Portia's Power in Shakespeare's The Merchant of Venice Essay

When we learn in the novel how intelligent Portia is we know that her father had given her an education while she was younger, but still he made a test to choose the best suiter for Portis to marry, he didn’t allow her to make her own choices, even if she is very smart (Shakespeare, 2004). Portia is also the one who won the case of Antonio in court by outsmarting all the male characters, even though women were not allowed in the court. Portia is also the one who delivered one of the most famous speeches in The Merchant of Venice: “The quality of mercy is not strain’d. It droppeth as the gentle rain from heaven. Upon the place beneath. It is twice blest: It Blesseth him that gives and him that takes” (Shakespeare,

The only work that they could do was moneylender or something to similar. It is shown the idea of Shakespeare; he is a democrat, which means he is democratic in a traditional liberal sense of the world. In another way, he is all main equal and many of his plays show the women as the heroine and they are smarter than men, or just smart. In fact, with her idea, she solves the problem; she creates solutions in a way that is not normal exhibited from the society. However, it is possible to notice in this play that Portia has to disguise like a man, so it is notable the role of the women in this period. Shakespeare moved forward, he made a huge impact. He promoted a very democratic idea of the polis of sexist. A woman save the day of the Merchant, she was

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

In fact, we expect men to be bloody and violent in the play, and their "bloody deeds are sanctioned because they are directed at enemies" (Marilyn L. Williamson, "Violence and Gender Ideology," Shakespeare Left and Right, ed. Ivo Kamps [New York: Routledge, 1991], p. 194).

In William Shakespeare’s Merchant of Venice, gender roles are explored, culminating in two distinct scenes of cross-dressing. The men of Elizabethan society enjoy a prominent status based solely on gender, to which women are clearly outsiders. This is particularly evident in Jessica’s newfound freedom when dressed as a pageboy in Act 2 and Portia’s and Nerissa’s immediate elevation in social standing when they take on male personas in Act 4. Through these two instances of cross-dressing, Shakespeare presents class not in terms of socioeconomic status but in the benefits of being male. Although the three women all partake in cross-dressing as a means of undermining patriarchal constraint, the consequences vary as there are several

The feminist critical perspective examines the roles that women play in literary works and their true significance to the text. Their roles are usually decided on by the society or time period in which the story is set. In "The Merchant of Venice," females were suppressed by the societal ideals of Shakespeare's Elizabethan era, which is portrayed through the characters of Portia and Jessica, who could not establish their own powerful identities because they were women. Portia and Jessica are the main female characters in the play. If they had been given a chance to show their skills, they undoubtedly would've been extremely strong women. However, they had to mask their abilities in order to appeal to their male counterparts. Their

Being a possession is not being able to have a say, being treated however the owner desires, and not being able to stand up for yourself. A women being a possession was a very common thing in the time period of Julius Caesar. In this time period the men didn’t marry the women for love, they married for political power or for other reasons. Portia and Brutus have a special relationship, they truly love each other. One way that Brutus shows that he loves Portia as an equal is when he calls her noble and says he isn’t worthy of her.

Shakespeare’s The Merchant of Venice is so alike to our financially afflicted world. The rules of law and commerce are subject to deceptive manipulation, fear of "the other" overwhelms respect for a common humanity, duplicity is the norm, sexuality is a vehicle for ambition, and money drives and wraps almost every action. It is a classic tale that includes important details of the financial crisis in the United States during 2007-2009. Shakespeare’s Venice, like the New York of his time - and the financial capitals of ours - is a city based on borrowing, on market speculation and greed masquerading as wealth and sophistication. Behind the curtains of the practice of lending and borrowing money in Shakespeare’s play lay the transition to capitalism: the rise of banking system; the scarcity for credit in developing industrial enterprises; and the growing dispute of default facing both aristocratic landlords and, above all, small, independent early entrepreneurs on trading ventures. Even though almost 600 years apart from each other, both Shakespeare’s tale and the financial crisis in the United States during 2007-2009 have a similar financial dilemma, each has its unique Shylock, Bassanio and Antonio- people who were responsible for causing the meltdown of their days.

Interestedly, instead of Shakespeare using the word bond as a way to tie Portia and Bassanio and their undying love and promises. We find Bassanio discovering out about Antonio’s situation in a letter telling Bassanio about his lost ships and Shylocks intentions of taking his pound of flesh. The news incites a since of guilt from Bassanio which prods Portia to offer and pay twenty times the original sum. After reading the letter aloud to Portia she suggests Bassanio go to his friends aid and go back to Venice by his side. (3.2.314)

The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.

In William Shakespeare’s The Merchant of Venice, there is a motif of women being equated with gold, money, and jewelry. Portia resides in a trapped patriarchal society where her life revolves around the men who play her like a puppet. Ironically, men from both the living and the dead control her. From the beginning, Portia is bounded by the lottery set forth in her dead father’s will which gives potential suitors a chance to choose between three caskets: gold, silver, and lead. This act by her father is an objectification of Portia. Portia is made out to be a prize waiting to be correctly chosen. Her suitor, Bassanio, who chooses the right casket is a materialistic men. Bassanio objectifies Portia starting from the moment he first mentions her to Antonio. He talks about Portia’s wealth status before saying her name. To Bassanio, Portia is like a golden goose; she is the money source provider. He compliments Portia on her physical beauty, her fair skin, and her golden locks. However, not only does Bassanio objectify Portia but Portia seems to objectify herself as well. Portia tells Bassanio that she is in one of the caskets he will choose. It seems that rather than Portia actually objectifying her own self, she has a mindset that she is an object because of the patriarchal society she lives in. However, right before Bassanio chooses, Portia slightly hints at Bassanio the correct casket by singing a song; she cheats. This notion of cheating can be seen as the very first step

Shakespeare challenges the assumption that men hold more power than women do. He subtly hints that the power men posses is superficial when Jessica dresses like a boy, and later when Nerissa and Portia disguise themselves as men in The Merchant of Venice. Masculinity is merely a costume that can be donned or doffed at will; therefore its associated power can be removed and redistributed as well.

Even though some might consider The Merchant of Venice a tragedy, it has always been known to be categorized as a comedy. Comedies are not always plays that generate laughter. They usually involve normal, everyday problems where families are looking for resolution to the problems, often almost suffering a tragedy before they are successful. The comedies always have a happy ending and usually end with couples resolving their issues and falling madly in love, and then getting married to live happily-ever-after (Schnell). The love story of Bassanio and Portia plays an important role in The Merchant of Venice. There are struggles they must overcome to come together. Bassiano’s lack of funds was the first obstacle to overcome in this love story. He had met Portia on an earlier journey to her land and wanted to return to seek her hand in marriage. His dear friend, Antonio, made a bond with Shylock the Jew to secure the funds for Bassanio to travel to Portia’s homeland. If Antonio forfeited the bond, he would owe the Jew a pound of his flesh in payment. It never entered Bassanio’s mind, or Antonio’s either, that the bond would have to be paid in this

With Shakespeare being born in the sixteenth century, there were still three centuries to go before women started the feminist’s movement. However, with his storyline in both The Merchant of the Venice and Twelfth night, the females leads disguised themselves as males to accomplish what needs to be done. Both plays, shows the heroine choices which challenges the characters they interact with. These endearing characters shows similar and different traits. The focus of these plays was based on Portia’s and Viola’s ambition which showed Shakespeare’s respect for women.

Portia: Portia, being one of the main characters and the romantic heroine of the play, must be presented to the audience as a graceful, beautiful and intelligent person. We all know she’s beautiful, that needs no convincing. Portia is usually a fairly self-controlled person who likes to keep problems between her and her trustworthy lady-in-waiting, Nerissa. However there are certain times when she lets slip that she is an anxious person for example when Bassanio arrives at her mansion and is about to choose a casket. She has fallen in love with him and is having great difficulty in trying to conceal that fact. Her anxiety and confusion is what makes her lose her composure. Portia’s other appealing characteristic- probably one of the most apparent- is her graciousness, her amazing way of handling a situation with tact and