at him then back at the wall."(Hatch) "Facing It", a poem by Yusef Kumunyakaa, outlines an African-American Vietnam Veteran's experience when he visits the Vietnam Veterans Memorial. Sharon Kraus and Jeannine Johnson explore the poem through identity, alienation, and survival.
In the poem “Passed On” by Carole Satymurti, the speaker tells a story almost as in a novel of their mother and how she left them a box of index cards with advice on life when she died. The speaker’s gender seems to be female. In the poem, the poet presents the theme of growing up and becoming one’s own person through the maturation and acceptance process. She personifies the index cards themselves, comparing them to her mother. They also characterize the speaker and her mother and create a mood of sadness and longing, implying that perhaps the mother has been dead for some time, but the speaker has never truly accepted this.
The notion of maritime is one of themes frequently brought up by a poet. Energetic enthusiasm in facing life in maritime society has inspired poets to write a conception about maritime. This research aims at analyzing maritime concept included within four poetry by Rida K Liamsi, namely Laut, Tempuling, Pancang Nibung I, and Kemejan. Descriptive method is used in order to explain maritime concept contained in those four poetry. The research result shows that those four poetry raise about the rigorous of life obstacles inside maritime territory. These poetry are yielded on the basis of Malay eagerness to live in a maritime zone. These Malays are depicted to struggle with never-give up spirit in confronting life cycle. Though in every fight results win and failure, the Malay people never surrender to fate. Destiny does not impair their exertion in handling life. What even more interesting is that Malay people recognize the importance of sense or essence of life, for struggle is the truly heart of life.