Positive And Negative Effects Of The Great Depression

During this period, musicals (which were labeled “musical comedies” at the time) were in the form of acceptable of guilty pleasures - the appeal of women and their sexuality, silly characters that made fools of themselves, or the goofy country girl dancing through the chores of the day. Ziegfeld’s Follies, Marx brother shows, and Al Jolson playing his character in blackface are great examples of these shows that focused on showing off the stars and gave little care to the

By 1900, there were currently thirty-three legitimate Broadway theatres, and many more would be built over the next couple of decades to meet the demand of the growing audiences. The productions included those of drama, comedy and musicals, but legitimate theatre was not the only theatrical entertainment of this time. During this time a large group of entertainers travels from one small theater to the next, entertaining thousands with their simple song and dance, mini-comical skits, and different acts of entertainment. These people were known as Vaudevillians and their theatre circuit was known as Vaudeville.

This is a must watch Broadway show that makes your fine, terrible, or even boring day, an absolute blast. The Play That Goes Wrong has finally made its way to America and right at the heart of New York City near Times Square at the Lyceum Theatre. Therefore, the experience is a win-win situation for the audience. The Lyceum Theatre’s architecture is astonishing as it is filled with ornaments, I also realized the letter ‘L’ around the theater, but the most interesting fact is that it is a landmark. It has a proscenium stage while the audience is in the orchestra, balcony, or the mezzanine seats, like where I sat, and there is barely any space if you are a tall person. My seat was near the far end of mezzanine, I couldn’t see a part of the left side of the stage, so I found myself bending sideways to see what was going on, but I saw nothing. I found the side stage lights and a side balcony blocking my view and yet I had a great time.

Broadway was one of the first forms of entertainment. Before there were television programs, or movies, there was Broadway. Broadway originated in New York in 1750, when actor-manager Walter Murray built a theatre company at the Theatre on Nassau Street. A musical would show about once every weekend. The shows were very male based, and would commonly show a relationship between young boys and their fathers. Women were slowly integrated into Broadway, and as society changed its point of view on women, so did theatre.

During The Great Depression, the New Deal Instituted many programs where some had many accomplishments some many failures and some had both accomplishments and failures. The programs that had the greatest impact of the Great Depression were the creation of the securities and exchange commission, The works Progress Administration, the Fireside Chats, and the Wagner Act. The programs that had some accomplishments and failures were the civilian conservation corps, the Tennessee Valley Authority and the institution of the Social Security. Lastly, the program that had nothing but failures was the Court Packing Plan.

Nevertheless, during the 1860’s and before, “variety” shows were strictly for-men-only and were performed in boats, concert saloons (also known as honky-tonks and dive bars), tents, churches, and just about anywhere a troupe could set up a stage and proscenium (Gilbert 10-15). The Second Great Awakening, a time in America when fundamentalism was being played out on a political scale that would shape America’s future, made its mark on theatre (D. 46). An early theatre owner, actor, and promoter Tony Pastor is considered to have transitioned variety shows in the 1860’s from what were considered to be “dirty” shows to “clean” ones. Moreover, this also brought in both male and female patrons which essentially doubled the income (Stein 3). Whether

Although vaudeville seemed to be a long standing staple in our society, like all good things, it must come to an end. the decline and death of vaudeville appears certain, clear and inevitable. From the performers point of view, there was no perspective other than the "here and now" of their lives. Each day seemed to differ little from the previous, and speculation about the future was, as ever, informed by hear say and past experience. As an array of specialty acts, vaudeville was an enterprise without name that, over many years, could be found in the marketplaces of Asia and Europe. It eventually spread around the world to the farthest corners of Australia and Africa. Performers worked when and where they could, quite often in undesired locations. A certain cliché attached to performing in bed and breakfast's, saloons and public houses after their owners added stages and audience pits set apart from the tavern. It soon became quite taxing for performers to not only live the same shows everyday, but to move on and find other work after they were no longer needed in vaudeville shows. Still, this was not the only reason for the demise of vaudeville, although it played a large part. The largest contributing factor was the invention of the motion picture in the 1930's. There was no longer a need for people to be entertained by a comical, musical, circus style side show. Now they found a more intimate and fascinating way of enjoying a performance. The first

“In the early days of the musical, what mattered most were the songs, and it was essential that they were catchy enough to amuse the audience or provide material for dancers or comedians. But, beginning in the 1930s, the situation, the book or libretto, of the musical started to achieve primary importance. A story or narrative became more frequently the spine of the musical; the songs followed the plot and the characters, rather than the other way around.”

Lawrence Levine’s Highbrow, Lowbrow: The Emergence of Cultural Hierarchy in America and M. Alison Kibler’s Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville explore and question how various forms of art became stratified and a hierarchy developed between the art and the audience. The specific chapters assigned from these texts confront various forms of art and entertainment presented to audiences during the nineteenth century in American variety, or Vaudeville, theaters and traveling theatrical troupes. What they both discuss is a period of time when people from all classes, though not always different races or ethnicities, attended the same theater and watched performances that contained Shakespeare, classical and opera music.

The Great Depression was an incredibly dull time in the historical backdrop of the United States, impacting all the financial assets of the American lifestyle. The Great Depression shattered the financial status of the United States. President Roosevelt has been known for sparing the U.S out of the financial turmoil it found itself in from the Great Depression. The causative components of the Great Depression are still up for debate by many students of history and economics. For some individuals, the period’s decline is credited to the stock market crash of 1929. The Great Depression started in 1929 and went on until 1939. This monetary collapse influenced Western industrialized economies but its effects ranged across different countries. The Great Depression started in the United States, which unfortunately encountered the worst repercussions. Conversely, many contend that the Depression began about 10 years prior in Europe however the United States foreseen that it was insusceptible to such a recession. Thus, the American government around that time did not generate laws to guarantee that the nation did not encounter the same collapse as Europe. The most important causes of the Great Depression were the stock market crash, bank failures, environmental disasters, and international trade. This paper should examine the possible clarifications of the Great Depression and its impact.

During the Great depression, the America government provided funding that supported art forms such as painting, music, theatre and architecture. This New Deal federal funding in conjunction with private foundations provided opportunities enabling artistic endeavors. The political upheaval in Europe during the 30’s, then the subsequent war brought many European artists to America which in turn contributed to an interesting mix in avant-garde art. War torn cities of Europe preoccupied by recovery shifted the influence of the Art World from Europe to America. Three artists active from 1930 to 1960 during that drew on influences of the great depression and influenced succeeding generations of photographers and artist. The artists, Dorothea Lange,

The Great Depression was a time of hard long working days , short sleepless nights , days without eating and a lot of traveling and today is much different with the new high tech technology people are creating to the money people receive and much more. Although the Great Depression was terrible time to live through , there is some similarities to today but not as significant from before. There are many elements on society that are different from the early 1930’s and today , 2016. Some prime examples are the houses they have now , which are actually homes and not boxes they used to sleep in , the jobs are completely different in what people are doing to the money they are making and another one is the liveliness the community did for fun to enjoy themselves with their peers. so much has evolved from before from the physical , visual , economical , and emotional standpoint but not all is perfect just a major upgrade from the stock market crash.

The period between the end of the Great War and the start of the World War II was that of peace and despair. The Great War lasted four years and millions were killed or left disabled (The Earth and Its Peoples, page 774). The political tensions between the two sides still hung around and economies went into depression until around 1920. When peace was thought to be around the corner, the tensions proved to be too great and lead to another war.

The late nineteenth century was a time of ‘extraordinary theatrical bounty’, and the initial stages of nonsensical musical comedy. Shows that had loose plots concerning ordinary characters and settings were prevalent. Most of which, would never experience American revival. (Musicals 101- Gay 90’s). The Belle of New York, performed in 1897, was a part of this lighthearted musical comedy period. When people ponder the “Gay 90’s”, The Belle of New York is unquestionably a show that comes to mind (Musicals101- “Gay 90’s”).

The firm detachment between commerce and banking in the financial world had been established by The Glass-Steagall Act, 1933. One of the banks that detained the Act of 1956 tried to concern the same phase of detachment to companies. Undergoing the Huge Depression, the limitations were expected to hold back the clash of interest and extra risk in the amalgamation of banks and security relations. All through the mid-twentieth century, the form modulation and accumulation of insurance that Glass-Steagall created proved to be very productive to decrease the failures of the bank.