Polonius Personality Disorder Analysis

The English Play writer, William Shakespeare had written many well-known pieces of work including Hamlet. Hamlet is known to be one of his most popular works. Hamlet was written in the late 16th Century about the Prince of Denmark. The original title of the work was The Tragedy of Hamlet, now it is referred to as just Hamlet. In Hamlet, William Shakespeare uses the mental state of his characters to prove that not all characters in books have to be one dimensional. Shakespeare’s writing shows that humans are complex, and can have different mental states. Characters throughout the story such as, Hamlet, Gertrude, and Ophelia show their not so stable mental state. First we will analyze Hamlet and talk about Ernest Jones’ Psycho-analytic study of Hamlet. Then we will talk about Ophelia and how the events that happened leading up to her death or suicide played a role into her mental state. Finally we will analyze Gertrude, the Queen’s role in Hamlet, and how she is a mentally weak woman and relies on the men in her life.

Polonius seemly hear all these vulgar and misogynistic rants and becomes ever more convinced that Hamlet is mad. He never rests easily until he ends up behind yet another arras, scheming, yet this time in Gertrude’s room and gets himself killed. The act of betrayal, by both Polonius and Gertrude has far-reaching consequences; Polonius is killed by Hamlet, Ophelia becomes mad and Laertes demands vengeance. Polonius’s betrayal disgusts Hamlet and he can only but refer to him as ‘a foolish prating knave’ and his mistreatment of his body when he says he will ‘lug his guts in the neighbour room’ can equally be taken as his disgust towards him.

Polonius played a vital role in Hamlet even though he was not one of the main characters. He continued to reinforce the theme of corruption and displayed the social and ethical collapse of Denmark. His deceitful actions show the reader that he is one of dishonesty and chicanery. In the play, Polonius was portrayed as someone who is a deceiver and pretender that betrays people he is supposed to be devoted to; and who only cares about things that will benefit him. These characteristics of Polonius are seen through his interactions with Ophelia, Hamlet, Laertes, Reynaldo and the King.

Two months have elapsed since Hamlet swore to avenge his father; but he has not yet moved “with wings as swift/as meditation or the thoughts of love”(I, v, 29-30). Hamlet is very emotional because Claudius is still alive. This emotional balance has become risky, is shown when he encounter’s with Ophelia. When Hamlet enter Ophelia closet while she is sewing. She is very frightened, and rushes to her father to tell him what happened. She says, “Lord Hamlet with his doublet all unbraced; no hat upon his head; his stockings foul’d, ungarter’d and down- gyved to his ancle; pale as his shirt; his knees knocking each other; and with a look so piteous in purport as if he had been loosed out to hell to speak of horrors, (II, i, 78-83). She describes Hamlet’s strange behavior to her father Polonius. Polonius begins to wonder that there may be an explanation to his strange behaviors, and this led Polonius to believe: “This is very ecstasy of love; whose violent property fordoes itself and leads the will to desperate undertakings, as oft as any passion under heaven that does afflict our natures” (II, i, 102-106). Polonius is certain that Hamlet is having these behaviors due to the fact that he loves Ophelia. This is due to the fact that Ophelia has followed her father’s instruction to stay away from Hamlet, causing him to be mad. Polonius hopes are strengthened when he reads the note that Hamlet has

Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.

Ever wonder why characters in Hamlet seem to be so skittish, paranoid and seemingly “off”? It probably has little to nothing to do with mental illness! Mental illness includes a wide range of thoughts, actions and behaviors. In 2017, the society as a whole has moved toward recognizing mental illness as the very real and important disorders that they are. That said, learning the difference between mental illness and having ‘symptoms’ of mental disorders, is imperative for the growth of a generation. The qualifications for diagnosing require a degree obtained after extensive schooling, neither of which a senior in high school has. For the sake of this paper, I will ignorantly diagnose a fictional character from William Shakespeare’s, “Hamlet”. This story takes place in a much older time in Denmark. King Hamlet was pronounced dead and two castle guards claim they have seen his ghost. The ghost speaks to Prince Hamlet, King Hamlet’s son, and tells him he has been murdered by the new King which is King Hamlet’s brother. This sends Prince Hamlet into a spiral as it would any functioning person. He is deeply saddened and his love, Ophelia, as well as the rest of his family, are worried about him. Hamlet becomes so erratic he ends up slaying Ophelia’s father, mistaking him for King Claudius. Ophelia is obviously extremely upset as her father was just murdered by her boyfriend. Claudius becomes worried he will expose his secret and has Prince Hamlet sent away to England to be assassinated. While he is gone, the Queen discovers Ophelia has drowned.Ophelia’s brother, Laertes, talks with the King and is furious with Prince Hamlet for the death of his father and now his sister. Prince Hamlet’s ship is invaded by pirates and he secretly makes his way back to England. With this news, Laertes and Claudius devise a plan to kill Hamlet. Laertes will battle him and put poison on his sword and as a backup plan Claudius will put poison in wine and offer it to Hamlet. During the battle Hamlet and Laertes switch swords and Hamlet is pricked by the poisonous sword in the process. Queen Gertrude drinks from the poisoned wine and then Laertes is cut and poisoned. The Queen drops as does Laertes and when Hamlet realizes what has

Issues of power are foremost in Polonius' mind. He immediately seeks the King in order to legitimate his accusations concerning Hamlet. By doing this, not only does Polonius gain power over Hamlet, but also with the King himself. Polonius tries to control the way Hamlet is seen around the court so as to rise in stature himself. Through his manipulation of Ophelia, Polonius becomes a character not as much concerned with familial ties as one whose concern rests within the world of court intrigue and position.

Throughout Hamlet, written by Shakespeare, Hamlet’s emotions, actions, and thoughts cause much trouble during the play. Hamlet encounters stages of sarcasm, inanity, suicidal tendencies/self-deprecation, and procreation/indecision which develop not only his personality but the play itself. Hamlet uses sarcasm to express his emotions, pretends to be insane (ultimately leading him to become truly insane), self-deprecates throughout the play due to family events, and procrastinates because he is indecisive. Hamlet encounters many life-altering events throughout the play such as his uncle poisoning his father and quickly remarrying Hamlet’s mother, to accidentally killing Polonius thinking it was Claudius, all the way to debating upon: his own

In William Shakespeare’s play Hamlet, the main character, who the play is named after, spirals into madness as he pursues revenge. Not only does he display a change in attitude and behavior, he plays out murder plans and becomes infatuated with this idea of revenge in which he obsessively loses himself to. He turns on his family after he uncovers his uncle’s betrayal and after that, everything else takes its turn for the worse as friendships, trust, and the welfare of the country as Marcellus notes, “Something is rotten in the state of Denmark” (Shakespeare 1.5.100). The turmoil that takes place as themes of betrayal, death, and uncertainty exhibits Hamlet’s complex inner riot that resembles a dissociative identity disorder that many people suffer from today. Hamlet’s increasingly complicated mosaic of a personality etches what seems like an array of polar personalities, switching and taking their turn in the spotlight of his actions and behavior at any given time or place. This descent into Hamlet’s complexity of mind and development of seemingly distinct personalities draws a connection between Hamlet’s character and a mental illness called multiple personality disorder.

Polonius’s relationship with Laertes is worse than his relationship with Ophelia. His desire to dominate over his son is just the start of a line of examples. He

As with many plays, actors in Shakespeare’s, The Tragedy of Hamlet, Prince of Denmark, are at liberty to alter the portrayal of their characters. Because of this, the significance and subtleties of various characters can be lost in varying adaptations of the play. This holds true for the character Polonius, who is often incorrectly portrayed as a oblivious and foolish yet caring father. Rather, Shakespeare implicitly and explicitly establishes Polonius as a character in full control of his wits. Polonius’ interaction with other characters throughout the play highlights his cunning, wit, and selfishness.

In a New Historic analyzation, it is important to note Hamlet’s madness that leads him to paranoia, revenge, and murder. In Shakespeare’s Elizabethan era, madness was defined as “internalization of disobedience”. Using this definition, it can be interpreted that Shakespeare derives Hamlet’s lunacy from the plea for vengeance made by his father’s spirit. Hamlet feels blameworthy and that

Hamlet uses Polonius’s initial interactions within a domestic setting and the royal court to establish Polonius’s character. When Polonius notarizes Reynaldo to spy on Laertes, Polonius lauds his method with such rhetorical flourishes as “wisdom and of reach” and “with windlasses and assays of bias,” to ensure that his ‘grand’ scheme is not lost on Reynaldo (2.1.61-62). The text chooses to show Polonius strutting such ornate rhetoric to commend himself, even when there is no one to impress beyond his own servant, to illustrate how Polonius is by his very nature pompous. When Polonius subsequently hears Ophelia relay her encounter with a deranged Hamlet, Polonius’s first instinct is to “go see the king,” rather than to comfort Ophelia beyond simply saying he’s sorry (2.1.114). Polonius’s primal instinct to serve his lord reveals a servile disposition baked into his very being. These intrinsic tendencies are hyperbolized through Polonius’s interaction with the royal family. Upon entering the court, Polonius immediately professes to “hold my duty … both to my God

Unlike Ophelia, who was driven to madness and death due to a combination of her submissive nature and forces out of her control, Polonius orchestrates deceitful schemes to obtain what he wants due to his nosy, intrusive nature and utter disregard for the privacy and well

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,