Portia in Shakespeare's The Merchant of Venice and Abigail of Marlowe's the Jew of Malta

The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love

Abigail Williams is a very spiteful and bitter woman, but she has the biggest influence on the play with all the lies she tells about people being witches which are believed and cost some people their lives. Abigail is one of the most misunderstood characters because she is so good at lying that it almost seems like she is telling the truth.

Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine

Arthur Miller’s The Crucible presents Elizabeth Proctor and Abigail Williams who serve important roles through their unique characteristics and thinking. John Proctor’s wife, Elizabeth, has two defining characteristics that show throughout this play: she not only lives to please everyone around her and behaves passively, but she lacks the assertiveness to confront what lies directly under her nose. However, Abigail, the girl John Proctor commits the crime of adultery with, manipulates those around her. She is keen to act upon an opportunity when one arises and feels a determination to get her way. While Elizabeth and Abigail are similar in their love for John Proctor, Elizabeth differs from Abigail through her tendency to try to please everyone and keep her own emotions bottled up, while Abigail believes the world revolves around her and works to make things go her own way.

To begin, Abigail’s background story must be explained for anybody to truly understand her character. Abigail is an orphan who witnessed her parents’ brutal murder as a young child and was taken in by her uncle Reverend Parris (148). Abigail has grown up without a proper mother and father figure to guide her through the trials of life. When Abigail is first introduced into the scene, the narrator uses an intriguing choice of words to describe her. Some literary analysts may argue that Abigail’s childhood living situation is the reason that she behaves the way she does; however this is not the case. Abigail has a tendency to victimize herself to gain and receive attention whenever she pleases. Throughout acts I and II, Abigail has made herself the victim in a multitude of different ways. For example, Reverend Parris accuses Abigail of having a blemished reputation around the town of Salem. She denies this statement; however, when Parris calls her bluff, she blames the

During the reign of Queen Elizabeth, the stage was used as a way to break the barriers of gender norms. In his creation of Hamlet, Shakespeare uses the voice of Ophelia as a means to battle the gender norms that had been placed on Elizabethan society. A good women was seen as someone that was quiet and submissive. If a man could not control a woman’s tongue, there would be no chance that the man would be able to control her body. Though Ophelia’s character was more than capable of exhibiting reason, the control that her father, Polonius, held over her let Ophelia to the the madness that would claim her life by the end of the play. On the other side of the gender spectrum, Hamlet, a prince that should be have been more than capable of

Argumentatively, Abigail is an adulterer looking for retribution against her lover’s wife, but underneath that her actions are narcissistic. The abundant need for self-preservation becomes obvious when presented with evidence from the beginning of the play. Abigail depicts these characteristics when asked about Elizabeth Proctor’s departure from church services and Abigail’s own displacement from Elizabeth’s home, “She hates me, uncle, she must, for I would not be her slave. It’s a bitter woman, a lying, cold, sniveling woman, and I will not work for such a woman!” (Miller 12). She refuses to acknowledge that her own actions are wrongful and places blame on others, “My name is good in the

During this essay I will introduce the main points involved in answering the proposed question. I will explore the certain aspects of Abigail’s personality and how it is an important role in portraying her reasons for her actions. I will also analyse the ways in which Abigail’s personality changes through the progression of the play. I will sum up which points have a bigger effect on her intentions and motivations and the effect she has on the characters of the play. I will support my reasons with quotations to justify its relevance.

Draped in flowing teal cloth, Portia is a visual anomaly in comparison to the rest of the cast, who standardly is dressed in a strict uniform of white collared shirts, black kilts, and red sashes to accent. The stark contrast of just colour itself ostracizes Portia from the rest of the characters; a notable costuming choice, as she represents an entirely different dimension to the life of Brutus. In Julius Caesar. By William Shakespeare. Dir. Ron Jenkins. Shakespeare Company, Ground Zero Theatre, and Hit and Myth Productions, at Vertigo Theatre, Calgary. 06 October 2017. Performance, designer Victoria Krawchuk creates an archetype of Portia’s role in the show through costuming. Portia’s more traditional Roman look, an elegant dress and bare feet, resonate the image of a mythological goddess; symbols of both femininity and strength. Encompassing these characteristics perfectly, Portia acknowledges them herself in 2.1, 292-302, (Shakespeare, William. “Julius Caesar.” The Norton Shakespeare: Essential Plays, The Sonnets, edited by Stephen Greenblatt, Norton, 2016, pp. 1115-1180,) in which she states,

Abigail is one of the main characters in the book, The Crucible. She is an evil character who is rather selfish and is inconsiderate of other people. And because of her personality, she has conflicts with many characters in the book. Best example, she has conflicts with John and Elizabeth Proctor. She is a wicked child who would do anything to get what she wants and knows how to manipulate people and the situation to get to where she wants to be. Her conflicts began with a little desire to take John Proctor away from his wife, Elizabeth Proctor, and own him to herself and only herself.

The feminist critical perspective examines the roles that women play in literary works and their true significance to the text. Their roles are usually decided on by the society or time period in which the story is set. In "The Merchant of Venice," females were suppressed by the societal ideals of Shakespeare's Elizabethan era, which is portrayed through the characters of Portia and Jessica, who could not establish their own powerful identities because they were women. Portia and Jessica are the main female characters in the play. If they had been given a chance to show their skills, they undoubtedly would've been extremely strong women. However, they had to mask their abilities in order to appeal to their male counterparts. Their

Pay him six thousand, and deface the bond (3.2.298) This section is an instance were the word bond as the agreement between Shylock is confronted by another strong character in this play. Portia playing a strong masculine role for her house hold and new husband Bassanio. She shows her power and authority by wanting to deface the bond and pay more than the original sum, to free Antonio and help out Bassanio. This shows that even though the agreement between Antonio and

     For thousands of years, humanity has been ruled mainly by a Patriarchal society. In this society women have often been seen as objects or inferior humans through the eyes of their male counterparts. The Elizabethan era was no exception to these beliefs, and works of literature often supported these misogynistic views. In Shakespeare's Julius Caesar, however, the author appears to portray the characters of Portia and Calphurnia in a positive light, ignoring the common stereotypes often associated with female characters. Although Portia and Calphurnia have minor parts in the play, their strength is discernible. Both female characters are portrayed as

Portia is a bachelorette in Belmont, the heiress to her dead father’s fortune, which attracts men from all over the world. ‘In Belmont is a lady richly left; And she is fair, and fairer than that word...For the four winds blow in from every coast renowned suitors’ ( I, i, 161 – 169). Portia loves her recently deceased father and this is shown when she decides to carry on with the casket challenge for her suitors that her father started. The men that arrive, wanting Portia’s hand in marriage are all drunk and boisterous and she isn’t particularly attracted to them but she is obliged to, because of her father’s wishes. The way Portia acts towards her father shows how much she loved him, unlike Jessica’s attitude towards her father.

Portia is the heroine of The Merchant of the Venice. The first mention of Portia was through Bassanio talking to Antigo: “In Belmont is a lady richly left, and she is fair and-fairer of words” (Act 1, scene 1). Even the opinions of other people around her showed that she is indeed a kind-hearted person. Another instant is when Bassanio mentioned Antigo debt, Portia shows deep concerns even through it wasn’t her fault. “before a friend of this description shall lose a hair through Bassanio fault” (). She wants to be helpful to the people she loves therefore thinking of an answer to this horror situation. This not only shows the characterizes of sharp witted, but also the nurturing heart she processes.