Post Impressionism and Art Essay

In his painting, there is a term to expressing how light varies from its original light. For instance, the background of the painting is adding with brown color, yet using tint and shade effect to the sun sets with distinctive brightness. Brightness is adjusted by horizontal movement, and Breton increases, and decreases his painting’s brightness at the background view. Upper part of the pieces, twilight shines with varying brightness, depending on the darkness of the sky surface. Brightness for the mid-gray tones in the surrounding space, with significantly affecting the highlights and shadows. Overall painting allows depress emotion. Figures is luminous such as the sky and houses, also for the woman, she is apparently describing with a energetic sense of natural, and mournful atmosphere. The light at the back part of the drawing gives viewers to pay attention to the woman rather than the background, since there is bright white T-shirt with dress, and the woman’s face. Breton uses tint and shade effect at the upper part of the painting, and clouding of the back scene maintains a tenderness. Breton uses bright light at the sun sets, and it expressed that it was the dawn and bring message with a bright future will come soon to the woman, and the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

Art, according to Webster's Dictionary, is a human skill of expression of other objects by painting, drawing, and sculpture. People have used art as a form of expression for a long time. From the Mesopotamian era to the Classical Greeks and the present. Art is expressed in many different ways and styles, and is rapidly changing, one style replacing another. Impressionism and Cubism broke away from the traditional style of painting. They were both looking for a new way to express everyday life. Time is an important tool that is used in Cubism as well as Impressionism. This element is expressed in Claude Monet's Sunrise and Pablo Picasso's Man with a Violin in different ways.

Paul Cézanne is often called the first modernist painter, and in his essay, “Cézanne and the Unity of Modern Art” Clement Greenberg, identifies Cézanne as the “most abundant generator of ideas and the most enduring in newness”(Greenberg,83). This, coming from one of the most influential art critics of the twentieth century, is not to be taken lightly. Cézanne was extremely influential to the modernist painters of the early twentieth, including Pablo Picasso and George Braque in their development of Cubism (Orfila,3). At the beginning of his career, Cézanne painted in the impressionist style that was common for the avant guard painters of the time, but he was disinterested in capturing the “transitory

One of the aspects I believe unifies this painting is, as I talked about above, the continuation of the blue of the woman’s clothing continuing up into her hair, which gives the piece a sense of wholeness and relativity. There is also balance in this piece, for while the woman’s head is offset, this is balanced out by the elongation of her shoulder and arm in the right side of the image. Variety is also achieved in this piece through the use of a variation of hues and a lot of tonal difference. Emphasis is placed upon the hair with the use of an unnatural hair colour, as well as the face where light colours are used to highlight and pull the attention. Space is not so much of an active principle in this piece, but is still present nonetheless. Beryl is placed in the middle of the painting, with her taking up roughly 50% of the space, and the rest taken up by background.

The 1920s were a time of great prosperity and revitalization. This decade gave way to many great social milestones for every class of people. From the limits for immigration to the boom of the auto industry American society was drastically altered. Issues such as foreign immigration,prohibition, the Ku Klux Klan ,evolution, women’s roles, and race were the focus of the populus and drove politics within the nation. Art played a major role in how the black community expressed their new found sense of culture. Painting has always been a way for someone to portrait their ideas.

Mr. Bannister also implements elements value in his paintings for the use of transitioning between elements that contain variety. However, Mr. Bannister elevates the element of value in his oil on canvas painting by the way in which he uses value to convey distance in his paintings. In his painting “Landscape (with Hunter)1”, Mr. Bannisters depicts scale by using a contrasting value of “light to dark to light” to show that the mountains in the background are so far out that they do not share the same overcast climate as shown in the foreground.

First of all, Michel shows the viewer a lot of curvilinear lines meaning a consisting of, bounded by, or characterized by a curved line, or a along a curved line of a set of coordinates determined by or determining a system of three orthogonal surfaces (definition from the internet). Geometric meaning, a set of points or vertices lines connecting the points in a closed chain, as well as the resulting interior points. Such shapes are called polygons and include triangles, squares, and pentagons (definition from the internet). And irregular shapes meaning polygon that does not have all sides equal and all angles equal. A polygon is "regular" only when all angles are equal and all sides are equal, otherwise it is irregular (definition from the internet). He also adds warm, cool and intensity colors to catch the viewer attention. The person analyzing the painting really has to pay very close attention to Micheles art work. Michele tends to add a lot of small detail to his art work mostly about life; such as the sea representing water, animals like elephants, numbers, moving flags representing air, two humans in the house representing a family, a clock representing time, rims, and boats both

The realm of postmodern art encompasses various aspects of contemporary styles. There is no set format to creating artwork anymore. Art pieces in the past basically conformed to the Kantian-Hegelian theory of art. Thomas McEvilley claim, "It was essentially an aesthetic theory of art, which held Beauty is a universal force that enters the soul with immediate, unquestionable authority at the instant when the soul approaches the beautiful object with openness to it" (qtd. in Weintraub 245). Beauty became an inborn characteristic of art. Pieces of artwork inevitably possessed the quality of beauty, seeking to inspire and touch the soul with powerful, aesthetically pleasing images.

A Japanese postmodern artist Yayoi Kusama, had an art technique of drawing and painting dots. Her art form was influenced by her psychological problems in which she expressed herself in an artistic form of painting dots. Both literature arts and the visual arts uses different techniques to express themselves whether it be modern or postmodern. Postmodern art use a lot of different techniques to express themselves and manipulate the audience in an entirely different way like how Kusama had expressed herself in a different way than artists have previously done before. Postmodernism started after WWII and used a happier and sometimes an ironic tone in their creations. Modernism started in the 20th century and were sometimes difficult to understand the pieces of art and writing. It is the departure of traditional arts and a movement in the arts to create new styles and techniques. The new form of art often causes conflict and sorts of negative reaction to those viewing because of its new art form that questions many people. The new form of art are subjective and creates different reactions that often tends to question what art really is in general. Both modernism and postmodernism uses many of the similar authorial techniques but uses different tones in the writings. Many of the authorial techniques they use are imagism, fragmentation, motifs, mutations, and many other techniques to create an effect.

The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic

The brush strokes are far more wild than Gericault's. Paint is sometimes sculpted thickly, as on the horseman's leg, and sometimes so thin you can see the hairs of the brush, as on the horse's mane or the horseman's hair blowing in the wind. This is a range of texture much broader than what Gericault uses. The use of color bold color adds drama to the scene as well. Unlike Gericault, Delacroix is not constrained to a palate of earth tones, even depicting the scenery in unnatural colors, like the bold turquoise blue. Rather than toning down his reds, Delacroix emphasizes them by backing them with greenish blues to make them stand out even more. The use of perspective in this scene is also dramatic and bold. It places us far below the horseman and making him completely loom above us. It is hard to orient ourselves completely in the scene because the perspective is not so much realistic as used for dramatic effect. In these ways, Delacroix takes Gericault's tools to establish a mood one step

(1) Impressionist chooses themes from everyday life and painting outdoors. The goal was to get a representation of a spontaneous and direct world, and for that they focused on the effects of natural light on objects. They mainly focus on light, moment and the space. The abstract- impressionist used reason and intellect, divided into figurative and non-figurative, the non-figurative had no known forms they are pure images coming from the author 's mind. It is mechanical and can be cold. Figurative abstraction uses real forms but distorted and simplified even to lose its basic characteristics -it is free- might please the eye, because the author seeks to convey our emotions without seeking cosmetic beauty - are simplified geometrics forms , without any apparent order nor purpose. This being said one can conclude that Claude Monet 's (an impressionist) painting “Coquelicots” has been called landscaping painting because it reflects a scene from nature. His painting doesn’t show great detail on people’s faces nor does shows details on “things”, rather his painting focuses on the moment that the artist tries to express in his work. Through Claude Monet’s painting one can easily guess the time in history where the painting took place.

Claude Monet is one of the most classic examples of an impressionist artist. Impressionism originated in France in the 1860’s. It is characterized by visible brush strokes and a focus on light, texture, and colors rather than looking realistic. Impressionist paintings are extremely easy to recognize and often elicit strong emotions of tranquility and warmth. Monet had a life full of ups and downs which shaped his artwork and his paintings and life have also influenced my own personal style.

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly concerned with producing visual reality in their paintings in terms of fleeting effects of color and light.