Portrayal Of Women In Miss Representation

Renowned feminist film theorist, Laura Mulvey, explores how classic Hollywood cinema is shown through a masculine perspective that fetishisizes women as objects of desire. This perspective is also known as the “male gaze”, which creates a voyeuristic and scopophilic layer to the viewing of film. According to Mulvey, “in their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” One of the staples of classic Hollywood cinema is women consistently being put or made into a visually erotic role for both the male characters on screen, and the audience. This staple is of course found in the

“Miss Representation” is a documentary film that is made by Jennifer Seibel Newsom. This film talks about many issues from the roles of females in politics, and the ways in which media negatively impacts women. The film examines how the media have contributed to the underrepresentation of women. Therefore, eventually, the film is persuading people to be open-minded, and study how media affects our perception, judgment, and behaviors. The targeted audience of this film is all people who live in America. People should be convinced to change their mind about stereotypes on women. Jennier effectively convinces the audience that the mainstream media has mainly contributed to the under-representation of women through the use of statements claimed

In Miss Representation, many female actresses, news anchors, politicians, directors and producers talk about how females suffer a lot of social, political and economic inequalities in today’s society. There are double standards against women in magazines, on TV, in movies, the news, politics, and the workplace. The media is an influential part of modern culture. When women are portrayed as objects for men to use -- never as the protagonist or president -- and when female news anchors are objectified, this will cause girls of all ages to begin viewing themselves as objects. Girls grow up in a world where their voice does not count; where our culture does not embrace them in all of their diversities, where

African Americans have been represented in the media with harmful stereotypes which were founded in the slavery era (Cartier, 2014)(Carpenter, 2012). This negative representation invites bias from those who accept the images, the distortion of which is accentuated by both sexism and racism. Black women are the least represented group in cinema, making it easier to rely on stereotypes which encourage societal bias. From these stereotypes, like the Jezebel and Sapphire, stem the “real world” stereotypes of the welfare queen and the crack mother (Carpenter, 2012), showing that media portrayals have shaped public perception regarding black women. While certain genres have seen a rise in portrayals of diversity, overall Hollywood as an industry remains unchanged, inaccurately representing minorities (Smith et al., 2016).

Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.

American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women

The title Miss Representation is very significant in a multitude of ways. Not only does it

Miss Representation: Essay A stereotypical representation of how women are over sexualised in the American media is presented in the documentary of Miss Representation. We see stereotypes of women being viewed as bitchy, catty and only useful in media texts as sexualised objects. The American mass media bombard the market with sexual imagery of women by cramming the media with unrealistic manipulated images of women whom sadly appeal to the youth of not only the American population, but also all other countries that consume that media. This affects most of the American population, especially girls, by subconsciously pressuring them into thinking that these manipulated images are ideal and if you don’t look like how society wants you to look,

The documentary “Miss Representation” deals with and discusses the sexualization of women within the media. It showcases everyone from movie stars to political leaders, and broadcasters to fifth graders. With such a wide range of women being showcased in the documentary, it goes on to prove that all women (and men), are affected in some way by this major problem within our media. The documentary showcases the sexualization of women in the media, the lack of powerful and independent women role models in the media, and the constant advertisements of sexual women throughout the world.

Julia Wood argues that media potraits a woman poorly. She states, “All forms of media communicate images of the sexes, many of which perpetuate unrealistic, stereotypical, and limiting perceptions. Three themes describe how media represent gender. First, women are underrepresented, which falsely implies that men are the cultural standard and women are unimportant or invisible. Second, men and women are portrayed in stereotypical ways that reflect and sustain socially endorsed views of gender.

Even in today's growing world of feminism, young girls, as well as grown women, are being taught by the media to organize their lives around men. Their needs, expectations, work schedules, ideas, and interests become second to the men in their lives. All too often the media associates power and status to men, only to strengthen the barriers between the male and female genders. Take for example Hollywood, where "women get only about a third of all movie and TV roles, and last year earned less than male actors in all age categories..."(Eby, 1). And even though gender should not be used as the determining factor of what one can and cannot do, Hollywood, as well as everywhere else, has proven that the old habits of gender discrimination die

Since the 1940’s, movies have predominately portrayed women as sex symbols. Beginning in the 1940’s and continuing though the 1980’s, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990’s, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90’s are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women’s roles in movies from the 1940’s though the 1990’s.

Feminism and popular culture have always interacted, each influencing and responding to the other. Over time, popular culture has portrayed various ideas that feminists have reacted to in protest, including ideas about standards for men and women’s lives. These representations can have an impact on society, as because of their mass distribution, they have the capability to show characters living in either realistic or fantasy situations. However, even in fictional settings, the context surrounding the production of a film or television show is necessary to consider while watching. The views on feminism and the ideas that the movement was currently emphasizing can be seen in popular culture’s productions. For many years, women have been protesting the

A challenge that faces both Canadian cinema and women’s cinema is the idea of the male gaze. The film industry is a phallocentric institution that since its inception has always faced the problem of objectifying women.

Filmmakers use traditional gender stereotypes to produce characters audiences can easily identify with by portraying conventional images of a person with identifiable characteristics. In previous years, the dominant representation of a women in film has been the passive, subjugated protagonist. However, through the development of female empowerment and added feminist representations of film, the female heroine transformed to become strong and independent women in her own right, as an individual character.