Pop Artist Research Paper

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

In her article “The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women,” Imani Perry argues that the objectification of women in the music industry is normalized in our society. Her purpose is to persuade us that most feminists who fight against the objectification and exploitation of women are ultimately colonized by the sexual fantasies of men. As a law professor at Rutgers Law School, Perry structures her text in a very effective manner. Using a general-to-specific organization scheme, she begins by outlining the recurring image of sexualized women in music videos, then presenting various cases of prominent feminist figures in the music industry.

Music is one of the most influencing media within our time and generation, especially Rap and hip-hop. Demoralizing women has

A woman’s work is never done: many people grow up with this saying and feel it to be true. One such woman, artist Sia Furler, has written countless number-one music hits, and she argues that while society teaches us only young people can enter the mainstream music scene, you can still be successful at an older age. Sia begins building her credibility by sharing personal accomplishments as she enters the music scene, then goes on to cite convincing personal stories, and successfully employs emotional appeals through her music debut; however, her dramatic entrance leaves you wondering whether her attempt to appeal to listeners attention weakens her credibility as an artist.

Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous

In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot

As noted in class discussion and course readings, the twentieth-century created a major shift in women’s history and that shift is also notable in music. There is

Everyone loves music, don’t they? Or at least grow up listening to it? I Sold My Soul to Rock and Roll by Kristina Grey, the text I read, made Rock and Roll seem controversial to the general knowledge I already had on this "loud" and "raucous" music. In my head, rock stars had crazy fun nights and partied on every tour they adjourned. However, Grey expressed how the lives of males in Rock and Roll were, because of this I agree that women are not portrayed accurately in the category of “white music," and I say this because I am studying women's feminism.

In the textbook, United States History: Modern America, several authors acknowledge that musicians such as Bob Dylan created songs that highlighted the civil rights and peace movements. Several genres of music, like rock, became the “weapon of cultural revolution” and encouraged listeners to question authority and the government (571). For example, music has had a powerful significance on my life because it reduces my anxiety and has a relaxing effect that allows me to calm down. Unfortunately, most mainstream music heavily revolves around misogyny by degrading women through lyrics. However, society needs the exposure of women who take control of their sexuality and do not allow others to label themselves. This greatly impacts me because women are often more sexualized than men and the myth of modesty has trapped women to be afraid to sexually expressing themselves without judgement. The meaning of 1965’s “Respect” by Aretha Franklin, a music assignment in Mr. Wilhelm’s class, shares black positivity to women and questions why men continue to mistreat black women. She notices the traditional patriarchal views that impose unfair standards to suggest that women must earn respect. Music in the past and present cease to convey influential messages that sometime lead to

Hip-hop has persuaded a large portion of society that this is how women should be treated, but new times call for new measures and it is time that people realise this and give women the respect and dignity that many believe they surly deserve.

Music is known to be one of the most universal forms of self expression. Artists from different genres provide different models for expressing gender identity through their music.

Pop Art was a movement that started in Great Britain in the mid-1950s and moved to the United States in the late-19050s. Pop Art was different in that it marked a return to representational are and hard-edge composition. In addition to this it challenged fine art traditions by including imagery from popular culture. It is impersonal, ironic, and often a parody to emphasize the kitschy parts of culture. Pop Art was different than the Abstract Expressionism that dominated the previous two decades. Robert Indiana put it like this,

The battle for gender equality was started in 1848 at the Seneca Falls Convention. Hundreds of women gathered to list their grievances and solutions. This was the first step towards the women's right movement and the overall feminist movements. Even though this was close to 170 years ago; men and women are still fighting for gender equality today. We as a country have made great strides in our understanding of gender. Throughout the years many different barriers have been broken. When looking back at a certain time periods social issues; it is important to examine the music of that time. Music can either represent or hide the civil rights battles that our country faces. In the early 1960’s our country had devastating gender disparities. Women

There is a famous singer that resides across this street. His house is several stories tall, and there are a plethora of luxury cars parked in the driveway. The singer discussed his struggles in life, in albums; and besides that, if no one else mentions his past conflicts, people keep perceiving him as one of the most arrogant and self-centered performers. About him there are fans and paparazzi and you may see the occasional crazed,attached admirer, one of the few hounding persons. On the surface is a man fazed and persuaded by fortunes, on a journey from the slums to manor houses; and past and within the facade, conflict after conflict;and past and within those, the true disposition of the vocalist.

Have you ever thought about what is "acceptable" according to gender roles in music? Why can men rap about the exploitation of women and no one gIves it a second thought, but the second a woman sings about a sexual experience she is labeled as vulgar or even a slut? Artists such as Miley Cyrus and Nicki Minaj were shamed for releasING music with detailed sexual content whereas artists such as The Weekend are praised for directly referencing detailed sexual experiences in almost all his songs. Are we as the public fighting against gender roles whilst unknowingly encouraging them?