Pope Admiring Belinda in The Rape of the Lock Essay

Young women could potentially be harmed if they were not physically ready to bear children, which highlights that the treatment of women was harsh and that from a male perspective, their ability to produce children was more important than their health. Additionally, Capulet is very complimentary to females, and calls them ‘earth-treading stars that make dark heaven light’, using a beautiful metaphor to contrast between dark and light to show he appreciates women. This establishes that Capulet is very admiring of attractive females and compares them to nature.

At this point in the story, Jeannette is being assaulted by a boy in her neighborhood named Billy Deel. It marks her first non consensual sexual experience. She tries to cope with it by cutting him off but he hammers home the point that she was taken advantage of with a spiteful “I raped you!” Throughout the novel, she has been abused more than a few times.and it reaches to a point where it doesn’t seem to phase her anymore. Despite the stigma attached to this particular

This form of satire is more mild in nature, and is often used to arouse amusement in people. In this piece, Pope uses a story about a woman who gets a lock of her hair chopped off to ridicule social pretension and vanity. Although this form of satire is not as harsh as Juvenalian satire, it is much easier to interpret, and not to be taken so seriously. This however, can make the point seem less serious, as it will be addressed in a comical way. However, this poem is effective in its own way at getting its point across. One of the important elements that speaks in the poem is the speech made by the character Clarissa. In her speech, she questions why a society that places emphasis on beauty in women cannot emphasise good humor. This speech is often interpreted at the main moral of the story, that people often react too much to silly things, like losing a lock of hair. For this type of topic, this form of satire works very well, as harsh ridicule is not needed to point out

She judged him as such after seeing the way he dressed and the tattoo he had, calling it a "prison tattoo" and requests for her lock to be changed again with the hope of it being someone who looked less intimidating to

Consider the word “see” in line 606, as Lanval’s love enters the room she is immediately noticed. This prompt response to her entrance straightaway reveals the implications of her beauty and the importance it has on Lanval’s trial along with the male relation the females in this time period. Women are objectified to a certain extent yet also essential to the inner workings of society. This can also be observed in the context of this passage due to the fact that the queen made the accusations against Lanval and though they were lies the extensive reach of her authority is notable. Also consider the line 607 “The king who was well bred rose and went to meet her” (166). This line directly relates aspects of the chivalric code to a woman’s beauty due to the fact that the king was “well bred” he did not make her walk all the way to him and instead rose to meet

Marguerite Johnson is raped at the young age of seven, and this is the tragic life experience that completely changes her. For five years after the rape, she stops talking and silently listens to people. However, Bertha Flowers introduces her to the art of poetry. “The sweet vanilla flavor was still on my tongue and her reading was a wonder in my ears” (Angelou 100). This is the moment when Marguerite discovers the magic

Joan’s hardships Hardships are tragic moments in people’s everyday lives, nut it’s these tragic moments where their true character is revealed. The same goes for Donna Cross’s novel Pope Joan. Joan must overcome multiple hardships, including verbal and physical abuse, death of loved ones, and the obstacles that come with her gender. However, it is when Joan is confronted with these obstacles that her true character is revealed as the strong, intelligent and enduring woman she is.

Her most famous work is The Book of the City of Ladies. Written in the vernacular, Christine writes of all the injustices women face in society and how a woman could strike back. The book is as well, a formal and lengthy response of Jean de Meun’s Romance of the Rose, by defending women and providing a wide range of strong, famous women in history to defend her argument of a strong, independent woman. In The Book of the City of Ladies, Christine writes that “...others have said and continue to say and write such awful, damning things about women and their ways. I was at a loss...who all seem to speak with one voice and are unanimous in their view that female nature is wholly given up to vice.” Criticism and sexism against women has Christine at a “loss” for words. She expresses that the common belief of women being a “vice” to the world and man, is absolutely absurd. She begins her book with this passage, and explains her goal for her contemporary woman and women for the future. “Our aim is to help you get rid of those misconceptions which have clouded your mind and made you reject what you know and believe in fact to be the truth just because so many other people have come out with the opposite opinion.” Christine wishes to make sure that whatever falsehood and deception any one person had ever said to the reader or any brainwashed fabrication into thinking their

While the theme of love itself, may it be positive or negative, is reoccurring, Marie’s presentation of romantic relationships and their differing qualities can be considered a theme alone. In “Guigemar”, the relationship between the knight and his lady represents loyalty, and an ability to heal or cure. Yet, the relationship between the beast and his wife in “Bisclavret” demonstrates the selfish and traitorous behavior that can occur between partners, especially if one has proved to be adulterous.

Both A Modest Proposal and The Rape of the Lock are two different works of satire but they both have a similar aspect; they create personas to satirize British culture and actions. In The Rape of the Lock, Swift creates the personas of Belinda and the Baron to poke fun at British aristocrats. Both characters are shallow people who only seem to care about money, looks, and affection. The character Belinda lives her whole life doing nothing.

The rapist is always the bad guy, right? Initially when analyzing this poem, reading through the several lines describing Lockwood’s assaulter and ex-boyfriend it was my assumption that it was directed towards him. After over a decade of allowing everything to fester the author was ready to get everything out and let the pieces fall where they may. However, under further scrutiny I realized that Lockwood was not villainizing her ex-boyfriend in these depictions but humanizing him. In these passages she describes his job, his hobbies, and his relationship with herself and her family. She portrays her assaulter as flawed but mundane- anybody could have committed the crime he did. In fact, while Lockwood’s story is specific to her own experiences it is one that rings true with many rape survivors. Close to 50% of all rapes taken place in the

As Lockwood lays to rest in the third chapter of Emily Brontë’s Wuthering Heights, he is wrought with a dream of a fictional Reverend Jabez Branderham and his surplus of sins. The dream almost reads as incomprehensible at first glance, especially when wedged between Lockwood’s visions of Catherine Earnshaw, but the dream holds clout in the overarching tale of Wuthering Heights, especially when taking its moral implications into consideration. To implement a biblical allusion in one’s text requires the understanding that, no matter what one intends to do with the material, it will remain morally-charged nonetheless. The material can be contorted or figured into a new message altogether, but some moral proposition will certainly remain. In the case of Lockwood’s dream, Brontë’s allusion to Peter and his interest in forgiveness are contorted to address what happens when the threshold of forgiveness is surpassed. Furthermore, the dream does not grapple with the power of forgiveness, but with the level of desperate exasperation one reaches after prolonged anguish. It is through the contortion of such a biblical allusion that Lockwood is met with what is essentially a warning against staying at either Thrushcross Grange or Wuthering Heights—a warning which he ultimately disregards, thus leading to his exposure to the litany of terrors which exist in the story of Wuthering Heights.

Individuals in society are compelled and feel restricted to follow certain social rules, but for some, their emotions towards the restrictions are negative. Many find different ways to release their constrained emotions, such as art, writing, music and physical activity. In like manner, Christina Rossetti releases her feelings and opinions about restrictions and situations occurring around her, which is evident in her sonnet “A Triad.” Christina Rossetti’s Petrarchan sonnet, “A Triad,” was published in the 1800s; during this period, the image and presentation of women was strict and had to be upheld. In “A Triad,” Rossetti is expressing the lack of variety, labels and freedom of women through the three women illustrated in the poem. The three women are categorized under married and lack of love, ideal woman, and promiscuous. Rossetti’s expressions about the society’s restrictions on women are evident in her use of symbolism of colours and words that are chosen to rhyme.

The 12th Century romance of Abelard and Heloise sheds light on the harsh realities that women of the time had to face regarding rights to education, and freedom to love whomever they choose. Through her letters Heloise proves to be a notable intellect, especially given her uncle’s devotion to her education, which was not a given right for women at the time. Abelard, a dedicated and famed intellectual, becomes her tutor, then her lover. After Heloise’s affair with Abelard is revealed, she faces societal pressures to marry, or be doomed to a tarnished reputation. Abelard, however, faces the ruin of his reputation through marriage, which highlights how both women and marriage were highly looked down upon in academia at the time. Though the couple marries in secret, as to protect the reputation of Abelard, betrayals by family cause them to be separated by their respective vows to the Church. However, their relationship continues through their letters to each other and friends for the rest of their lives. Abelard’s lesser regard of women is indicated through the priority of his reputation over the fair treatment of Heloise, as seen through their various correspondences with respect to their courting and marriage.

The views of women have altered over time, but have always had objectifying tendencies. During the 18th century, cosmetic alteration to natural beauty peaked and materialism heightened throughout societal views. Authors such as Alexander Pope and Jonathan Swift vividly spew these views throughout their writings. Pope’s Rape of the Lock exposes the materialism used in objectifying women, mainly in the upper-class societal levels. The whole plot of the story centers around a cosmetic appearance creating an objectified view, as since the lock of hair was cut from a woman's head, the missing lock became, so called, evidence of a man’s sexual conquest. Other sexual conquests, forced or not, are spoken with anything but love and only those of