Porphyria's Lover 'And My Last Duchess'

Both poems have similar themes and both speakers describe a particular character found in both stories. Both poems have a beautiful woman as its main character and their themes describe the relationship between two lovers. In "My Last Duchess" and "Porphyria's Lover," Robert Browning conveys two distinct portraits depicting the love shared between two people. The qualities of beauty, selfishness, and jealousy appear in both poems. In both works, the author explores the hidden influence death has upon the relationship shared by two lovers.

Porphyria’s Lover is a typical dramatic monologue by Browning, where we get an insight into the narrator’s thoughts. In the poem, we get an insight into the thoughts of a man who kills his love interest out of jealousy: “Nor could to-night’s gay feast restrain.” This gives the impression of Porphyria living a very high status life, just coming from a party, and the narrator being her love interest that she is sneaking away from her life to see. On the other hand, Porphyria’s death could have been provoked by pure psychosis: “I am quite sure she felt no pain.” This is ironic, as the reader knows that Porphyria must have felt pain after being strangled by her own hair, leading the reader to believe that the narrator could be somewhat

In her book Recollections, Browning describes what poetry means to herself. She explained that it “became a distinct object with me; an object to read, think, and live for” (Preston xii). Browning was described as a strong woman-poet who had little to no training. She came from the “Italian hills into a prim English feminine household, and inevitably assuming there that attitude of superiority to

none puts by / The curtain I have drawn for you, but I)' He acts like

Robert Browning’s “Porphyria’s Lover” is a perfect representation of the status of women during the Victorian Era; women were treated as objects not people. They were property of men, not individuals. In this poem, the speaker, Porphyria’s lover, murders Porphyria and does not only think it was okay to do so, but he also thinks what he has done is noble. In the lines shown above, the speaker begins to realize that Porphyria loves him. Not only does she love him, but she “worships” him. This further pushes the idea that, because he is a man and she a women, he is so superior to her that he is a god. It is not actually her love that he wants, it is the power that he gets from earning her love and making her his subject. His heart does not swell because of the joy in discovering that she loves him; it swells because of this sense of pride he now feels. In the next line, he debates what to do to preserve her “love” forever. In line 36, the speaker comments on how, in that moment, Porphyria was pure and innocent, as Victorian women should be, and suddenly thinks of how to keep her that way. The speaker wants to hold on to the image of her like this forever; so he decides to kill her. The narrator then strangles Porphyria. When describing the act of strangling her, the narrator describes her throat as “little.” Here he is once again showing his dominance over her. However, the most important thing is that he uses her hair, of all things, to strangle her. At the time, hair was a

“Porphyria’s Lover” opens with a scene of a warm cozy cottage during a raging storm. Amidst the storm, a young, yellowed haired woman named Porphyia comes calling on the speaker. The poem starts with the simplicity and purity of a young lover and a cozy cottage in the countryside. The poems tone abruptly changes as Porphyria

When his lover takes off her hat she let “her damp hair fall” creating a sense of disorder in their relationship.

"Porphyria's Lover" is one Browning's first dramatic monologues, published 1836 in a magazine using the title “Porphyria”. This form of his dramatic monologues is a first person narrator who presents an exceedingly subjective perspective on a story, with Browning's message isn’t seen in the text but through the ironic disconnect of what the speaker rationalizes and what is apparent to the audience.

Porphyria's Lover also demonstrates several of Robert Browning's defining characteristics as a poet. It contains his criticism towards the beliefs and practices of self-restraint and his traditional use of dramatic monologue to expose a single character's personality, which in turn often provides an additional depth to his works in coordination with his use of unpoetic language. Also taking into account the author's own personal experiences with his wife, the poem can also be perceived as a representation of the development of their relationship. Browning's criticism of the idea of self-restraint is evident throughout the poem "Porphyria's Lover" as it was shown in the internal debates both characters underwent as they decided whether or not they should consummate the love between them.

At the age of twelve Browning sent a collection of poems off to a magazine editor, which were rejected. Once rejected Browning decided to start a career as a poet, writing poetry that is still read today. One of Browning poems “My Last Duchess” starts off by introducing that the Duke is talking to an ambassador from another nobleman while staring at a picture of his deceased wife. The Duke goes on to say how he wants to arrange another marriage. While reading this poem, the reader may start to understand that this marriage was not a happy one. Browning goes on to say some of the things that made the Duchess happy in her life, “The dropping of daylight in the West,/The bough of cherries some officious fool/Broke in the orchard for her, the white mule.” A metaphor the narrator uses to describe the Dukes problem on wanting to control everyone is a sculpture of Neptune taming a sea horse. In the end, the reader starts to understand that the Duke killed his wife because he could not contain

Carol Ann Duffy’s ‘Medusa’ and Robert Browning’s ‘My Last Duchess’ are two entirely different poems in many respects. Written in entirely different eras, some would say that they are as opposite as poetry could be. However, their central characters have some remarkable similarities that strike a chord with the reader and represent a common theme.

The two Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written to convey to the reader how women were treated in that era; as possession, as assets. Both of these poems can be read from different points of view and they also both are what is

Both of these works contain the unique ability, as portrayed by Browning, to create a deep fictional psyche that displays the strange relationship between man and woman. This relationship is displayed as one full of pain, jealousy, rejection and happiness, the majority of these emotion are contained in love and marriage. From this the reader can infer the nature of love being the conquering of class distinction and marriage involves sexist male inhibitions. Insecurities are seen in both poems and are evident in the perspective voices of the male protagonists, who are seen as incapable to handle their aggressive and possessive natures when it comes to love and marriage. Browning seems to be demonstrating the side of relationships avoided previously by Romantics and in doing so shows the negative implication on seemingly unruly

A Comparison of the Dramatic Monologues of Porphyria's Lover and My Last Duchess by Robert Browning