Portrait of Marten Looten Essay examples

1903 Words Mar 24th, 2013 8 Pages
Christian Gutierrez
Dr. Wendy Slatkin
ART 213
19 November 2012
The Portrait of Marten Looten
There have been many great artists throughout the history of mankind. World famous and household names such as Leonardo da Vinci, Michelangelo, and Picasso may be the first to come to mind. However there is one artist who perhaps surpasses the aforementioned names in terms of technical skill; a man who is incredibly proficient in the fields of painting and especially etching; a man who’s work symbolizes an entire period of art spanning the majority of the 17th century: Remrandt van Rijn. He has produced quite a large amount of paintings, many of them portraits, but one is of particular interest. The Portrait of Marten Looten is an
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Even though the amount colors used in the portrait are very minimal, they are believable and make the piece comfortably appealing to the eyes.
Perhaps the most technically impressive aspect of the painting is its remarkable three-dimensionality. Rembrandt is well known for his strikingly accurate portrayal of human shape and form, and this painting lives up to such reputation. With the use of oil paint, he was able to carefully and selectively layer color to create an astonishing representation of the human figure. The most alluring aspect of the piece, in terms of modeling technique, is the face. It contains so much detail; it is hard to believe this painting was done by hand. From the light, wispy texture of the facial hair to the subtle wrinkles surrounding the eyes, attention to detail is what sets this portrait far above many others. Rembrandt’s playful chiaroscuro on the nose and right hand truly give the piece a sense of depth, and the painterly quality of the piece produces a soft and elegant look. Also present within the face is the famous Rembrandt triangle. The result of a specific lighting technique frequently used by Rembrandt, a small triangle is formed underneath the eyes. It is present under the left eye in Marten’s portrait, which gives his face a more natural look. Another technique that intensifies the three-dimensionality of the visible body parts is the use of

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