Poetry Research And Analysis Essay

“There are a number of different lyrics used in songs that have been derived from poetry” (Kumar). Poetry is an older form of art and song lyrics have evolved from the art. However, it is a great debacle over which one can be considered the higher art form. The underlying question is if song lyrics have evolved past poetry, or has poetry remained artistic and intellectual. Despite bearing some superficial similarities, the differences between “To a Daughter Leaving Home” and “Never Grow Up” in imagery, message, and point of view are prevalent causing poetry to be considered a higher form of art.

In present day, different genres of music, or artists, influence society in ways you wouldn’t expect. An artist that I know influences society in a positive way is Logic. Logic is an artist who works as hard as he can to include a message, or meaning, to his albums, or even just songs. This artist uses his personal experiences from his childhood, to inspire the listeners to work hard, and prosper, through any troubles they may face in their life.

James Baldwin’s “Sonny’s Blues” conveys how music serves as a form of communication, both at a small and large scale. Charting the development of the communication between Sonny and his brother allows us to view how the unnamed brother fails to meet Sonny at his emotional level by not understanding his pain. I argue that the text introduces Sonny as someone who “has never been talkative” to set the foundation for his growth from being voiceless to speaking both vibrantly and effortlessly through music (Baldwin 113). Over the course of the text, the unnamed brother begins to listen to Sonny to discover the connection between music and emotion. Therefore, the text argues that music is a crucial mechanism to communicate with one another—more specifically

In Logic’s album, he creates a universal theme of peace, love, and positivity that flows throughout the songs and lyrics he writes, and this universal theme encourages listeners to be the best version of themselves. As listeners listen to the lyrics that Logic has created, they are immediately touched with an overwhelming fear of sadness and excitement. This sadness stems from the personal and universal problems of racism and discrimination, while the excitement stems from the

In recent months, a new song has surfaced, “Everybody”; the composer, Logic, is a well know biracial rapper whose song are typically based on politics or social issues happening presently; this new song is not any different. The basic concept of the song is about how neither “whites” nor “blacks” consider him part of their culture, and he counters this with the chorus that generally says people are people and when broken down cry, bleed, and want the same things (Logic). Many allusions and references are made throughout the piece; for example, “Now picture little Bobby just a youngin’ runnin’ round with his mans, hammer in his hands, feelin’ like a man…before the popo get the gun, put it to your brain,” (Logic). These lines speak about recent police brutality against young black men and especially the Trayvon Martin case. The first line of verse two uses imagery as well as simile to convey that he is like a Jehovah witness trying to spread his truth and beliefs (Logic). He thinks that society does not want to “face facts” and admit the injustices that going on all around, so he is here to educate and enlighten (Logic). Logic also references his

A steady rap drum beat undergirds a repeating melody line of no consequence. A bit catchy, but musically uncomplicated, the treble piano riff continually repeats. Surprisingly, the instrumentation lacks a characteristic rap bass line. The lighthearted melodious sense of dancing along the high notes in time supports a male rapper; his voice reveals a sense of passion and angst. Satirically, the agreeable music contrasts with the piercing, raw, and painful words. Angry, despairing, and hurting lyrics initiate the listener into a long-lived story of domination and oppression, while the lazy and airy back-melody creates a sense of cognitive dissonance. About 400 hundred years ago, a similar contrast emerged between Anne Hutchinson and John

In the rap/hiphop genre of music there have been many artists who have died young but still had big impacts on their community as well as the genre, however , the names of Christopher Wallace (Biggie Smalls) and Tupac Shukar always hold the most weight. Both men’s lives were short-lived, both ending in their mid twenties, however due to their short lives their careers were even shorter (“Tupac Shukar”). Although they both died at a very young age, it did not affect the impact that the two men were able to have, not only musically but also in society as a whole. Together each of the two men only put out seven albums in total (Wallace: 2, Shakur; 5) much less compared to the average amount of albums an artist typically puts out over the span of their career. Although each of the two did not have a vast discography, it did not stop them from reaching platinum and diamond album status as well as having critics call them, not only the greatest rappers of all time, but musical artists of all time (“Biggie Smalls”). They are both great reflections of Montaigne’s ideology because each of the two men lived a very short life however they used their time to the fullest, which allowed them to achieve and accomplish so much, exemplifying the fact that in life length is not important but rather what we do with

Equality is the meaning behind Logic. He raps through his passion of everybody being equal one day. In Logic’s song he many words to express what he is trying to get across. One of the phrases he uses is “I feel like I’m out of my mind” when I first read that I knew immediately noticed it was a simile. When he says that I think he means that he is not acting like himself. Another one of the phrases he says in the song is “I feel like my life ain’t mine.” When that part came up in the song I noticed the word like was in it. It was a flashing light to know that it was in fact a simile. “I’m hurting deep down but can’t show it” was symbolism, the boy is hurting but doesn’t know how to tell someone. In his song 1(800) he mentions “It’s the very

“ I think it 's funny, we live in an era and time where peace, love and positivity is considered corny or whack.. and that 's some evil thoughts.” (Logic) This is one of my favorite quotes from one of my favorite rappers of this generation. He makes music to talking about his struggles being a biracial kid grow up in a dysfunctional home in Maryland and his parents being drug addicts. He also talks about his love of music and happy, good stuff about life. In a way he wants to put the world together and unite it through music. He uses this as a method to bring people together through his music and wants to people under his music of loving one another for making a better world. In Aaron Copland “How We Listen” describes the process of

McBride made every attempt possible to ignore and dismiss rap music because it began to rule the world. The narrator, a jazz lover, thought rap music had no “melody, sensibility, instruments, verse, or harmony, music with no beginning, end, or middle”. Describing his daughter getting married to a rapper and having children with him as a nightmare does not set a positive attitude toward rap music. The description “a mouthful of gold teeth, a do-rag on his head, muscles popping out of his arms, and a thug attitude” portrays a dislike to his daughter’s husband, a rapper. Furthermore, McBride first heard rap music in 1980, at a party. Being a jazz lover, it made him cringe when he saw fellow students dancing and singing along with the music.

This statement is very impactful in how he uses the example of painting the American flag, it’s not possible without the color red and for artists to not be able to write songs using their past experiences that isn’t quite possible either.

Many said the two wrote in the same style. Opposers argued that just because there

The song is meant to start the album off and prepare listeners for the story they are about to hear, which can be disturbing at some points as he takes us through his life from childhood to now, this includes the good and the bad. Although I cannot relate to his struggles as a mixed racial child, I find myself still getting emotional as I can only imagine the struggles he went through growing up with unsupportive peers and family members. I believe strongly that if everyone was able to put themselves in somebody else’s position, the world would be a much more loving place. I think that music has the ability to encourage listeners to view the world from a different position in life, and Logics album is just one great example that. As you continue listening to the album, you start to understand and empathize with not just him, but any oppressed group that are dealing with these

While Bob Dylan and Mos Def’s music often differs greatly, Dylan’s “Hurricane” and Mos Def’s “Mathematics,” as shown at the end of this paper, have at least as much in common as not. Both artists continue to have impressive careers despite differing backgrounds. Mos Def was born in Brooklyn in 1973 and has had successful careers in both acting and music (Frick). His awards include Black Reel Award for best actor in The Woodsman, Golden Globe and Emmy nominations for his role in Something the Lord Made, his album The New Danger landed on the Billboard album chart at number five, and one single from the album, "Sex, Love & Money," earned him a Grammy nomination for best alternative/urban performance (Frick). Dylan was born in Duluth Minnesota

This article tells of the recovery of a patient, who is referred to as “Marco”, with psychosis by musical theory methods. Marco has trouble being positive and only is able to get out of bed when his therapist comes for their session. The therapist helping this patient is a drummer, who uses his drums to create a beat for the patient. The style of music these two use is rap, specifically freestyle, where the rapper raps, about whatever comes to mind.