Post Impressionism and Art Essay

One of the aspects I believe unifies this painting is, as I talked about above, the continuation of the blue of the woman’s clothing continuing up into her hair, which gives the piece a sense of wholeness and relativity. There is also balance in this piece, for while the woman’s head is offset, this is balanced out by the elongation of her shoulder and arm in the right side of the image. Variety is also achieved in this piece through the use of a variation of hues and a lot of tonal difference. Emphasis is placed upon the hair with the use of an unnatural hair colour, as well as the face where light colours are used to highlight and pull the attention. Space is not so much of an active principle in this piece, but is still present nonetheless. Beryl is placed in the middle of the painting, with her taking up roughly 50% of the space, and the rest taken up by background.

Mr. Bannister also implements elements value in his paintings for the use of transitioning between elements that contain variety. However, Mr. Bannister elevates the element of value in his oil on canvas painting by the way in which he uses value to convey distance in his paintings. In his painting “Landscape (with Hunter)1”, Mr. Bannisters depicts scale by using a contrasting value of “light to dark to light” to show that the mountains in the background are so far out that they do not share the same overcast climate as shown in the foreground.

Paul Cézanne is often called the first modernist painter, and in his essay, “Cézanne and the Unity of Modern Art” Clement Greenberg, identifies Cézanne as the “most abundant generator of ideas and the most enduring in newness”(Greenberg,83). This, coming from one of the most influential art critics of the twentieth century, is not to be taken lightly. Cézanne was extremely influential to the modernist painters of the early twentieth, including Pablo Picasso and George Braque in their development of Cubism (Orfila,3). At the beginning of his career, Cézanne painted in the impressionist style that was common for the avant guard painters of the time, but he was disinterested in capturing the “transitory

In his painting, there is a term to expressing how light varies from its original light. For instance, the background of the painting is adding with brown color, yet using tint and shade effect to the sun sets with distinctive brightness. Brightness is adjusted by horizontal movement, and Breton increases, and decreases his painting’s brightness at the background view. Upper part of the pieces, twilight shines with varying brightness, depending on the darkness of the sky surface. Brightness for the mid-gray tones in the surrounding space, with significantly affecting the highlights and shadows. Overall painting allows depress emotion. Figures is luminous such as the sky and houses, also for the woman, she is apparently describing with a energetic sense of natural, and mournful atmosphere. The light at the back part of the drawing gives viewers to pay attention to the woman rather than the background, since there is bright white T-shirt with dress, and the woman’s face. Breton uses tint and shade effect at the upper part of the painting, and clouding of the back scene maintains a tenderness. Breton uses bright light at the sun sets, and it expressed that it was the dawn and bring message with a bright future will come soon to the woman, and the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

First of all, Michel shows the viewer a lot of curvilinear lines meaning a consisting of, bounded by, or characterized by a curved line, or a along a curved line of a set of coordinates determined by or determining a system of three orthogonal surfaces (definition from the internet). Geometric meaning, a set of points or vertices lines connecting the points in a closed chain, as well as the resulting interior points. Such shapes are called polygons and include triangles, squares, and pentagons (definition from the internet). And irregular shapes meaning polygon that does not have all sides equal and all angles equal. A polygon is "regular" only when all angles are equal and all sides are equal, otherwise it is irregular (definition from the internet). He also adds warm, cool and intensity colors to catch the viewer attention. The person analyzing the painting really has to pay very close attention to Micheles art work. Michele tends to add a lot of small detail to his art work mostly about life; such as the sea representing water, animals like elephants, numbers, moving flags representing air, two humans in the house representing a family, a clock representing time, rims, and boats both

The realm of postmodern art encompasses various aspects of contemporary styles. There is no set format to creating artwork anymore. Art pieces in the past basically conformed to the Kantian-Hegelian theory of art. Thomas McEvilley claim, "It was essentially an aesthetic theory of art, which held Beauty is a universal force that enters the soul with immediate, unquestionable authority at the instant when the soul approaches the beautiful object with openness to it" (qtd. in Weintraub 245). Beauty became an inborn characteristic of art. Pieces of artwork inevitably possessed the quality of beauty, seeking to inspire and touch the soul with powerful, aesthetically pleasing images.

The brush strokes are far more wild than Gericault's. Paint is sometimes sculpted thickly, as on the horseman's leg, and sometimes so thin you can see the hairs of the brush, as on the horse's mane or the horseman's hair blowing in the wind. This is a range of texture much broader than what Gericault uses. The use of color bold color adds drama to the scene as well. Unlike Gericault, Delacroix is not constrained to a palate of earth tones, even depicting the scenery in unnatural colors, like the bold turquoise blue. Rather than toning down his reds, Delacroix emphasizes them by backing them with greenish blues to make them stand out even more. The use of perspective in this scene is also dramatic and bold. It places us far below the horseman and making him completely loom above us. It is hard to orient ourselves completely in the scene because the perspective is not so much realistic as used for dramatic effect. In these ways, Delacroix takes Gericault's tools to establish a mood one step

If you have some free time and have always wanted to visit an art gallery, a start is the Art Sacré exposition. Just do not expect high quality art. Running from October twenty-third to December eight-teenth at Les Salles de Gesù, the exposition features four artists depicting spirituality and inner self.

A Japanese postmodern artist Yayoi Kusama, had an art technique of drawing and painting dots. Her art form was influenced by her psychological problems in which she expressed herself in an artistic form of painting dots. Both literature arts and the visual arts uses different techniques to express themselves whether it be modern or postmodern. Postmodern art use a lot of different techniques to express themselves and manipulate the audience in an entirely different way like how Kusama had expressed herself in a different way than artists have previously done before. Postmodernism started after WWII and used a happier and sometimes an ironic tone in their creations. Modernism started in the 20th century and were sometimes difficult to understand the pieces of art and writing. It is the departure of traditional arts and a movement in the arts to create new styles and techniques. The new form of art often causes conflict and sorts of negative reaction to those viewing because of its new art form that questions many people. The new form of art are subjective and creates different reactions that often tends to question what art really is in general. Both modernism and postmodernism uses many of the similar authorial techniques but uses different tones in the writings. Many of the authorial techniques they use are imagism, fragmentation, motifs, mutations, and many other techniques to create an effect.

In order to demonstrate these specific characteristics, Leger incorporates many different types of elements into this piece. In this painting, color plays an important role. The shapes of the blue squares contrast altogether with the other shapes and also, with the mutated beige background. Leger uses numerous colors such as the neon yellow, red, blue, black, and green in order to reveal that the colors are free and therefore, these colors exist in space. As mentioned earlier, this painting included a variety of different shapes; there are two different types of shape that can be seen in this painting. The first type is geometric or regular shapes such as the squares, circles, and rectangles. The second, on the other hand, are organic and freeform shapes such as the feet, hands, and face. Next, Leger incorporates many lines throughout this portrait. From curved lines to a single horizontal line, Leger includes each different type to develop a sense of movement, or rhythm. The curved lines makes the viewer’s eyes circle around the piece to further realize the symbolism. For space, Leger leaves many of the corner as negative space. However, the corners of this painting are not the only ones Leger leaves as space. Because the shapes and colors are kept simple, there’s also quite a series of distance between the shapes even throughout the whole entire painting. Again, because of the simplicity of the shapes, even the texture of this painting can be seen as smooth. The painting does not involve any harsh or rugged lines, and is

(1) Impressionist chooses themes from everyday life and painting outdoors. The goal was to get a representation of a spontaneous and direct world, and for that they focused on the effects of natural light on objects. They mainly focus on light, moment and the space. The abstract- impressionist used reason and intellect, divided into figurative and non-figurative, the non-figurative had no known forms they are pure images coming from the author 's mind. It is mechanical and can be cold. Figurative abstraction uses real forms but distorted and simplified even to lose its basic characteristics -it is free- might please the eye, because the author seeks to convey our emotions without seeking cosmetic beauty - are simplified geometrics forms , without any apparent order nor purpose. This being said one can conclude that Claude Monet 's (an impressionist) painting “Coquelicots” has been called landscaping painting because it reflects a scene from nature. His painting doesn’t show great detail on people’s faces nor does shows details on “things”, rather his painting focuses on the moment that the artist tries to express in his work. Through Claude Monet’s painting one can easily guess the time in history where the painting took place.

Claude Monet is one of the most classic examples of an impressionist artist. Impressionism originated in France in the 1860’s. It is characterized by visible brush strokes and a focus on light, texture, and colors rather than looking realistic. Impressionist paintings are extremely easy to recognize and often elicit strong emotions of tranquility and warmth. Monet had a life full of ups and downs which shaped his artwork and his paintings and life have also influenced my own personal style.

of art as a finished product, signed by the artist and authenticated by the art market,

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly concerned with producing visual reality in their paintings in terms of fleeting effects of color and light.