Post Modernism and Architecture Essay

Frank Gehry is a typical post-modernism and deconstructivism architect, Americans like to call him “another Frank” because of Frank Lloyd Wright who was famous as a modernism architect. And he did not like to be constantly compared with Wright, emphasizing their differences. Under the influence of deconstructivism, a lot of Frank Gehry’s design shows full comprehension of the structures and the principle of designing by using the twisted shapes and some uncovered structure form. In this passage, I will analyze the influences of Frank Gehry’s design; the extent of influence that he got from Frank Lloyd Wright, and compare and contrast their works by using Frank Gehry’s house and Jacob’s house by Frank Lloyd Wright

Modernism was primarily concerned with principles such as identity, unity, authority, and certainty whereas postmodernism is often connected with difference, plurality, textuality, and skepticism. Postmodernism is a movement away from the perspective of modernism. Basically Modernism became 'whatever you could get away with.' Modernism attempts to construct a consistent world-view whereas postmodernism tries to remove the difference between high and low. Modernist thinking stresses that mankind advances by using science and reason while postmodernist thinking believes that progress is the only way to validate the European domination on culture. Modernist beliefs are in learning from past experiences and trusts the texts that relate the past. On the other hand postmodernist thinking defies any truth in the text narrating the past and renders it of no use in the present times. Modernist historians have a faith in depth. They believe in going deep into a subject to fully analyze it. This is not the case with postmodernist thinkers. They believe in going by the superficial appearances, they believe in playing on surfaces and show no concern towards the depth of subjects. Modernism considers the original works as authentic while postmodernist thinkers base their views on hyper-reality; they get highly influenced by things propagated through

A worldwide movement encompassing all disciplines, postmodernism arose in response to the dominant idea of modernism, which is described as the social condition of living in an urban, fast-changing progressivist world governed by instrumental reason.

Postmodernism is a term which is highly contested in the sociological world, where it is used to indicate a significant detachment from modernism. It is easier to give the uses of the term; ‘to give a name to the present historical period, to name a specific style in arts and architecture and to name a point of rupture or disjuncture in epistemology’ (Buchanan, 2010). For this,

Frank Lloyd Wright was born in the year 1867, in Richland Center, Wisconsin. Both an architect and writer, he is considered a genius of the American architecture (Kaufmann 1). Wright went to the University of Wisconsin at Madison for a few terms where he took engineering courses (Kaufmann 3). He finally left Madison after a few years and found work with J.L. Silsbee, in architectural detailing. After a few years he opened his own architectural practice. One of his styles that became the residential design of the 20th century in the United States was the Prairie Style. The Prairie architecture was known for its revolutionary approach to the building of modern homes. Wright built about 50 prairie houses in ten years. Two of his major works that stand out is the Guggenheim Museum located in New York and the Marin County government Centre located near San Francisco.

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

Mies van der Rohe is one of the most prominent figures in modernist architectural history, the man who popularised some of the most influential phrases of the era, e.g. “less is more”, and strove to push his ideas and philosophies, not just on what he thought a building should be, but of what he thought architecture itself was. He changed the cityscape of America, showing the world a style that was simple and elegant, with such a controlled palette of expressions that shone through in its geometric beauty.

Educated subsequently at the École des Arts Décoratifs de Paris (1947-50) and École du Louvre (1951-5), the artist focused her work on geometric abstraction and Concrete Art. During her academic years, Vacossin was an active member of the Atelier Lapoujade (1951-5), and later a founder of Atelier Fanal in Basel (1966). Throughout the years, the artist has exhibited her works within a frame of numerous solo and group shows, debuting at the Galerie d'Art Moderne in Basel (1972). Some of her most recent institutional outings included traveling shows "50 quadrat" (2004-6) and "Color and Geometry" (2010-11), and venues such as the Museum of Art in Neuchâtel (2005), Mondriaanhuis in Amersfoort (2006), Institute of Constructive Art and Concrete Poetry in Rehau (2008, 2010), or the Vasarely Museum in Budapest (2013). In 1980, the artist was honoured by one of the most prestigious accolades in France, the Order of Arts and

There is often some confusion when people start talking about the post-modernism and modernism in architecture in terms of  their philosophical terminology differences. Modern architecture is known for its minimalism (Linder, 2004); buildings were functional and economical rather than comfortable and beautifully decorated. The post-modernism architecture, however, is called a “neo-eclectic, significantly assuming the role of a regeneration of period styles for designing houses, and a never-ending variety of forms and characteristics, asymmetrical designs for commercial buildings” (Fullerton Heritage, 2008). An example of these two polar opposites, “Less is more” made by Mies van der Rohe in 1928 (Blake, 1976) and "Less is a bore" made by

The incredible work of these Modernist architects had a strong and distinct influence on up and coming young Australian Architects during the 1950’s – 1970’s.

Postmodern art decided to make revolutionary break with past and questioned previous theories known as “big narratives” of art, politics, economics and overall culture in order to create new theories. The big part of postmodern theory deals with the belief of preexistence of the art all around us. The artist is the one who can recognize these elements of art around as and synthesize them into the art work. This art work becomes object of interpretation which inevitably varies among different generations, social groups, national group, religious groups, and depends on some extent of the educational level of the observers and it is also different in the same individual in different times or environments. The different interpretations of

Postmodernism was a reaction against the modernism philosophical values and assumptions. Although many agree that there is a thin line between modernism and postmodernism, postmodernism is not modernism. In modernism, scientific theories were used to determine what is true. However, postmodernism allows individuals to question the theories and not take them as facts (Duignan, 2014). While modernism emphasized on objectivism, postmodernism allows extensive subjectivism in all aspects of life.

'It quickly emerged that the proper and unique area of competence of each art coincided with all that was unique to the nature of its medium. The task of self-criticism became to eliminate from the effects of each art any and every effect that might conceivably be borrowed from or by the medium of any other art. Thereby each art would be rendered 'pure', and in its 'purify' find the guarantee of its standards of quality as well as of its independence. 'Purity' meant self-definition, and the enterprise of self-criticism in the arts became one of self-definition, with a vengeance.'

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in