Andy Warhol: The Notion Of Pop Art

There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.

When we eat a slice of pizza we tend to wash it down with a bottle of Coke when we 're feeling sick we tend to have some Campbell 's chicken noodle soup when we think of rock 'n ' roll the name Elvis Presley comes to mind and for America 's sweetheart and movie actress there is none other than Marilyn Monroe. These for iconic objects and figures all have one thing in common they have stood the test of time and continue to be a part of American culture. Today I 'm going to talk about one man who took these ideas and started a new movement in the early 1960s it movement coined pop art where everyday recognizable images that have stood the test of time and continue to influence and be a part of American culture. This man goes by the name of Andy Warhol.

Pop art got its name from Lawrence Alloway, who was a British art critic in 1950’s. The name “Pop Art” reflected on the “familiar imagery of the contemporary urban environment” (kleiner, 981). This art form was popular for its bold and simple looks plus its bright and vibrant colors. An example of this type of art is the oil painting done by Andy Warhol, “Marilyn Diptych” (Warhol, Marilyn Diptych) in 1962. The Pop art movement became known in the mid-1950 and continued as main type of art form until the late 1960’s. The Pop art movement, was a movement where medium played a huge part in the society, with it reflecting on advertisements, comic strips and even celebrities, like Marilyn. This movement also has a large

As the years have passed Art has come to include expanding subgenres including architecture, murals and memorials (Newspaper Association of America, 2001). However, since the booming of Hip Hop culture, graffiti has also been acknowledged as a form of art in popular culture. “Pop Culture” is a term that includes society’s current collective preferences in music, film, sports, recreation, jokes, fashion and advertising (The Museum of Contemporary Art, 1990). Considering the effects of the international technological revolution

Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.

The sixties were a time of social and political change in America, and the art world was not left untouched. Early in the decade a new movement focused on popular culture and national icons began to develop. It was aptly named Pop art. "Many critics were alarmed by Pop, uncertain whether it was embracing or parodying popular culture and fearful that it threatened the survival of both modernist art and high culture..." (Stokstad 1101) Pop artists were not the first to make cultural statements with their work, however controversial art always draws criticism and attention. One of the most well known artists of the Pop movement was Andy Warhol, a young commerial illustrator from manhattan. Warhol's use of popular icons and brands as the focus

America’s infatuation with labels was a relatively new trend in postmodern society. Andy Warhol’s “Silver Liz as Cleopatra” as well as his other pieces impacted societal views on modern art in relationship to value. Warhol had a strong belief that the loss of something in replicating an image was over powered by something of new value being created.

This concept, despite its variety of meanings and definitions, is used to refer to many

A massive artistic change begins with a sense of something about this is wrong. The next step is anger against the wrong and a decision to rectify it. Later, the anger and need for change bleed into every artistic form to revolutionize culture itself. There is no better example of a counter-culture movement than America in the 1960’s, as defiance of previous social norms took place in the Civil Rights movement, the beginning of feminism, and the construction of a radical “hippie” lifestyle. Through cultural changes came rapid controversial evolution in the arts, particularly in music and fashion.

Pop art is an art movement that emerged in the mid-1950s in Britain and in the late 1950s in the United States. It appreciates popular culture, or also called “material culture.” It does not criticize the consequences of materialism and consumerism; it merely recognizes its universal presence as a accepted fact. Obtaining consumer goods, responding to ingenious advertisements and erecting more effectual forms of mass communication (back then: movies, television, newspapers and magazines) stimulated energy amongst young people. Pop Art celebrated the United Generation of Shopping. It employs aspects of mass culture, such as advertising, comic books and ordinary cultural objects as well as including imagery from

Warhol, the son of devout Slovenian Byzantine Catholics, learned art from his mother while he lay bedridden from illness at the age of eight. Movies and photography also appealed to the young artist, who set up a darkroom in the family’s Pennsylvania basement. After graduating with a Bachelor of Fine Art degree, Warhol pursued a career in commercial art. Once in New York, Warhol thrived in the business and earned the title of “the most successful commercial artist of the 1950’s.” (Bio.com) In the early 1960’s, Warhol introduced the Pop Art, which captivated the world with bright colors and common items. Apart from ordinary things, Warhol also painted portraits of celebrities in the same colorful style. Warhol painted popular people and things, hence the name “pop” art. He is most well known for Campbell’s Soup Cans and Marilyn Monroe, both done in the same colorful style. He enveloped himself his own fame and the fame of others, creating artwork that showed the charisma of both the artist and the subject. Later in Warhol’s career, he explored other art forms, creating eccentric movies and even writing books. (Biography.com

Andy Warhol the name most recognized in the history of pop art, one of the founders of the movement. Pop art uses the imagery of mass media, recognizable celebrities and advertising, in order to comment on the authenticity and the uniqueness of the ideas behind art itself. Warhol bridged the gap between high and low art, through his use of different mediums and recognizable celebrities. He uses icons of the media such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor and recognizable objects from the modern household such as Campbell soup cans and Coca-Cola bottles, these objects bridge the gap between the classes of fine and commercial art. By using these images and mass-producing them he questions the role and meaning behind fine art,

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

It's for this very reason that the Dada spirit lives within Pop art and the readymades. The international symbol of this anti label created a context of pop art to be seen as extreme and brash. ''An inherited culture that had now become unacceptable was replaced''5. Paolozzi was the scene as an instrumentalist who introduce pop art to the British culture. His works are part readymade and sculpture 'The city of the Circle and square,1963/66' . A portrait of a counterpart of a Roman goddess, using contemporary materials and philosophy. The devotion of attention to common objects, gives the context of pop art another layer to having irony and detachment.''The consumption of popular culture is basically a social experience, providing information derived from and contributing to our statistically normal roles in society. It is a network of message and objects that we share with others''6. As many art movements develop, cultural inspiration and history seem to be the main tradition to turn to in the tradition.'' There is nothing new in art, that has not been attempted before at one time or another, in antiquity, or by Picasso''7. The Pop movement in their defence was only doing what had been done before them, by investigating the Dada

‘pop art was open to all forms of communication and popular information in its attempt to embody all of reality in its own language’’ (Parmesani, 2012, P: 72).