Portrayal Of Women In Beowulf's Queen Wealhtheow

A further example of Wealctheow being treated as a sexual object is right before Beowulf fights Grendel. If Beowulf kills Grendel, then Hrothgar will reward him with prizes. Hrothgar says to Beowulf, “If you destroy my Grendel for me, she’ll be yours forever and ever and ever.” The king is going to reward the hero with his precious horn and his precious queen. Wealctheow is clearly treated as an item in this situation. Later when Hrothgar commits suicide, the queen is passed on to Beowulf. She goes from king to king like an object. Wealctheow would be nothing without a king. As she gets passed along, the queen becomes a pawn and becomes more and more detached. Her resistance dies down as she is passed from king to king. When Beowulf is king, she acts very gloomy the younger woman tells Weachtheow, “What happened to us? Too many secrets.” Also, Weachtheor’s expression and tone of voice is very disconnected. Her resistance to Hrothgar ends up being useless because she still doesn’t gain equality at the end of the movie. The queen looses power because she isolates herself from the king and society.

Within the patriarchal society of early western cultures, women were often forced to submit to their male counterparts in all matters. Despite this, women were not completely powerless in society and often had many clever and subversive means of fulfilling their wishes. Though not as prominent or outwardly recognizable as a man’s display of power, women in early western culture were certainly able to persuade men to do their bidding. By looking at three period texts, examples of this manipulation can be seen. Within “The Wife of Bath’s Prologue and Tale,” Lanval, and Beowulf there is evidence of women’s roles in society as well as their methods of harnessing power.

As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain

Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.

Within the pages of the well-known epic poem are many extraordinary and warring narratives of the Middle Ages. Beowulf is important because it is one of the most ancient European epics written in the vernacular, or native tongue. The seemingly super natural heroes of this exciting and famous writing have a great impact on the typical roles of their women. As declared through out the many lines of the astonishing poem, the women have many purposes and serve a variety of roles. Wealhtheow, Hygd, Hildeburh, Freawaru, and Grendel’s Mother give examples of the historical roles that are expected of the women of this ancient time. The women in “Beowulf” have the significant roles of hostess, peaceweaver, and mother.

The Anglo-Saxon wife was in charge of the store-rooms of the house; offering the cup may have symbolized the generosity of the royal couple (Page 72). Wealhtheow and Hrothgar's daughter, Freawaru, also shares in the cup-bearing, perhaps as a sign that she is of age to take on the duties of managing the household (she is already engaged to be married to the king of the Heathobards). While presenting Beowulf with the gifts, Wealhtheow takes the opportunity to ask Beowulf to be a "kind counselor" and "kind friend" to her sons. She also speaks to Hrothgar, telling him that she had heard that he was considering "having this hero [Beowulf] as a son" and to "make use of generous rewards... but leave the people and the kingdom to your kinfolk" (Hieatt 47). In other words, she asks him not to take gratitude too far and name Beowulf heir over their own sons. That she is bold enough to make both requests without hesitation or question shows that she was accustomed to authority and had some power of her own. Another indication of the power wielded by queens is the respect accorded to Hygd. She is beautiful, wise and young. Beowulf gives her the necklace that Wealhtheow had given him as well as three horses. That may have been a gesture meant to win her support within the court.

Wealhtheow exists as the main female protagonist in the poem. She does not enter as a character until she is needed to fulfill her role as the cup-bearer for the first feast at Heorot. She is well-respected within the mead hall and in return respects the men of the hall "adorned in her gold, she graciously saluted / the men in the hall, then handed the cup / first to Hrothgar, their homeland's guardian" (ll. 614-616). However, as Wealhtheow continues her rounds of serving, it becomes apparent that Wealhtheow has more power than that of a common cup-bearer. This is evidenced when she is able to speak to the guests of the mead hall, and receives a respectful response from the guest of honor, Beowulf. In addition to the respect that she is given, it becomes apparent that Wealhtheow is well spoken and perhaps well educated: "With measured words she welcomed the Geat / and thanked God for granting her wish that a deliverer she could believe in would arrive / to ease their afflictions" (ll. 625-628). These descriptions of Wealhtheow's presence within the mead-hall show her obedience to her lord, Hrothgar, as well as the respect she has earned from the people fulfilling her role as gracious

Beowulf is an epic poem that connotes the contents of the world including history, terrorism, different cultures, and gender roles through the life events of the character Beowulf. Among the contents, gender roles played a significant role throughout the story of Beowulf. In the story, the conceptions of the male and female roles are emphasized through the diverse characters, which give a glimpse the similarity and dissimilarity of the gender roles in modern-day society. During the post-war era, the women's characteristics and attitudes of the roles in society were circumscribed and unnoticeable, but the men's roles compare to the women's roles were desirable and prosperous. However, gender roles in the modern-day society, the new generations, distinctly altered the roles compared to the post-war era just as Beowulf, who represents older generations, passed as Wiglaf, who represents newer generations, approached. While the gender roles in Beowulf's era were restricted and definite, the gender roles in modern-day society are unconstrained and diverse compared to Beowulf's age that can be proved by historical and global evidence.

As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the

Kailey Martinez Period 4 09/15/17 Woman in Beowulf The typical role of woman has been going on forever no matter where they’re from but one that stands out a little in the roles of Anglo-Saxon woman. The Anglo-Saxon woman played the role that matched with the status they had in their community (Roles of Anglo-Saxon Woman citation 2). Usually in every culture the woman had the basic role so it's interesting how the Anglo-Saxon woman have their own names for a specific role they play in society.

Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; yet they use different tools to define the roles of men and women within a good community. Or, in other words, both stories paint a vivid picture of the role of women, by suggesting that one gender had more power over the other. However, these two narratives vary in their expression of such views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when relaying the experience of a woman that is highly different from that of other women of her time. Furthermore, another difference that is apparent to the reader is that men become the heroes in Beowulf, while “the wife” becomes

Beowulf is known for displaying the importance of male heroism via Beowulf, but what about the significance of the women in the poem? The significance of women in Beowulf is overshadowed by the great heroism of the character Beowulf, but the women each have a reason for participating in the epic. The ideal woman was someone who was a noble, a mistress and loyal. An ideal woman is described in Maxim I: “at mead drinking she must at all times and places approach the protector of princes first, in front of the companions, quickly pass the first cup to her lord’s hand”. The significance of women in Beuwolf is a minor detail in the epic, but proves to be vital to Beuwolf. The epic of "Beowulf" illustrates three major roles for the women in the society: the hostess, the peacemaker, and the monster. Five women in Beowulf play the major roles throughout the epic: Wealhtheow, Freawaru, Thyrth, Grendel's Mother, and Hildeburh. These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly.

Another female character in the poem is Wealhtheow, and without a doubt we notice that she is a female who is respected and admired, being the wife of King Hrothgar, Queen of the Danes: “Applause filled the hall./Then Wealhtheow pronounce in the presence of the company” (1214-1215). There is a great contrast between Grendel’s mother and Wealhtheow.

The concept of sharing wealth and treasures is widely demonstrated throughout the poem. In Germanic culture kings as well as warriors are expected to share their wealth with their tribe. For example, the poem mentions that king Hrothgar builds a great mead-hall where he would distribute his

The most prominent role of women throughout the poem is devoted wives and queens, which is reflected in the portrayal of Queen Wealtheow. When she is first introduced, Wealtheow “went on her rounds, queenly and dignified, decked out in rings, offering the goblet to all ranks, treating the household and the assembled troop” and then “with measured words she welcomed the Geat and thanked God for granting her wish that a deliverer she could believe in would arrive to ease their afflictions” (lines 620–28). The anonymous poet paints a picture of Wealtheow as gracious, regal, and put together, everything that an ideal queen should be. Not only is she physically perfect, but she is also an ideal hostess – one who tends to everyone, welcomes guests warmly, and ensures that everything is running smoothly for her husband. Later in the poem, Wealtheow gives a toast, “enjoy this drink, my most generous lord; raise up your goblet, entertain the Geats duly and gently, discourse with them, be open-handed, happy and fond” (lines 1168–71). Similar to this one, Wealtheow often gives speeches or toasts throughout the poem, something that, though not entirely masculine, is usually reserved for kings to give to his