Political Art Essay

1400 Words6 Pages
The cultural frame considers social issues such as politics, economics and environmental concerns. Meaning in cultural artworks is understood from a social perspective and may relate to such issues as race, cultural identity, multiculturalism, gender, beliefs and values. Artists usually reflect the issues in society may they be social, political, racial, environmental or sexual. Specific movements and styles have been produced as a result. There is a greater integration between art and community as art adopts a critical role in society. Traditional artists use to focus on the material practice, but postmodernism changed that as they focused on the concept and ideas. It is the idea that has come to dominate the form of much art and this has…show more content…
The painting caused deep controversy, artistically and politically. Guernica was the event that was the catalyst for the painting, where the destruction of the Basque capital happened. Combined with the distorted imagery and colour scheme, the painting is confronting as the shapes, which form characters, and animals are emotionally and physically scattered. His individuals and animals are both highly distinctive and symbolic. The large size of the work (350 – 777cm) and the restricted colour scheme of blacks, greys blues and whites increase the visual impact of the artwork. Artists felt compelled to use a more abstract and dehumainsed form-language to cope with it. The mural size painting executed in 1937 to memorialize the bombing of the Basque town of Guernica and created a work that expresses multiple perceptions of a single catastrophic event. The painting describes the bombing in terms of modern new, sky-borne methods of terror Otto Dix (1891 – 1969, German), together with George Grosz, he created the style Die Neue Sachlichkeit [New Objectivity], a form of social realist art, which examined the corruption, and social inequality of post-war German society. With the rise of the National Socialists in 1933, Dix was dismissed from this teaching at the Dresden Academy. He moved to Lake Constance and was only allowed to paint if he agreed to paint landscapes rather than political subject matter. Dix was conscripted into the army during World War II and in
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