Point Of View In Cathedral By Raymond Carver

The point of view in the story is the third person because there is a narrator who

The point of view of a narrator can make or break a story, as the narrator is extremely important to the reader's understanding of a story. Different points of view and different narrators can oftentimes affect the point the story is attempting to portray and it even change what the reader believes the story is about. If someone were to go through a story written in a first-person narrative story and change all the pronouns to a third-person point of view, or even a first person plural point of view, it can distort the way the reader understands and comprehends the story.

The narrator is pre-judgemental towards all people who are blind, whether or not he has met them. He believes all blind people are the same as those he has watched in movies. The narrator perception of the blind is that they “moved slowly and never laughed” and when they went out “they were led by seeing eye-dogs” (Carver 104). The movie industry creates a false image of the blind, which leads to the narrator’s assumptions. However, the blind are not all the same, just like how everyone else in the world are not the same. People are designed to be different in their personalities, thoughts, looks and much more. The narrator’s ideas of Robert are based off of false conceptions and this changes his attitude towards Robert. The narrator already has strong feelings towards Robert before meeting him

First-person narration can provide an exotic and perhaps unreliable viewpoint. The narrator’s thoughts and feelings are conveyed more clairvoyantly than possible in third or even second person, an effect that develops a more intimate and relevant story to the reader. In "Cathedral," Raymond Carver uses conversational tone and diction to expose the narrator 's character: prejudicial at first, sympathetic by the end. Knowing his character simplifies the understanding of major components of the story such as the narrator 's hostility to Robert and his epiphany at the end.

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

The use of diction also aids in the exploration of the religious theme. Carver’s choice to use the word cathedral is a religious word that connects the two men. As discussed in his article High Visibility, author Peter Middleton discusses the importance of the story using a cathedral to draw the two men closer to one another. He states that “… [the cathedral] is not there simply to be see,” meaning that there is more to the cathedral than just what is seen. In Catholicism, cathedrals are very ornate places of worship, yet the beauty of the building is not what is most important. The functional use of a cathedral is to bring people together through prayer and worship. Similarly, the cathedral on the television in the story brings the two men together and breaks down the barriers between them. Only the narrator is able to see and appreciate the beauty of the cathedral but both men are able to gain an understanding and appreciation of each other by drawing the cathedral.

Lives are diverse. Every being that passes by on the street, at school, at work, anywhere lives a completely unique life different from any other individual. Each person that one could meet has attended different schools, travelled to different places, and lived under different circumstances; they all pass by in an instant without a second thought or even a passing glance. These several diverse experiences sculpt diverse individuals with diverse thoughts, opinions, dreams, and motives. However, in Raymond Carver’s “Cathedral,” the narrator must converse with an individual that lives an extremely dissimilar life from his own. A blind man, friends with the narrator’s wife and a recent widower, has come to live with the narrator for a while. This sudden change in the narrator’s life does not come easy because of his inherent arrogance and prejudice. Nevertheless, the blind man remains polite and shows the narrator how similar, yet still different their lives are through example as well as an explicit exercise where he holds the narrator’s hands while he draws a cathedral in order to “see” what the cathedral looks like. To assist the reader in fully grasping the impact of this breakthrough in the narrator’s life regarding perspective and various types of human realities, Carver employs a large number of stylistic elements to enhance his writing.

In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.

Point of View: Who is telling the story? 1st person....I saw the car....I did. 2nd person.....he/she/it....most novels. 3rd person: Omniscient-know feelings of the character...god like narrator...italic parts of the novel.

The character Bub can be very selfish towards his wife and their visitor . Bub begins showing his selfishness when he has “nothing to do but wait” before the blind man, Robert, arrives, and he blames innocent Robert for his miserable, uncomfortable mood (458). When talking to his wife, Bub gets annoyed when she gives him “more detail than [he] cares to know” (457). Bub is “unhappy about the blind man’s visit,” even though Robert’s wife just died (“Cathedral”).

Creepy.” Bub becomes keenly interested in gaining an understanding of Robert. Bub watches as Robert eats. “The blind man had right away located his foods. He knew just where everything was on his plate. I watched with admiration as he used his knife and fork on the meat.” Bub continues watching Robert intensely throughout the meal. Bub takes note of everything Robert does, even considering him as Robert enjoys conversation with Bub’s wife, “For the most part, I just listened. Now and then I joined in. I didn’t want him to think I had left the room, and I didn’t want her to think I was feeling left out.” Although our narrator Bub is still being brusque and dismissive with Robert outwardly, one might presume due to our insight into his thoughts that Bub is beginning to set aside his preconceived notions about Robert. We can see clearly the development of this character from someone with no interest in communication or understanding, to an inquisitive person. Without his knowing it or wanting it, Bub is slowly opening himself to Robert.

Through the author's use of diction, more aspects of the narrator's personality are revealed. Simply from word choice, we learn that the narrator is prejudicial towards others, and jealous of other men's relationships with his wife. When facing the situation of Robert coming to town to visit his wife, the narrator blatantly expresses that "a blind man in my house was not something I looked forward to" (Carver 209). This repeated substitution of "blind man"

As the story continues it exposes the many things that the husband fails to realize. For example, the husband neglects to recognize that Robert can feel. Robert commented about the train ride from the city that he’d "nearly forgotten the sensation" (1055). The husband does not understand that what blind people cannot see they can experience by feeling and hearing. The husband does not see what is underneath the skin or what is behind a face. The husband sees people and things at face value; he doesn’t look beneath the surface. In contrast, the blind man "sees" things with his ears, his hands, and his heart. Robert does not let the fact that he is handicapped affect how he perceives people and the things around him. Carver illustrates this when the husband observes, "The blind man has another taste of his drink. He lifted his beard, sniffed it, and let it fall. He leaned forward on the sofa. He positioned his ashtray on the coffee table, then put the lighter to his cigarette. He leaned back on the sofa and crossed his legs at the ankles" (1057) He did this just as anyone could have done. He doesn’t let the fact that he is

Before his transcending interaction with Robert, the narrator is portrayed as rude, crass, and obscene shown with his vices such as drinking scotch and smoking marijuana cigarettes. He also makes unnecessary jokes about the blind especially when he’s jealous of his wife’s and Robert’s past relationship. Eventually, as the narrator and Robert spend more time together, the narrator opens up to Robert and does so with an emotional attachment that comes from the bottom of his heart. The narrator’s has a complete change of perspective after his interaction with Robert and shows that he has initial biased views towards Robert because of his own internal struggles such as his feelings of isolation, his marital relationship insecurities, and his apathetic view of religion.

In this short story, we have a limited third person narrator. It is a third person narrator, because the narrator isn’t a character in the story, yet sees the story from the outside. It is a limited narrator, because the narrator only